Results
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£144.99Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00
Estimated dispatch 7-14 working days
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£124.99Shamadan Dance (Euphonium Solo with Concert Band - Score and Parts) - Doss, Thomas
The Shamadan is an old oriental folk dance full of symbolism in which a female dancer, often on the occasion of a wedding, balances a candelabra on her head as a token of spiritual light. In this work, the euphonium takes up the role of the dancer. At the very beginning, the soloist already has the opportunity to shine in an unaccompanied recitative. Next, the soloist and band alternate, and in the course of the work the band also plays an important part with various technical highlights. More variation is created with a solo passage accompanied by percussion and hand claps, culminating beautifully in a grand tutti towards the end of the piece. Challenging music with much to enjoy! Duration: 8.30
Estimated dispatch 7-14 working days
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£75.00I Believe in Springtime (Trumpet Solo (or Childrens Choir) with Concert Band - Score and Parts) - Rutter, John - Noble, Paul
I Believe in Springtime is a celebration of life, with text and music by John Rutter. The original scoring was for children's choir, optional SATB chorus, and small orchestra. This arrangement maintains the original elements, with children's choir, optional SATB chorus, and band. In the absence of the children's choir, the arrangement is scored for solo trumpet, with the SATB parts performed by various sections of the band. Either way, the simple beauty of the melody gives this piece an air of refreshment to the meaning and beauty of life.
Estimated dispatch 7-14 working days
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£36.95Melody (Violin or Flute Solo with Concert Band - Score and Parts) - Gluck, Willibald Christoph - Wiffin, Rob
This is an arrangement of Gluck's beautiful melody from Orfeo ed Euridice. It is the middle section of the pastoral 'Dance of the Blessed Spirits'. It is arranged here for violin or solo flute with reduced wind band accompaniment.
Estimated dispatch 7-14 working days
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£80.00Clarinet Concerto (The Fallen) (Clarinet Solo with Concert Band - Score and Parts) - Wilson, Jeffery
The three movements are 'Conflict', 'The Fallen' and 'Resolution', themes that are freely interpreted musically. In 'Conflict', the solo clarinet begins with an ascending figure based on octave leaps, while the accompaniment contrasts with marcato quavers and harsh dissonances. The melody features seventh intervals, and while the movement is marked 3/4 the accompaniment is often 6/8. This is more evident in the second theme where the clarinet line moves much more by step. The development takes these ideas and the cadenza comes from yet more conflict between the now calm clarinet and dissonant clashes in the accompaniment. 'The Fallen' is the slow movement and poignantly features notes from 'The Last Post' in the opening and a beautiful working of 'David of the White Rock' later on. The final movement 'Resolution' is a Rondo in 6/8, brighter but with hints of the initial conflict through the sevenths in the meno mosso sections which interrupt the flow. Another long cadenza takes short ideas from the piece before the work comes to a triumphant end with all four E notes across the whole range, echoing the beginning. Wilson set out to write a concerto for a versatile instrument and has found ways to exploit its capabilities while keeping tonal centre. There are frequent altissimo notes within all three movements. Wilson does use the very low notes, most notably in the cadenzas, but much of the work is high, presumably to allow the clarinet to carry over the wind band accompaniment. A good command of all notes right up to A sharp an octave above the stave is needed, plus technique to travel to and from altissimo notes (legato). The piece is around 25 minutes long. Printing is clear and the piano accompaniment comes as a spiral bound volume.
Estimated dispatch 7-14 working days
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£44.95La Chica Sin Nombre (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
A vibrant, rhythmic solo for trombone and band. La Chica sin Nombre was written in March 2020 at the request of Brett Baker. He wanted something in Latin style so I chose to go for a Mambo-type dance piece. This obviously works best with band accompaniment where I would always ask for Conga drums and Mambo Bell/Timbales rather than drum kit. The piece needs to be played with an appropriate feel for Latin music. It should sound light and easy to play but has a few tricky moments! Duration: 4.15
Estimated dispatch 7-14 working days
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£53.50Sadness and Sorrow (from Naruto) (Concert Band - Score and Parts) - Musashi, Purojekuto - Brown, Michael
As fans of Japanese anime will know, this popular ballad from the television series Naruto is filled with emotional depth and poignant beauty. Thanks in part to Taylor Davis' solo violin cover, this tune is now reaching a much wider audience. Featuring a flute solo on the melody in the beginning then later scored for the full band, here is a sensitive adaptation for younger players.Duration: 2.55
Estimated dispatch 7-14 working days
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£309.99Ninth Symphony (Concert Band - Score and Parts) - Barnes, James
Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, "This is my last symphony...this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band." The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that "I have always wanted to write a waltz," and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an "otherworldly" mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. Duration: 40.00
Estimated dispatch 7-14 working days
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£33.95Song of Tranquillity (Trumpet Duet with Concert Band - Score and Parts) - Wiffin, Rob
A reflective piece featuring two trumpets and band but also playable as a solo for trumpet, trombone or euphonium. The composer wrote Song of Tranquillity just after a close friend died suddenly. It was cathartic, just written to reflect the release from pain to peace. It fits the expressive style and power of the solo brass instruments.Duration: 3.45
Estimated dispatch 7-14 working days
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£75.00And There Were Shepherds (Concert Band with Optional Choir - Score and Parts) - Bach, Johann Sebastian - Noble & Willcocks
And There Were Shepherds is from The Christmas Oratorio by Johann Sebastian Bach, intended for performance in church during the Christmas season. It was written for the Christmas season of 1734. The annunciation to the shepherds is an episode in the Nativity of Jesus described in the Bible in Luke 2, in which angels tell a group of shepherds about the birth of Jesus. The recitative begins with a tenor solo (the evangelist), followed by the soprano solo (the angel) describing the birth of Jesus. It concludes with the chorale, Break forth, O beauteous heavenly light, for full choir. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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