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£202.99Avalon Wind Band Set (Score & Parts)
The magical world of King Arthur, Merlin and Mordred is the setting for Avalon. Unexpected opening figures portray the sudden entrance into another world. A choral-like melody represents the procession of ghosts headed by the mighty magician Merlin. Suddenly, ostinato figures and bi-tonal motifs indicate the attempt of Mordred and his horde to disturb the peace and quiet in the otherwise calm Avalon. Following a powerful statement of King Arthur, we hear a glissando referring back to the opening bars, and... we are back in the normal world. The journey through the underworld has come to an end and the dream is over. 0:16:20
Estimated dispatch 7-14 working days
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£115.00BOHEMIAN DANCES (Concert Band) - Woolfenden, Guy
Includes:1. Shepherds and Shepherdesses2. Florizel and Perdita3. Dance of the SatyrsOne of my favourite Shakespeare plays is The Winter's Tale, and I have written music for three completely different productions during my time as Head of Music to the Royal Shakespeare Company. One, starring Judi Dench as both the mother, Hermione and her daughter, Perdita, had a big band Tribal Love-Rock score; another had a more classical, but timeless feel to it, and the last was an excellent small-scale touring production, for which I was allowed only a handful of instruments. It is from this source that the basic themes for Bohemian Dances, and an earlier version Three Dances for Clarinet Choir, have emerged. Act IV of the play is set in the kingdom of Bohemia - hence the title of the work.Shakespeare calls for "A Dance of Shepherds and Shepherdesses", which gives Florizel, the son of Polixenes, (King of Bohemia) a chance to become better acquainted with the beautiful Perdita, the lost daughter of Leontes, (King of Sicilia). This movement is written in seemingly tricky and ever-changing metres, but is rhythmically quite logical and melodically catchy.The slower second movement 'Florizel and Perdita' is the lovers' pas de deux: a gentle, slow waltz-like tune, initially presented by the principal oboe, is contrasted with a lndler-like double time melody, at the end of which a solo clarinet makes a link to the last movement.'Dance of the Satyrs' is a rip-roaring, foot-stamping dance performed in the play by 'three carters, three shepherds, three neat-herds, and three swine-herds', who enter in outrageous costumes representing the lecherous half-man, half-goat of Greek mythology. This dance is referred to as a "gallimaufry of gambols" - now where have I heard that word before?! - GW
Estimated dispatch 7-14 working days
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£64.35Imperial - Swearingen, James
The long list of newly edited King marches continues to grow by leaps and bounds. You can be assured that this latest selection will be another crowd pleaser for audiences of all ages. It should also be noted that musicians love to revisit the glory days of circus band performances and it just doesn't get any better than this toe tapping march by the great Karl L. King. A real crowd pleaser!
Estimated dispatch 7-14 working days
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£41.47A Coventry Rhapsody (Symphonic Wind Band) Karl Whelan
VIEW SCORE PDF A Coventry Rhapsody is based on The Coventry Carol, which dates back to the 16th century and is one of three songs from a nativity play entitled Pageant of the Shearman and Tailors which was traditionally performed in Coventry. The carol itself depicts the Massacre of the Innocents in the nativity narrative from the Gospel of Matthew, in which King Herod, orders the execution of all baby boys under the age of two in the vicinity of Bethlehem. Snippets of the carol can be heard throughout the work in different guises. It is not until the final section that we hear the carol in all its glory. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Piccolo (optional) Flute1-2 Oboe Bassoon Clarinet in Eb Clarinet 1-3 in Bb Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet 1 in Bb/Eb Trumpet 2-3 in Bb Horn 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Percussion (4-5 players) Optional parts include: Tenor Horns 1-4 in Eb Trombone 1-2 in Bb Euphonium in Bb Tuba in Eb Tuba in Bb
In stock: Estimated dispatch 1-3 days
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£56.55A Christmas Fantasia - Wind Band (Andrew Wainwright)
An ideal finisher to your Christmas concert, this descriptive major work for concert band features imaginative treatments of the carols Noel Nouvelet, God Rest Ye Merry Gentlemen, A Great and Mighty Wonder, The Infant King, Tomorrow Shall be my Dancing Day, and Of the Father's Heart Begotten. To view a video performance of the brass band version, please visit: https://www.youtube.com/watch?v=jFpQpLQSqUs PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe 1-2 Bassoon 1-2 Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Timpani Percussion 1-2
In stock: Estimated dispatch 1-3 days
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£72.00Washington Post
Next to Stars and Stripes Forever, this march, universally known as "The March King," is probably the best-known march by John Philip Sousa (1854-1932). From its energetic opening through the memorable 1st strain, the tuneful second and memorable trio, this is a beloved example of march writing at its best. A perfect introduction to the 6/8 march style, this very playable version will be a great warm-up march for contest and festival. Duration: 3'
Estimated dispatch 12-14 working days
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£127.30Takk - Edvard Grieg
"Gratitude" is one of Grieg's beautiful lyrical pieces, Op. 62 No. 2.Eva Knardahl made a beautiful recording that I well remember was used as background for a picture cavalcade by the Norwegian Broadcasting Corporation during the passing of His Majesty King Olav V of Norway in 1991.In this arrangement for band, I have tried to vary the instrumentation, both for the sake of more colours and to emphasize the drama.This piece should be played rubato with elastic phrasing. The form can be described as AABACoda. The most dramatic section is the B part from measure 25, which peaks just before measure 38. The last four measures (from measure 53) can be done a bit 'meno' in tempo.Reid Gilje
Estimated dispatch 7-14 working days
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£76.99Serenata - Leroy Anderson
Serenata was first performed on May 10, 1947 as an encore at the Boston Pops, with Arthur Fiedler conducting. Fiedler would later praise the piece as among the conductor's favorites. Lyrics were added by Mitchell Parish in 1950, which would lead to recordings by the likes of Sarah Vaughan and Nat King Cole. With a beguine rhythm as a background, Anderson's inspiration from the Latin-American serenade would give the piece its title. This publication is the first-ever to offer a full score, edited by Mark Rogers, offering Anderson's enchanting work to new generations of audiences.
Estimated dispatch 7-14 working days
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£67.50Wedding March - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The interlude between the 4th and 5th acts of the incidental music is the famous Wedding March, Mendelssohn's most popular and most performed work.
Estimated dispatch 7-14 working days
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£152.99A Midsummer Night's Dream - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.
Estimated dispatch 7-14 working days
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