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£47.50Wassail!
Bring something different to your holiday concert this year with this richly contrasting medley of wassailing songs that hearken back to the close of the Middle Ages. Ancient melodies in medley carefully arranged for the Grade 2 band makes this an effective choice for your holiday festivities. Concluding with the ever popular We Wish You a Merry Christmas, this delightful grouping of carols will work anywhere in the performance, even as the closer. (Grade 2)
Estimated dispatch 7-14 working days
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£205.30
Norwegian Musical Medley - Ludt
This medley consist of four well-known Norwegian songs originally written for musicals or movies in the 1960's and 70's.
Estimated dispatch 7-14 working days
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£149.40Stilig - George Keller
"Stilig" ("Take It Easy") is one of the most popular songs by the Norwegian artist and songwriter Trond-Viggo Torgersen. It was released for the first time in 1981 as a part of the LP-release "Det by'ner" n!", an album which also includes another Trond-Viggo hit "Tenke sjl" ("Make Your Mind Up").This arrangement will work perfectly both on stage and for marching purpose. The parts are printed in A4 Landscape-format which make the publication suitable also for parade.
Estimated dispatch 7-14 working days
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£228.70Halvdan Siveertsen Medley - Halvdan Sivertsen
This medley features the music of Norwegian singer/songwriter Halvdan Sivertsen in a challenging and colourful arrangement for Concert Band.Many of his most famous songs are arranged in styles like bolero, waltz, samba, tango and cha-cha-cha.A great entertainment-piece for mature bands.
Estimated dispatch 7-14 working days
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£154.60Vise i vinterlys - Erik Bye
Erik Bye (1926-2004) was a major Norwegian TV-personality in his time, a colourful man with a varied background.He was a great lyricist, and many of his poems and songs have become modern Norwegian classics.This song, which could be translated at A ballad in Winter-light is maybe his only love-poem. He text describes a cold scene, where the lovers meet, and the images Bye paint are cold, bleak - but still with a warm intensity.The norwegian composer Egil Monn-Iversen (1928-2017) has brought a Scandinavian Noir feel to the text, they suit the lyrics perfectly.- John Philip Hannevik -
Estimated dispatch 7-14 working days
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£154.60Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£154.60Oriental Dance - Wilhelm Peterson-Berger
Wilhelm Peterson-Berger (1867 1942), Swedish composer, beloved most of all for his collections of small piano pieces, Frsblomster 1 3 (Flowers from Frs). Peterson-Berger himself, primarily treasured his five symphonies and five operas, but todayit is mainly his songs and piano pieces which are performed. Besides composing he worked as a music critic at the daily paper Dagens Nyheter, and was feared by many for his sharp, sometimes almost vicious, pen.Peterson-Berger originallycomposed Oriental Dance for piano during his studies in Dresden in 1890, and immediately orchestrated the piece. It is one of his earliest pieces,somewhat of a bagatelle, admittedly, which mighthave found its inspiration in Griegs Peer Gyntsuite, yet it has a na ve charm which well compensates for its weakness. Oriental Dance was first performed by the Knstlerverein in Dresden in February, 1890.
Estimated dispatch 7-14 working days
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£149.40Lokk, dans og vise - Bjørn Mellemberg
This piece is a collection of three folk songs from Nord-Gudbrandsdal in Norway. To the Conductor: First part (from bar 8): The trumpets presents the theme while the horns and trombones represents a kind of echo "from a distance" and softer in style. Part two from bar 19: This is a dance in which the first and third beat are the most important. In part 3 (from bar 44) the phrasing should be 4+2+4+2.
Estimated dispatch 7-14 working days
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£149.40Norwegian Dance No. 2 - Alfred Evensen
Alfred Evensen (1883 - 1942) was born in Troms, but moved to Harstad 16 years old to start as a student at The Military School of Music. He was director and chief of the military band in 1918, and worked there for 12 years. In 1930 he was appointedto conductor of the military band in Bergen, and worked there until he was appointed to take over from Johannes Hanssen (Valdres march) as manager and conductor of the military band in Oslo in 1934.With this band he participated in a majorinternational military music collection in Paris in 1935 With a great success. In addition to his work in military music, he was a highly respected conductor of choir and composed, in additionto his compositions for bands, many songs for choir.He died in Oslo, after he was arrested because of his resistance against the German occupation. At his own request he was buried in Harstad, and there is also a statue of him.Norwegian Dance No. 1 and No. 2 dates from 1911 and 1912respectively. They are composed in the style of Grieg's Norwegian Dances, Op. 35, but, unlike Grieg, Evensen has used his own themes for the compositions.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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