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£142.90Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
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£102.99
Absolut(e) ABBA
Dancing Queen - S.O.S. - Mamma Mia - Waterloo - Super Trouper - Gimme! Gimme! Gimme! - Take a Chance on Me - Voulez-vous
Estimated dispatch 7-14 working days
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£144.99Scottish Dances - Peter Martin
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding
Estimated dispatch 7-14 working days
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£144.99
Scottish Dances Wind Band Set (Score & Parts)
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping I was peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding 07:00
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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£48.95Glen Crossing (Concert Band - Score and Parts) - Stalter, Todd
This delightful piece is the perfect opener for developing bands. Of the piece, the composer writes, "My dog loves to take walk with our son, and she is always very excited to experience anything and everything on their journeys together. Glen Crossing contains melodies that revealed themselves to me on my walks with Hershey, and hopefully it portrays the fun and joy that 'Hershey and her boy' have every day, rollicking through the neighbourhood."Duration: 2.00
Estimated dispatch 7-14 working days
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£64.95GEORGE GERSHWIN (A Symphonic Portrait) (Army Journal) - Chase, Bruce
Army Journal 879. Includes: Summertime; They Can't Take That Away form Me; A Foggy Day; It ain't Necessarily So; Bess You Is My Woman Now; Love is Here to Stay. A full listing of Chappell Army Journals is available - click the Chappell symbol on the home page. Printed to Order. Each set includes Conductor (Condensed Score); 2 x Solo B flat Clarinet; 2 x 1st B flat Cornet; 2 x Basses and 1 each of all other parts as originally published. We are unable to supply parts not included in the original sets.
Estimated dispatch 7-14 working days
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