Results
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£64.99In the Mood - Glenn Miller
The all-time swing favorite of the 40's. Paul Lavender's fun arrangement is designed to feature your saxophone section with a straight-ahead version that young players can handle easily.
Estimated dispatch 7-14 working days
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£84.99Mara Gil Herrero - Ferrer Ferran
Maria Gil Herrero is named after the woman for whose golden wedding anniversary this piece was written. It is in the form of a traditional paso doble and, with solo passages for alto saxophone, trumpet and flute, an interesting proposition forany concert band. Its typically Spanish character is sure to win over your audience!
Estimated dispatch 7-14 working days
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£101.20Galactic Quest - Guillaume Detrez
Inspired by various science fiction films, the piece "Galactic Quest" offers an original vision of Space and the elements that constitute it. Take-off, black holes, milky voice, encounter of the 3rd type... In the middle of the piece, a solo part is set up and can be played on the synthesizer or the trombone. This piece is a nod to Thomas Pesquet, French astronaut and also saxophonist with an alto saxophone solo in the penultimate part.
Estimated dispatch 7-14 working days
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£72.99Wild Rose Jamboree (Concert Band - Score and Parts) - Buckley, Robert
Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Alberta, Canada's heartland. The cinematic approach to the music captures the essence of life in wild rose country - famous for its rodeos, warm-hearted people, majestic mountains and wide-open spaces. With a high-spirited hoedown and a rich, reverent theme that features a trumpet solo and a flute/clarinet duet, this composition could be a dynamic show opener or festival piece. Wild Rose Jamboree can be effectively performed by a mixed group (junior band and senior band, for example), the upper parts being at a medium level and the lower parts (flute 2, clarinet 3, alto saxophone 2, trumpet 3, horn 2 and trombone 2) at an easier level.Duration: 5:00
Estimated dispatch 7-14 working days
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£79.50Smoke and Mirrors (Concert Band - Score and Parts) - Buckley, Robert
Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, "Smoke and Mirrors" is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. Duration: 5:00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£48.95High Five! (Concert Band - Score and Parts) - Hodges, Steve
Looking for some music to get the audience more involved in your concert? Here it is! A medium-rock groove sets the stage for an eighth-note motive that signals the band and audience to give "high fives" throughout the piece. Soloists on the flute, saxophone, trumpet, trombone and clarinet are featured on two-measure phrases that lead to an exciting "drum-off" between the snare and tom players. Band members and directors are encouraged to use their creativity in the solo section as well as in giving "high fives" to each other and to the audience. A really fun piece!Duration: 3:00
Estimated dispatch 7-14 working days
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£44.95Concertino For Clarinet (First Movement) (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Johnson, Stuart
Johnson, Stuart has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.
Estimated dispatch 7-14 working days
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£8.95
Concertino For Clarinet (First Movement) (Concert Band - Score Only) - Mozart, Wolfgang Amadeus - Johnson, Stuart
Johnson, Stuart has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.
Estimated dispatch 7-14 working days
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£79.50Moravian Folk Rhapsody (Concert Band - Score and Parts) - Sheldon, Robert
This work for band is a setting of several delightful Moravian folk dances. "Stoji hruska v oudoli" is a fast-paced two-step dance. "Rozluc se Ancicko" features a clarinet solo in a mournful, yet lilting, slow 6/8 melody. "Preskoda nastokrat" is a highly rhythmic piece in a moderate tempo that features a brief double reed/piccolo section. "Ma zlata maticka" begins with an unaccompanied alto saxophone solo, then includes a folk dance that begins slowly and increases in tempo. "Vojaci jedou" is a proud and uplifting march in 3/4 time. "U Kltera pole" ends the rhapsody with a lively 2/4 dance that builds to a rousing conclusion. Performers and audiences alike will enjoy the wonderful colors and tonality of this charming music from the Czech Republic.Duration: 9.20
Estimated dispatch 7-14 working days
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