Results
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£84.99Yakolo (Concert Band - Score and Parts) - Oswald, Gerald
Yakolo is originally a dance song from Africa. It reflects the people of Africa's zest for life, following the maxim Come and join us!. In this work, the call and response principle is featured as a trademark element of traditional African music. The rhythmic melodies invite listeners to sing and dance along and thus give shape to the African art of celebrating together. The repeating themes will be sure to put a smile on everyone's face!Duration: 3.30
Estimated dispatch 7-14 working days
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£149.99White Winged Flight (Concert Band - Score and Parts) - De Haes, Tom
White Winged Flight was commissioned by the association 'Moza?ek', the cultural collaboration of the Belgian municipalities Bonheiden, Duffel, Putte and Sint-Katelijne-Waver. The work is based on 4 notes that each stand for the name of the municipality. The title refers to the white-winged flight of a peace dove and is a call for reconciliation and peace. It is a brilliant piece of music in which you can hear the positive message throughout the parts. It is lively, colourful and offers plenty of great playing for all instrument groups. Duration: 11.45
Estimated dispatch 7-14 working days
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£66.95A Prairie Portrait (Concert Band - Score and Parts) - Sheldon, Robert
A Prairie Portrait was inspired by the poetry of Carl Sandburg. The lyrical quality of the music is a testament to the loving words he wrote as a tribute to his birthplace. The pioneer spirit shines through the opening of the work, full of youthful optimism and energy. The lyrical section that follows represents the poet's "hankering" for another day and beautiful night on the prairie, giving us the warm feelings of love and security we all feel about the place we call home. Duration: 5.30
Estimated dispatch 7-14 working days
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£62.95Mandjiani (Concert Band - Score and Parts) - Harbinson, William G.
Mandjiani is based on a number of compositional techniques common to the music of Africa. Among the techniques employed are "call and response," layering independent lines to create complex textures, parallel voice leading, diatonic harmonies, and invigorating cross rhythms. Mandjiani is the name of the ostinato rhythmic pattern that appears in the work and persists until the end of the composition. Duration: 6.00
Estimated dispatch 7-14 working days
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£114.99Tournament (Concert Band - Score and Parts) - Bulla, Stephen
This rhapsody for concert band describes programmatically the period of history when knights fought bravely in suits of shining armour. The tournament was a time of fierce jousting for the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the various instrumental sections, each fighting for attention with call and response patterns. Each section of the band has its own moment of glory in this heroic concert work.Duration: 5.15
Estimated dispatch 7-14 working days
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£20.79Salseros
A light and lively Latin selection featuring a call and answer style. A fine selection to feature all of the sections in your beginning band. Don Schaeffer has developed a reputation for his writing for young bands and this new composition will certainly live up to that reputation.
Estimated dispatch 7-14 working days
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£57.50Finn McCool (Concert Band - Score and Parts) - Buckley, Robert
Finn McCool (Fionn mac Cumhaill) was a mythical Irish giant. There are many stories associated with Finn, including the legend that he built the Giant's Causeway in the north of Ireland as stepping-stones to Scotland. Finn McCool starts as a funky Irish jig with an infectious groove and a call and response structure. This develops into a section with a melody reminiscent of an Irish air. Finally, these two melodies are played together and the music builds to a final flourish.
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£94.99
Ready - Steady - Brass! (Concert Band - Score and Parts)
Ready - Steady - Brass! is one of a number of successful works by Otto M. Schwarz such as Last Call, Funky Winds, Glory Fanfare and Groove Machine. Starting with a fanfare-style opening the music takes a journey through melodic sections and technical, soloistic passages to a grandiose finale.
Estimated dispatch 7-14 working days
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