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£53.95Adventus - Scott Watson
Adventus, meaning "arrival" or "debut" and celebratory in nature, was written to showcase the playing achievements of students. After a bold fanfare statement, the main theme is developed (first playfully, then with more grandeur). A contrasting moment of calm transitions to the exciting return of the opening theme, followed by triumphant closing material. Written squarely for Grade 1 players but with an attractive, mature sound that belies its level, Adventus, by Scott Watson, would make the perfect concert opener or closer. (2:30) Correlates to Sound Innovations, Book 1, Level 5.
Estimated dispatch 7-14 working days
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£109.99Catedrales - Bert Appermont
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Estimated dispatch 7-14 working days
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£123.95Mars from 'The Planets' - Gustav Holst
This hard-hitting arrangement of Holst's classic from "The Planets" dispenses with any initial build-up and hits you with a wall of sound right from the first note! Probably the most famous classical piece in 5/4 meter, this takes all the powerful impact points and combines them into a massive chunk of sound.
Estimated dispatch 7-14 working days
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£84.50Visigoths - Sean O'Loughlin
This piece is already one of Sean O'Loughlin's most successful, and it is now available in our new series of pieces with flexible instrumentation. It can be performed with as few as five players and percussion. This bold and aggressive piece will make any band sound good and with the five-part set-up of the scoring, you can overcome any instrumentation deficiencies. Check out the full recording, but also sample the excerpted recording that gives you an idea of how good this piece can sound, even with a very small ensemble.
Estimated dispatch 7-14 working days
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£115.60Hard to Say I'm Sorry - Peter Cetera
"Hard to Say I'm Sorry" is one of the greatest hits by US rock band Chicago. It was the first single record from the "Chicago 16"-album (1982). The song went to no. 1 on the Billboard charts and stayed there for two weeks. Produced by David Foster, the song was given a typical early 80's sound with synthesizers and heavy guitars dominating the sound. The album-version of the song included a part two of the song, "Get Away", a up-tempo song featuring the famous horn-section of the band.
Estimated dispatch 7-14 working days
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£82.50Bravura - Robert E. Foster Jr.
This famous circus march has been a favorite of bands and audiences for years, and this well-crafted arrangement puts it easily within the reach of less experienced musicians. It will sound great with young players and provide a thrilling march addition to concert or contest programs. The solid and well-doubled scoring will sound impressive on any program and will provide the same feeling of excitement as the original.
Estimated dispatch 7-14 working days
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£80.95Fantasia for Christmas
From its quiet opening through its grand and sweeping cascades of sound, this very familiar seasonal carol experiences a complete and powerful transformation. The use of brilliant metal percussion complements the massive peaks of sound from the winds. This scoring is guaranteed to leave your audiences breathless. The holiday concert closing selection. (3:19)
Estimated dispatch 7-14 working days
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£104.99Canterbury Chorale - Jan Van der Roost
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.
Estimated dispatch 7-14 working days
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£54.99Miles Ahead - Jay Taylor
This selection for first-year bands was carefully written to sound full and mature, giving young players confidence and impressing audiences that a young band can sound so mature and accomplished. Not only will it have your group sounding miles ahead of their age and experience, it will give them a glimpse of the future and the many great musical moments they have waiting for them in the miles ahead.
Estimated dispatch 7-14 working days
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£209.99Dunamis - AndrĂ© Waignein
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band, with Andr Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year, the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme, played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here, the band can really show its capabilities to thefull. Based on a very precise rythm, an idiom of sudden desperation and adversity develops which, fused with a crushing agression, culminates in a kind of eruption, soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime, the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro, a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again, with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte, when speaking about Honneger, "harmonies d'intensits" harmonies of the unmeasurable.
Estimated dispatch 7-14 working days
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