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  • £5.99

    Christmas: Short and Suite (Flexible Ensemble - Part 1 in Eb) - Himes, William

    Twelve medium easy carols for combinations of woodwinds, brass and strings plus percussion.Includes:Angels We Have Heard on HighCoventry CarolGod Rest Ye Merry, GentlemenThe First NoelGreensleevesHark! The Herald Angels SingO Come, All Ye FaithfulO Come to My Heart, Lord JesusOnce in Royal David's CityPat-a-PanSilent NightWe Wish You a Merry Christmas

    Estimated dispatch 7-14 working days
  • £5.99

    Christmas: Short and Suite (Flexible Ensemble - Part 1 in Bb) - Himes, William

    Twelve medium easy carols for combinations of woodwinds, brass and strings plus percussion.Includes:Angels We Have Heard on HighCoventry CarolGod Rest Ye Merry, GentlemenThe First NoelGreensleevesHark! The Herald Angels SingO Come, All Ye FaithfulO Come to My Heart, Lord JesusOnce in Royal David's CityPat-a-PanSilent NightWe Wish You a Merry Christmas

    Estimated dispatch 7-14 working days
  • £5.99

    Christmas: Short and Suite (Flexible Ensemble - Part 1 in C) - Himes, William

    Twelve medium easy carols for combinations of woodwinds, brass and strings plus percussion.Includes:Angels We Have Heard on HighCoventry CarolGod Rest Ye Merry, GentlemenThe First NoelGreensleevesHark! The Herald Angels SingO Come, All Ye FaithfulO Come to My Heart, Lord JesusOnce in Royal David's CityPat-a-PanSilent NightWe Wish You a Merry Christmas

    Estimated dispatch 7-14 working days
  • £14.99

    Christmas: Short and Suite (Flexible Ensemble - Conductor) - Himes, William

    Twelve medium easy carols for combinations of woodwinds, brass and strings plus percussion.Includes:Angels We Have Heard on HighCoventry CarolGod Rest Ye Merry, GentlemenThe First NoelGreensleevesHark! The Herald Angels SingO Come, All Ye FaithfulO Come to My Heart, Lord JesusOnce in Royal David's CityPat-a-PanSilent NightWe Wish You a Merry Christmas

    Estimated dispatch 7-14 working days
  • £32.95

    New World Dances (Concert Band - Score only) - Ellerby, Martin

    Cast in three short movements the work endeavours to recreate the pioneering spirit of the journey across America (the then 'New World') as this vast continent was opened up and its wonders exposed. The three dance episodes that make up the suite are symbolic in an analogous sense to this 'reaching' principle: the first - Earth Dance - is a vigorous overture, pushing out the frontiers; the interlude - Moon Dance - contemplates the huge distances to be crossed and Sun Dance represents the realisation of the American dream, rhythmic and full of energy. Written in affectionate tribute to America and its people, New World Dances was rather symbolically completed on July 4th!Grade 6Performance time 8'45"Recorded on QPRM134D The Kings Go Forth, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £194.95

    New World Dances (Concert Band - Score and Parts) - Ellerby, Martin

    Cast in three short movements the work endeavours to recreate the pioneering spirit of the journey across America (the then 'New World') as this vast continent was opened up and its wonders exposed. The three dance episodes that make up the suite are symbolic in an analogous sense to this 'reaching' principle: the first - Earth Dance - is a vigorous overture, pushing out the frontiers; the interlude - Moon Dance - contemplates the huge distances to be crossed and Sun Dance represents the realisation of the American dream, rhythmic and full of energy. Written in affectionate tribute to America and its people, New World Dances was rather symbolically completed on July 4th!Grade 6Performance time 8'45"Recorded on QPRM134D The Kings Go Forth, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £202.99

    Missa Tornacum (Choir with Concert Band - Score and Parts) - Waignein, Andre

    Felicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of the piece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, a dialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colours characterising each of its three parts. The fourth part, Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passage marking the end of the Mass. Choir parts are available separately.Duration: 17:00

    Estimated dispatch 7-14 working days

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  • £74.95

    The Captain General (March) (Concert Band - Score and Parts) - Dunn, Vivian

    Written in honor of the the Captain General of the Royal Marines, this brisk march is full of dynamic twists and turns to keep you on your toes.

    Estimated dispatch 7-14 working days
  • £14.95

    The Captain General (March) (Concert Band - Score Only) - Dunn, Vivian

    Written in honor of the the Captain General of the Royal Marines, this brisk march is full of dynamic twists and turns to keep you on your toes.

    Estimated dispatch 7-14 working days
  • £164.95

    Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin

    This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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