Results
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£106.99Desert Dances (Concert Band - Score and Parts) - Sparke, Philip
Henderson is a city in Clark County, Nevada, just southeast of Las Vegas and surrounded by desert: this was the inspiration for the title. Desert Dances opens with a lively introduction, mostly in 3/4, which pervades the faster sections of the piece. This subsides to introduce a slower dance which expands to a full-band climax. The introduction soon returns and leads to the main theme of the piece, a waltz-like melody played by the full ensemble. A short bridge passage follows, which leads to a legato central theme. This is played twice and heralds the return of the main theme and a short coda which closes the work. An imaginative work for concert or contest with nice features throughout all groups of the band.Duration: 4.45
Estimated dispatch 7-14 working days
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£60.99Flourish and Processional (Concert Band - Score and Parts) - Vinson, Johnnie
In this concise yet powerful work from Johnnie Vinson, the opening segment features a flourish from the woodwinds accompanying a fanfare figure in the brass. The stately processional march theme provides a contrast in style which is then followed by a return of the opening material for the dynamic finish.Duration: 3:30
Estimated dispatch 7-14 working days
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£99.99Salutation (Concert Band - Score and Parts) - Sparke, Philip
Salutation was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to the home key and a return of the main theme, embellished with woodwinds.Duration: 4.45
Estimated dispatch 7-14 working days
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£49.00Coronation Fanfare (Concert Band - Score and Parts) - Smith, Robert W.
This regal musical statement begins with a powerful fanfare that will make your band sound very mature. The piece develops with a contrasting and majestic melodic line leading to a return of the fanfare and a powerful conclusion. Appropriate for concert/festival use, you will also find this an excellent choice for ceremonial events in your school and community. Our highest recommendation! Duration: 2.30
Estimated dispatch 7-14 working days
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£66.95Prevail! (Concert Band - Score and Parts) - Sheldon, Robert
An uplifting and up-tempo piece that offers moments of optimism and nobility, including a brief encounter with a strife-ridden episode that ultimately yields to a return of the triumphant opening fanfare and a final recapitulation.
Estimated dispatch 7-14 working days
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£59.00Dragonship (Concert Band - Score and Parts) - Neeck, Larry
A dramatic image of the Viking Age is evoked in this dark and powerful work. An ethereal introduction leads to assertive and vigorous themes, which gradually build to a compelling and forceful climax. A brief return to the introductory theme anticipates the impressive finish. Perfect for concert or contest, "Dragonship" will showcase your entire band with excitement and enthusiasm. A great contest/festival work! Duration: 2.45
Estimated dispatch 7-14 working days
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£395.00Scapino (A Comedy Overture) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
William Walton's Scapino: A Comedy Overture took as its inspiration the three-act comedy of intrigue Scapin the Schemer (French: Les Fourberies de Scapin) by the French playwright Moli?re. The title character Scapin is similar to the archetypical Scapino character. His name is related to the Italian word "scappare" (to escape) and his name translates to "little escape artist" in reference to his tendency to flee from fights, even those he himself begins. The play was first staged on 24 May 1671 in the theatre of the Palais-Royal in Paris. Scapino tends to make a confusion of anything he undertakes and metaphorically "flees" from one thought, activity or love interest to another, as his name implies, although he usually will return to it - eventually. Self-preservation and self-interest are his main concerns. This is not to say his wits are without merit. He is a schemer and scoundrel, and takes a certain pride in these facts. He was originally a masked character, although later versions usually have the actor simply powder his face. He is traditionally shown with a hooked nose and a pointed beard. Scapino was composed on commission from Frederick Stock and the Chicago Symphony on the occasion of the group's 50th anniversary, and received its world premiere by that ensemble, conducted by Stock, in 1941. This faithful arrangement is sure to find its way into the serious repertoire of outstanding Concert/Wind Bands worldwide.
Estimated dispatch 7-14 working days
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£72.99Star Wars: The Last Jedi, Soundtrack Highlights from (Concert Band - Score and Parts) - Williams, John - Brown, Michael
From the blockbuster movie Star Wars: The Last Jedi, John Williams continues to display his mastery of music for film. This dynamic medley includes poignant new themes along with familiar older melodies as some of our favourite characters return for this episode.Includes:FinaleThe Rebellion is Reborn
Estimated dispatch 7-14 working days
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£47.50Memory (from Cats) (Concert Band - Score and Parts) - Lloyd Webber, Andrew - Vinson, Johnnie
Andrew Lloyd Webber's landmark musical Cats originally opened on Broadway in 1982 and went on to enjoy a stunning run of 18 years. In 2016 Cats is back for a triumphant return, and here is the signature ballad carefully arranged for younger players.
Estimated dispatch 7-14 working days
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£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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