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  • £61.00

    Cargo Funk - Peter Kleine Schaars

    This is the third part of the five-part suite 'Nomenclatura' commissioned by the Dutch Customs Band 'Douane Harmonie Nederland' for the band's performance at The Light Music Festival in Sankt Gallen, Switzerland. Funky music is derived from the East Coast or hard bop style. Peter Kleine Schaars has something with Funk music as he wrote already some pieces inspired by that style, such as 'Funky Fugue meets Waddle Waltz'. This is a rhythmic piece of music that will charm both young musicians and listeners. The theme is presented by trumpet, trombone and saxes and then developed by various instrument groups and via some fine solo work.

    Estimated dispatch 7-14 working days

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  • £90.10

    The Best of Andrew Lloyd Webber - Andrew Lloyd Webber

    Once again Henk Ummels has succeeded to make a rich and full arrangement using only 5 voices. This time an arrangement of highlights from the biggest musical hits from the most well known musical composer of all time. It has been arranged for beginner bands, but also very suitable for lower level bands who want something fun and entertaining. Includes music from: The Phantom of the Opera, Jesus Christ Superstar, Cats, and Joseph and the Amazing Technicolour Dreamcoat.

    Estimated dispatch 7-14 working days

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  • £113.30

    Dance of the Selkies - Alex Poelman

    Selkies were creatures, which looked something like grey seals. They were guardians of the sea, and protected the sailors navigating their passages across the ocean. Once a year they would come ashore and transform into people. They would then spend the whole day with the locals, making merry with music, singing and dancing. At sunset they would farewell the villagers, transform back into seals and swim back into the sea. This piece depicts excerpts from this story. The beautiful Irish coast, the arrival of the Selkies, their transformation, merry making, and then their return to the sea. The melodies and orchestration give truly an Irish atmosphere.

    Estimated dispatch 7-14 working days

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  • £78.20

    Fessta Latina - Peter Boris Koval

    An up-tempo rhythmic Latin-style piece, with lots of incidental percussion to propel the music to a triumphant climax. Melody and harmony are key elements, and every instrument group has something interesting to contribute in this sparkling arrangement.

    Estimated dispatch 7-14 working days

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  • £119.60

    The King's Castle - Michael Geisler

    No other place is as filled with myths and secrets as the royal Neuschwanstein Castle: Every year, thousands of visitors from all over the world undertake a pilgrimage to Germany to visit King Ludwig II's castle. The white castle majestically towers above the country : lakes, hills, tree tops and a deep gorge. The building looks almost surreal, like something out of a fairy tale. Even its story could be a fairy tale - one of dreams and fantasies.

    Estimated dispatch 7-14 working days

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  • £113.30

    Via Della Terra - Marco Somadossi

    Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.

    Estimated dispatch 7-14 working days
  • £57.50

    Carrying You from "Laputa: Castle in the Sky" - Joe Hisaishi

    New Sounds in Concert Band Series(NSB) for small band with 2-part choir Duration: approx.4'10" Arranged by Eiji Suzuki"Carrying You" was composed as a theme song to Castle in the Sky, an animated film produced by Studio Ghibli and directed by Hayao Miyazaki, released in 1986. The composer for Castle in the Sky was originally not Joe Hisaishi, but the director Miyazaki strongly requested him. The director told Hisaishi his vision for the film, and based on the world he imagined, Hisaishi made a collection of music called the Image Album. The melody that later becomes the basis for "Carrying You" was born from this album. However, the director Miyazaki was not planning on including a theme song in this film. Isao Takahata, the producer, proposed including a song, for the audience to think over the film at the end. He wanted the audience to think, "While the protagonists sought for the treasure, they didn't obtain any treasure. What did they obtain instead?" They thought, if they are going to create a theme song, it should be something organically connected with the entire film. Takahata requested the director Miyazaki to write the lyrics for the theme song. And to Hisaishi, he gave instructions to create a melody for the theme song using an instrumental piece called "Pazu and Sheeta" from the image album mentioned above. Director Miyazaki handed a piece of memo with lyrics to Takahata. "Carrying You" we hear now is this lyrics with some changes, set to Hisaishi's music. The melody is used at the opening of the film as well as the scene where Laputa is destroyed, and the song is used for the ending. Performance Advice from Arranger Suzuki: This is an extremely simple arrangement that can be performed by lower grade bands and singers. Of course, it can be played without singers and chorus, but the contents of the lyrics are very tasty so if possible, we recommend that you perform using the voices. Depending on your resources, the voice parts can be done as all solo, all female chorus, and so on.

    Estimated dispatch 7-14 working days
  • £76.99

    Kinderweihnacht

    Kinderweihnacht is a medley for four-part instrumentation, featuring four famous German childrens Christmas carolss. Creative interpretation requires the use of kitchen utensils (bottles, spoons, lids) by the percussion section! Something alittle different for Christmas.

    Estimated dispatch 7-14 working days

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  • £84.99

    A Copland Portrait - David Conte

    Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."

    Estimated dispatch 7-14 working days

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  • £137.99

    A View at the Zoo - Carl Wittrock

    The composition as a whole is built around a structure of shorter fragments reminiscent of 'Pictures At An Exhibition' by Moussorgsky. The parts are decorated with recognisable illustrations of different animals. In each composition, Wittrock adds something that can fascinate both musicians and listeners. Can you hear it?

    Estimated dispatch 7-14 working days