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£64.95Farandole (Concert Band - Score and Parts) - Bizet, Georges - Wiffin, Rob
In taking a lateral look at Bizet's famous Farandole, I decided to omit the full opening statement of the old Provencal tune Marcho dei Rei (March of the Kings), opting instead to make oblique references to it. The combination of this old Christmas song with another traditional Provencal Melody Danso dei Chivau-Frus (Dance of the Hobbyhorse) originally made by Bizet's friend Ernest Guiraud when he compiled Suite No.2 from Bizet's music to the play L'Arlesienne.The farandole is a traditional Provencal dance in which men and women hold hands in a chain and wind through the streets following a musician playing pipe and tabor. In the case of Danso dei Chivau-Frus, the lead dancer would wear a horse's head made of papier mache or something similar.I have attempted to stay true to the spirit of the Farandole and the contrapuntal devices added by Guirand while adding a few touches of interest and harmonic colour here and there.- Rob Wiffin
Estimated dispatch 7-14 working days
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£148.00Trois Rag - Caprices (Concert Band - Score and Parts) - Milhaud, Darius - De Meij, Johan
The French composer Darius Milhaud (1892-1974) was a member of the Groupe des Six. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Stravinsky. Milhaud's most popular work is undoubtedly the ballet La Creation du Monde, one of the most striking examples of jazz influences in classical music. The premiere at the Theatre des Champs Elysees in October 1923 caused a real scandal with the Paris public. The Trois Rag-Caprices for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for La Creation du Monde. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The Trois Rag-Caprices were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to Saudades do Brasil (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet Le Boeuf sur le Toit. Johan de Meij's orchestration of Trois Rag-Caprices for symphonic band is a most welcome addition next to the original band works of Milhaud, such as Suite Francaise (1945) and West Point Suite (1951).Duration: 8.00
Estimated dispatch 7-14 working days
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