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  • £72.99

    John Williams: Soundtrack Highlights (Concert Band - Score and Parts) - Williams, John - Bocook, Jay

    Featuring marvelous new themes from "Harry Potter and the Sorcerer's Stone," the beautiful "Theme from A.I." and the powerful main title from "The Patriot," here is a medley of the best recent film work from master composer John Williams. Jay Bocook brings it to the concert band stage with finesse and style.

    Estimated dispatch 7-14 working days
  • £137.95

    Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip

    Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £27.95

    Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip

    Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £72.99

    John Williams: Soundtrack Highlights - John Williams

    Featuring marvelous new themes from Harry Potter and the Sorcerer's Stone, the beautiful Theme from A.I. and the powerful main title from The Patriot, here is a medley of the best recent film work from master composer John Williams. Jay Bocook brings it to the concert band stage with finesse and style.

    Estimated dispatch 7-14 working days
  • £195.00

    Johannesburg Festival Overture (Concert Band - Score and Parts) - Walton, William - Noble, Paul

    Johannesburg Festival Overture was composed for orchestra by William Walton for the 70th anniversary of Johannesburg, South Africa in 1956. Walton received the commission from Ernest Fleischmann, musical director of the Johannesburg Festival Committee, to celebrate the seventieth anniversary of the city. Fleischmann included in his request to include some African themes. For inspiration he requested recordings of African music from the African Music Society. The effect of these recordings can be heard with percussionists performing on eleven instruments. The composer also incorporated the main theme from Jean Bosco Mwenda's Masanga (which had been released on record in 1954). Walton described the piece to his publisher as a non-stop gallop...slightly crazy, hilarious and vulgar. This arrangement for Concert Band captures the original colour, excitement, and energy of the original orchestra work, and should become a staple in the repertoire of excellent bands.

    Estimated dispatch 7-14 working days

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  • £42.50

    New World Symphony (Concert Band - Score and Parts) - Dvorak, Antonin - Murtha, Paul

    Using two distinctive themes from Dvork's Symphony No. 9 (From The New World), Paul Murtha has crafted an effective piece for beginning bands. The opening slow section from the 2nd movement is followed by the familiar powerful strains of the 4th movement. An excellent introduction for beginners to one of the great classical composers.Duration: 2:30

    Estimated dispatch 7-14 working days
  • £115.00

    DIVERTIMENTO FOR BAND (Concert Band) - Woolfenden, Guy

    Includes:I. ToccataII. AubadeIII. ScherzoMany of the principal musical ideas for Divertimento for Band are derived from music composed for a documentary film called Country Camera, which celebrated the work of the earliest photographers who recorded a way of life which vanished at the outset of the first World War.The three movements are played without a break. The Toccata pits a four-note motif (which always appears with its mirror image) against several other derived ideas, including a sour horn (later trumpet) figure, a tiny lyrical passage initiated by a solo alto saxophone, and a more gentle, but still staccato episode. Many polytonal devices keep the four-note motif active. The Aubade contrasts a lyrical pastorale, initiated by a solo flute, with a more intense central section on the brass. The Scherzo finale has three main ideas; a tune for principal bassoon and euphonium of a playful child-like nature, a rushing figure for the woodwinds later developed by the full band, and a solo for trumpet and clarinet, involving a descending scale and a lyrical wide-leaping recovery. The exuberant coda is derived from themes from the previous two movements.The world premiere of Divertimento for Band was given at the conference of the World Association for Symphonic Bands and Ensembles in Killarney on 13th July 2007 conducted by the composer, and is affectionately dedicated to Keith Allen, Jayne Rollason and Birmingham Symphonic Winds. -GW

    Estimated dispatch 7-14 working days
  • £119.00

    Heritage - Shawn E. Okpebholo

    Shawn Okpebholo's Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties.The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright).Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian.

    Estimated dispatch 7-14 working days

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  • £76.99

    DANCES WITH WOLVES (Concert Suite) (Young Band) - Barry, John - Bocook, Jay

    Jay Bocook's medley from the Oscar-winning soundtrack from veteran film composer John Barry includes: Looks Like A Suicide (Main Title), The John Dunbar Theme, Journey To Fort Sedgewick, Love Theme, and Buffalo Hunt - all memorable themes from this epic movie. The sweeping style and grandeur of the orchsetral score make it a natural choice for a quality band piece. American Grade 3

    Estimated dispatch 7-14 working days
  • £72.99

    Europa - Marc-Antoine Charpentier

    Jan de Haan combines a famous prelude and a famous finale from the pens of two famous European composers. Both familiar themes are still frequently played today. The prelude, from Marc Antoine Charpentier's Te Deum, is featured asthe theme for today's Eurovision Song Contest. The finale, from the final movement of Beethoven's Ninth Symphony, has become the European Anthem. Your band will enjoy performing these master works that have been carefully scoredin a four-part flexible instrumentation. Dur: 2:40 (Grade 2)

    Estimated dispatch 7-14 working days

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