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£118.99Rhapsody for Euphonium - James Curnow
Beginning with a beautiful, modal soliloquy, the euphonium soloist establishes the molto espressivo style of the opening section of the composition. This is followed by an exciting scherzo which gives way to a brilliant finale. Nicely done!
Estimated dispatch 7-14 working days
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£79.99O Waly Waly (A Rhapsody for Band) - Jay Bocook
Dating from the 1600s, the folk song O Waly, Waly (commonly known as The Water is Wide) forms the basis for this well-crafted rhapsody for band. The lyrical opening section features solos on flute and euphonium, as a four-notemotif common to this song and also Carolina (South Caroline's official song) is developed. This motif unifies the entire work. A Celtic flavored Allegro takes over using this fragment, which leads ultimately to a grand Maestososection for the entire ensemble. A creative and dynamic work for contest or festival! Dur: 5:00
Estimated dispatch 7-14 working days
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£79.99O Waly Waly (A Rhapsody for Band) (Concert Band - Score and Parts) - Bocook, Jay
Dating from the 1600's, the folk song O Waly, Waly (commonly known as The Water is Wide) forms the basis for this well-crafted rhapsody for band. The lyrical opening section features solos on flute and euphonium, as a four-note motif common to this song and also "Carolina" (South Carolina's official song) is developed. This motif unifies the entire work. A Celtic flavoured Allegro takes over using this fragment, which leads ultimately to a grand Maestoso section for the entire ensemble. A creative and dynamic work!Duration: 5:00
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£11.63JUST FOR YOU (Wind Band CD)
China Dunshan Symphonic Wind Orchestra, conducted by Adrian Schneider. Includes: Rhapsody in Black (arr. Woodfield); Things (Darrin/van Maart); Abide with Me (Monk/Richards); Amparito Roca (Texidor/Woodfield); Hallelujah (Cohen/Kubler); I Only Have Eyes for You (Warren/van Maart); Down to the River (arr. Fernie); Hawaii Five-0 (Stevens/Burton); Spirit of Africa (Barry/Barry); Let it Shine (arr. Fernie); African Funk (Fernie); Catari, Catari - Euphonium Solo (Cardillo/Fernie); That's Entertainment (arr. Kubler); A Whiter Shade of Pale (arr. van Maart); Just for You (Kubler); Blueberry Hill (Rose/van Maart); My Favourite Things - Trumpet Quartet (Rodgers/Woodfield); Salute to Berne (Obrecht/Woodfield).
Estimated dispatch 7-14 working days
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£13.95
Dreamscapes
1-4DreamscapesMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Eldorado 6.09 II. Avalon 4.00 III. Shangri-La 2.43 IV. Xanadu! 3.325RailWilfred JosephsRoyal Northern College of Music Wind Orchestra9.296-9Euphonium ConcertoMartin EllerbySteven Mead (Euphonium) with Royal Northern College of Music Wind Orchestra I. Fantasy 7.02 II. Capriccio 3.35 III. Rhapsody (for Luis) 6.41 IV. Diversions 5.0810-12Mata HariNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Dancer in the Shadows 4.16 II. Deceit and Seduction 6.26 III. Evasion and Capture 5.0613MeditationsMartin EllerbyRoyal Northern College of Music Wind Orchestra12.50
Estimated dispatch 7-14 working days
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