Results
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£115.00Oblivion (Flexible Solo with Concert Band - Score and Parts) - Piazzolla, Astor - Moren, Bertrand
Solo for Flute, Clarinet, Bassoon, Trumpet, Trombone, Euphonium, Violin or VioloncelloDuration: 4.15
Estimated dispatch 7-14 working days
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£64.95PURCELL VARIANTS (Advanced Concert Band) - Meechan, Peter
Purcell Variants is based on Purcell's Queen Mary's Funeral Music, which consists of four canzonas, two elegies and an anthem. The first movement begins by sounding some of Purcell's original music in the trombones and horns, underpinned by a timpani roll with the woodwind articulating the beginnings and endings of the phrases. This leads into a cadenza for trumpet and alto saxophone before the movement heads in different directions, leading us to its mysterious end, where the original music is sounded this time in the 'stabs' of the clarinets and alto saxophone. Originally composed for the funeral of Queen Mary in 1695, Purcell's original funeral music was used later that same year for Purcell's own funeral - he died aged only 34. The second movement is an elegy, inspired by this story. After an introduction (a disjointed last post), the main melody of the movement is introduced by the solo euphonium, with other solo roles for flute, oboe and alto saxophone. This is then taken over by the trumpets who lead us into the middle section of the movement. This is a quasi funeral march, inspired by the image of Purcell's coffin being taken to its final resting point. The main melody returns in the flute, oboe and alto saxophone, this time more elaborated. The movement ends with a snare drum fading away - perhaps a metaphor. The Finale is a fast and furious movement combining thematic material from the two previous movements with new rhythmical ideas. This takes us through to the final passage - the triumphant return of Purcell's original theme. Duration: 13.00
Estimated dispatch 7-14 working days
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£97.40ROMANTIC BLUE (Flexible Solo with Intermediate Concert Band) - Armitage, Dennis
Solo for Flute, Oboe, Clarinet, Basson, Tenor Sax, Trumpet, Horn, Tenor/Bass Trombone, Euphonium, Tuba, Violin or Cello. Duration: 4:45
Estimated dispatch 7-14 working days
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£174.95RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
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£37.95
RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
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£180.00
SONATA FOR TRUMPET AND WIND ENSEMBLE (Concert Band) - Keenan, Kent
In 1986, Kent Kennan revised this well-known trumpet and piano recital piece (originally published in 1956) with a new ending for the first movement. More recently, he made this scoring for solo trumpet and wind ensemble and provided both the original and new endings in this new edition. A tremendous contribution to the solo trumpet repertoire! (15:55)
Estimated dispatch 7-14 working days
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£115.00Sunday Mood (Flexible Solo with Concert Band - Score and Parts) - Kadlec, Jirka
Solo for Flute, Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Trumpet, F Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 2.50
Estimated dispatch 7-14 working days
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£36.95The Red Kite (Euphonium Solo with Concert Band - Score and Parts) - Wiffin, Rob
At one time the Red Kite was close to national extinction in the UK but now it is possible to admire this distinctive bird of prey with its red colouring and forked tail. I love watching it soaring so gracefully through the sky. I attempted to catch that feeling in this solo composed for Martin Smith. In writing it I had in mind making the euphonium glide solitary and effortlessly, occasionally swooping down then reclaiming its high altitude.To create the desired atmosphere, I avoided too many root position chords and enhanced the feeling of floating by adding notes to a lot of the harmony, giving it subtle colour. The harmonic rhythm is slow but the movement switches in the way that the Red Kite can make slight changes of direction by minor adjustments of its tail. On top of this accompaniment the soloist is left to sing with a sense of grace and freedom.- Rob WiffinDuration: 3.45
Estimated dispatch 7-14 working days
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£100.00WINTER DAYS (Flexible Solo/Easy Concert Band) - Mortimer, John Glenesk - Sedlak, Jan
A lyrical piece. Solo part provided for: Flute; Clarinet; Bassoon; Alto & Tenor Sax; Trumpet; Horn; Trombone; Bass Trombone; Euphonium; Tuba; Violin; Viola; Cello; Contrabass. American Grade 2+ Duration: 2:34
Estimated dispatch 7-14 working days
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£105.10YAKETY SAX (Flexible Solo with Intermediate Concert Band) - Schneiders, Hardy
Solo for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone or Euphonium. Duration: 1:40
Estimated dispatch 7-14 working days
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