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£71.50Stars and Stripes Forever Trio - John Philip Sousa
Americas most famous march, written by the most famous band leader in the world, has entertained and inspired players and audiences since its first performance in 1897. This setting for young bands includes the most famous themes from this great march (the introduction and the trio) so young bands can enjoy performing this world-renowned work. Two versions of the famous piccolo solo are included, one advanced and one easier, so you can feature either a star soloist or the entire flute section.
Estimated dispatch 7-14 working days
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£71.50Edgar Allan Poe - Barry E. Kopetz
Edgar Allan Poe is perhaps most well known for his writings on Gothic topics, darkness, and early forms of science fiction, and he almost single-handedly created the genre we now call the detective story. This work effectively captures the darkness that so poignantly defines Poe, the writer. The slow, brooding introduction captures the dark moods that characterize so much of his writing. The second section envisions Poe as he desperately writes, one step ahead of the poverty that always seemed just one heartbeat away. A chilling portrait of this famous literary figure.
Estimated dispatch 7-14 working days
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£57.50Carrying You from "Laputa: Castle in the Sky" - Joe Hisaishi
New Sounds in Concert Band Series(NSB) for small band with 2-part choir Duration: approx.4'10" Arranged by Eiji Suzuki"Carrying You" was composed as a theme song to Castle in the Sky, an animated film produced by Studio Ghibli and directed by Hayao Miyazaki, released in 1986. The composer for Castle in the Sky was originally not Joe Hisaishi, but the director Miyazaki strongly requested him. The director told Hisaishi his vision for the film, and based on the world he imagined, Hisaishi made a collection of music called the Image Album. The melody that later becomes the basis for "Carrying You" was born from this album. However, the director Miyazaki was not planning on including a theme song in this film. Isao Takahata, the producer, proposed including a song, for the audience to think over the film at the end. He wanted the audience to think, "While the protagonists sought for the treasure, they didn't obtain any treasure. What did they obtain instead?" They thought, if they are going to create a theme song, it should be something organically connected with the entire film. Takahata requested the director Miyazaki to write the lyrics for the theme song. And to Hisaishi, he gave instructions to create a melody for the theme song using an instrumental piece called "Pazu and Sheeta" from the image album mentioned above. Director Miyazaki handed a piece of memo with lyrics to Takahata. "Carrying You" we hear now is this lyrics with some changes, set to Hisaishi's music. The melody is used at the opening of the film as well as the scene where Laputa is destroyed, and the song is used for the ending. Performance Advice from Arranger Suzuki: This is an extremely simple arrangement that can be performed by lower grade bands and singers. Of course, it can be played without singers and chorus, but the contents of the lyrics are very tasty so if possible, we recommend that you perform using the voices. Depending on your resources, the voice parts can be done as all solo, all female chorus, and so on.
Estimated dispatch 7-14 working days
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£84.99Twinkling Flutes - Richard Comello
Composer Richard Comello observed that there is practically no music written for two flutes accompanied by concert band, so he composed this delightful piece convinced that this it will fill this little gap in the repertoire. Following a solemn baroque style introduction, joyful characteristic flute sounds develop with subtle band accompaniment. The two flute parts can be played by more players so enabling this piece to put your complete flute section in the spotlight.
Estimated dispatch 7-14 working days
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£84.99Seor Juancito - Johan Nijs
In Seor Juancito, the Belgian composer Johan Nijs tells the unusual story of a rich, gruff nobleman who lives on a large estate and does not feel the slightest need to communicate with the outside world. However, one particular day, the people who live in the nearby village try to convince him to visit the annual village festival. At first he raises objections, but the village people insist, so finally, Seor Juancito gives in and accepts the invitation. The people's friendliness makes an impact on him, and so, in the end, a new world opens up for him...
Estimated dispatch 7-14 working days
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£80.99A Lasting Legacy - Swearingen
Dr. Martha Smith Geib was a life-long resident of London, Ohio where she routinely applied the practice of medical care and attention to those individuals in need of wellness. Upon her passing, the entire community was deeply saddened, not only for the loss of their doctor, but of their friend as well. It should be noted that this piece was written as a celebration of life for a remarkable lady who meant so much to so many.
Estimated dispatch 7-14 working days
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£72.99The Girl with the Flaxen Hair - Claude Debussy
Impressionist composer Claude Debussy wrote his set of Prludes for the piano between 1909 and 1913. In their entirety, his Prludes total 24 individual pieces in two volumes. It is from these that Karel Deseure has selected fivepreludes for his Cinq Prludes. La fille aux cheveux de lin is probably the most well-known of the five (and Debussy's 24).Deseure approached each prelude as being musically independent of the others. Consequently, they do not have to be played in a specific order or even as a complete set. It is worth noting that in Debussy's original edition the titles wereprinted at the end each prelude, almost like a footnote, so the performer could look at themusic without being influenced by Debussy's descriptive titles. The Prludes also demonstrate Debussy's superb orchestration skills. Deseure took great care orchestrating these five preludes so he could capture and convey their original character and mood as accurately as possible. The original key signatures were kept and only very minute changes were made to the pitchesthemselves, such as occasional octave doublings to fill out the ensemble.
Estimated dispatch 7-14 working days
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£64.99The Nutcracker Suite - Pyotr Ilyich Tchaikovsky
Everyone loves the NUTCRACKER! The immense and unprecedented popularity of this ballet seems to be without limit. Now your Grade 1 band can experience the joy of playing the themes they know so well. This extremely flexible arrangement can be used in so many ways!! Play it all, or leave out selected movements. Use the optional "tag" ending, or skip it. Due to the flexibility of this arrangement, THE NUTCRACKER is great for programming early in the school year (while you're still discovering the capabilities of "this year's band"). Also, notice the "suggested changes" in the Notes to the Director, which make this arrangement more flexible yet! You just can't lose with MikeHannickel's arrangement of Tchaikowky's NUTCRACKER SUITE.
Estimated dispatch 7-14 working days
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£69.99
Get on Board - Stephen Bulla
Stephen Bulla strikes gold again with this accessible but jazzy Trombone section feature. There is plenty of rhythmic fun for everyone while the trombones get that important time out front. The old spiritual "The Gospel Train" lends itself beautifully to a swing-jazz treatment and if there's anyone who knows how to bring the jazz idiom to the concert band setting it's Stephen Bulla. If you prefer, two Trombone soloists can be featured while the rest of the section plays along on the Euphonium part. Your band will want to do this one again and again, and so will you, so Get On Board!
Estimated dispatch 7-14 working days
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£104.99Song of Hope - Jan van der Roost
2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor atFukushima only increased the misery: a black day in the country's history...One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments.It will take a long time before the damage suffered is repaired - and it will take great effort to overcome the psychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers fora simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This pieceimmediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!
Estimated dispatch 7-14 working days
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