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  • £134.99

    Recalls - Ben Haemhouts

    Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."

    Estimated dispatch 7-14 working days

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  • £89.99

    The Longest Day - Paul Anka

    This classic 1962 war film about the landing of the Allied troops at the end of the Second World War is a historic link to the recent D-Day memorial. This upbeat march is a kind of cynical reference to the horror and madness of World War II at the time of the fall of the Third Reich.

    Estimated dispatch 7-14 working days

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  • £149.99

    Colditz Castle - Rob Goorhuis

    Written as a commission by the Stichting de Inrichting foundation of Wijk bij Duurstede (the Netherlands), Rob Goorhuis Requiem voor de mens (Requiem for Man) on lyrics by Andr van Zwieten was composed in the year 2001. This work for choir andwind-band greatly impressed the audience, whilst its composer remained obsessed by its war theme. When he subsequently heard that the Rundfunk Blasorchester from the German town of Leipzig -a place not far from Colditz - was to dedicate a CDto his work, Rob Goorhuis got the idea to process some of the themes from his Requiem for Man into an instrumental composition about the famous Colditz castle. a place still bearing the scars of war. From 1933 to 1934, the castle was aSchutzhaftlager. During the Second World War, it was used as a prison for senior officers. From this prison, many escapes were undertaken, which even resulted in the castle being nicknamed The Escape School. In the seventies, a television-seriesabout this period made the castle very well-known with the public at large.The despondent tone of the opening theme underscores the sadness caused by wars and violence. Nevertheless the works ending is hopeful and triumphant. Peace iscelebrated, but with the hope for a lasting peace sadly remaining a topical issue to the present moment.

    Estimated dispatch 7-14 working days

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  • £194.99

    The Year 1941 - Serge Prokofieff

    The Year 1941 was composed during the second World War. Prokofiev, along with other composers, was evacuated to the Caucasus when Germany started attacking the Soviet Union in 1941. It was under such circumstances that Prokofiev began work on this symphonic suite. He was working on his epic opera War and Peace and the String Quartet No. 2 at the same time. It is an orchestral suite in three movements, a poignant and evocative musical depiction of a tumultuous period in history. The composer described these three movements as follows: I. In Battle - "a scene of heated battle, heard by the audience sometimes as though far away and sometimes as though on the actual battlefield."II. At Night - "a poetic night scene, disturbed by the tension of impending conflict. III. For the Brotherhood of Man - "a triumphant lyrical hymn to victory and the brotherhood of peoples."

    Estimated dispatch 7-14 working days

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  • £118.99

    South Pacific Medley - Richard Rodgers

    In this medley, the arranger combines four titles from the hit musical South Pacific, written by Richard Rodgers and Oscar Hammerstein. Many songs from the tragically-beautiful musical concern love, war and racial prejudice, set against the background of a dreamlike island in the South Pacific during the Second World War. South Pacific is generally considered to be one of the greatest musicals of all time and is as popular today as ever.

    Estimated dispatch 7-14 working days

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  • £84.99

    Eventide - Jacob de Haan

    Eventide (Song of Liberation) has as its theme the European liberation from the Second World War. After a solemn introduction, one hears the melody of the hymn Abide with Me, which was sung frequently during the war. Variations on the theme follow, finally leading to the magisterial conclusion that represents the ultimate liberation. Bring a bit of nostalgic history to life with this stirring composition.

    Estimated dispatch 7-14 working days

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  • £69.99

    Hectala - Willy Fransen

    Hectala is the historical place name of the Belgian-Limburgish village of Hechtel where, during the Second World War, the Welsh Guards were engaged in a five-day battle with the German troops. More than 200 soldiers and 35 inhabitants perished. This classical, steady march in 6/8 time was written as a memorial to these events. It sends a powerful message that in war, there are no winners.

    Estimated dispatch 7-14 working days

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  • £139.99

    Cobra - Jan Bosveld

    Shortly after the Second World War, a combative movement of Danish, Belgian and Dutch artists chose the cobra snake - extremely dangerous yet considered sacred - as a symbol of their resistance to strict guideliness of form. The name "Cobra" also happens to contain the first letters of the cities Copenhagen, Brussels ans Amsterdam, from where most of the movement's members came. The Cobra movement, which existed from November 1948 until November 1951, can with some justicication be called the last major avant-garde movement of the 20th century.The source of inspiration for the composition Cobra comes from four paintings: "Obhobning" by the Dane Egill Jacobsen; "La jeune fille et lamort" by the Belgian Pierre Alechinsky; "Orgeldraaier" and "Le rythme joyeux de la ville" by the Dutch artists Karel Appel and Corneille. Obhobning means "pile-up", which is represented musically in the first part by a melodic and harmonic pilling up of perfect fourth's. The first part is also characterized by a rhythmic feeling, which the painting gives through its use of numerous black stripes. In the painting La jeune fille et la mort, Pierre Alechinsky places a young girl opposite Death. The second part features the constantly pulsating motion of live while a creeping, dark, melodic line develops. The tension between life and death is tangible as a battle reveals itself. In part three, one hears the Orgeldraaier by Karel Appel, as cheerful and playful as an organ grinder's music. The painting Le rythme joyeux de la ville by Corneille is busy and extremely dynamic, a perfect source of inspiration for a powerful, rhythmic ending to this composition.

    Estimated dispatch 7-14 working days

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  • £99.00

    Postcards from Tomorrow - Gauthier Dupertuis

    During their childhood, some people have the tradition to put their toys, drawings and wishes for the future into a timebox that they bury somewhere to dig up when they are adults. This has inspired Gauthier Dupertuis for the title of this work: Postcards from tomorrow. What wishes would we put in those boxes for the future; what kind of postcards would we send to our grandchildren? To compose this work, Gauthier Dupertuis was also inspired by three pictures that have some symbolic meaning linked to the question above and that give the names to the three movements that make up this piece.The first movement, Abandoned Blockhouses, refers to war and other horrors in the history of humanity, while Pagoda at the Lake, the second movement, was inspired by the pagoda, a religious building whose function is to house the relics of holy people in Asian worship. The third and last movement, Building Bridges, is a call for hope. In July 221, Postcards from Tomorrow was awarded the first prize at the "La Bacchetta d'Oro" international composition contest in Italy.

    Estimated dispatch 7-14 working days
  • £119.20

    Sinfonisches Prludium - Anton Bruckner

    The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner.Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.

    Estimated dispatch 7-14 working days

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