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£37.95
In Quiet Times - James Swearingen
This beautiful ballad offers plenty of opportunities for focusing on musicality with little concern for technical demands. The humble melody in the clarinets and horn is answered first by flutes then trumpets, before the glorious key change. As beautifully as it began, the piece fades back to a quiet time. Sure to work with virtually any instrumentation, and a truly musical experience! (2:00)
Estimated dispatch 7-14 working days
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£92.00A Time There Was - Harrie Janssen
A Time There Was, was composed after being commissioned by the Trumpet Corps of the Royal Dutch Military Police. The piece is chorale like in character and was initially intended for memorial like concerts. It is also suitable as a quiet interlude in your concert. At the end of the piece the opening of the Dutch hymn "Hours, Days, Months, Years" is quoted, referring to the transient nature of existence.
Estimated dispatch 7-14 working days
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£104.50Time's Quiet Passing - Jacob Narverud
Beautiful and poignant, here is an intriguing musical portrait of the passage of time. Relaxed and gentle, with lush, solid harmonies and an occasional glimpse of dissonance, this is a work that fully displays the musical dimensions of the ensemble. The lyrical melody, continuously passed and developed from one section to another, represents the dawning of each new day. Perfect for concerts, festivals and graduation ceremonies.
Estimated dispatch 7-14 working days
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£84.99Variations on a Theme by Elgar - Árpád Balázs
In rpd Balzs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888). As rpd Balzs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature. There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Bla Bartk's 3rd Piano Concerto. It is like a message from an old composer to the Future.'' The Elgar Variations together with the Concertino (1992, Z. 14909) and the Rhapsody (2015-2021, Z. 15167) form an ambitious, emotionally wide-range trilogy for a concert band.
Estimated dispatch 7-14 working days
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£72.99Close - Stijn Roels
Close is a chorale that sings the praises of a universal theme: love. The people who are dear to you are the ones you'd like to keep as close to you as possible, to make sure you can hug them from time to time. This was not always a matter of course during the past COVID period - an absence which many people felt deeply. The desire for the closeness of love is expressed in a beautiful, lyrical melody supported by warm harmonies. After a quiet opening, the music builds up to a grand climax, and it features tender as well as ardent moments. Perfect to dream away, as well as to dwell on the many aspects that belong to love.
Estimated dispatch 7-14 working days
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£154.60Har du fyr? - Ola Bremnes
This arrangement was made for The Suoni Wind Orchestra of Skien, Norway, and performed for the first time at their Promenade Concert "At Sea" at the Ibsen Culture Center, March 8th 2014, being the final number of the concert. Participating this concert was also the Choir Canto Libre and the two vocal soloists were Eli Kristin Hansveen and Andreas Hoff. Since that time this arrangement has been used also at other concerts involving choir and soloists. It is important that tempo is not too slow and one has to be thorough with details in the percussion parts. I have tried to paint a musical picture of the sea, as an eternal power, shifting from the quiet and lazy to thepowerful and majestic with crushing waves and stormy winds, as Ola Bremnes describes it in his fantastic lyrics. - yvind Strand - Solo Options: Vocal Soprano Sax Alto Sax Tenor Sax Trumpet Flugelhorn Euphonium (TC/BC)
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£103.20Eternal Harmony - Kevin Houben
In memory of Ralph Lenssen - dedicated to the Royal Wind Orchestra St. Philomena Chevremont on the occasion of its 125th anniversaryEternal Harmony is a restrained yet powerful tribute in which memory, connection, and musical tradition come together. The work was composed in memory of Ralph Lenssen and dedicated to the Royal Wind Orchestra St. Philomena Chevremont, which celebrates an impressive musical legacy with this anniversary.At the heart of the composition lies an intensely lyrical melody that runs like a guiding thread throughout the piece. This musical core is continuously illuminated, deepened, and transformed, giving rise to a rich and layered sound world.Throughout the work, an expressive journey unfolds, filled with subtle and enchanting turns. The wind orchestra is used in all its facets: from intimate, transparent passages to full, sustained soundscapes. This interplay creates a spectrum of contrasts in which musicality, balance, and tone color take center stage.Warm harmonies and organically flowing chord progressions contribute to an atmosphere of serenity and reflection. At the same time, the music builds toward moments of intensity and emotional depth, in which the orchestra reveals its full sonic richness.Eternal Harmony is thus more than a composition: it is a musical remembrance, a quiet dialogue between past and present, and a tribute to both a cherished individual and an orchestra that has embodied music and community for 125 years.
Estimated dispatch 7-14 working days
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£109.60Ancient Tales - Kevin Houben
Ancient Tales Commissioned by Fanfare Ellona Ell (NL) in honor of their centennial anniversary 2023 Ancient Tales was written by composer Kevin Houben in honour of the 100th anniversary of Fanfare Ellona, an authentic village association from Ell that values fun and fellowship. The piece is a musical representation of some of the legends and sagas that took place in and around the rural village of Ell, which probably owes its name to the many alder trees that defined the landscape around the 15th century. The somewhat mysterious opening of this work refers to the story of the sunken church in the Weerbroekskuil, where, according to the legend, bells are heard ringing on Christmas night and spirits in the form of lights are seen flying above the swamp. Presented here is the chorale that Houben composed for this work, which is woven like a thread throughout the composition in the form of melodic cells and motivic developments. Subsequently, the work continues with cheerful, energetic passages that are alternated with lyrical and more quiet sections. With some surprising melodic twists and metrical variations, Houben gives a nod to the turbulent history the citizens of Ell knew at the time of the 80-year war when the peasant country was plagued by marauding soldiers and gangs of thugs. By building the Ellerschans the people of Ell showed their resilience, to which the composer refers by constantly returning to cheerful and danceable themes which, thanks to the refreshing choice of metre, give the whole a cheerful character. Ancient Tales is a charming and energetic composition that triggers the enjoyment of playing of many orchestra members and will appeal to a wide audience. Moreover, the work offers every group of instruments sufficient challenge, making it suitable as a competition piece. Hence, Ancient Times was selected by Vlamo as compulsory test piece for the VLOF 2024.
Estimated dispatch 7-14 working days
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£126.00Romjulsdrm - Thoralf Borg
The poem Romjulsdrm ("Christmas Dream") was first published in Arbeiderbladet on January 3rd 1959, and became known when Thoralf Borg set a melody to it in 1968. Up until this, Alf Prysen had used a melody quite similar to the song Lijan uti dalen, when he sang the song in the TV program Ei vise vil jeg synge in 1964. At the same time that Borg's melody was written, the last four lines of text were also added to the poem, and the song took on the form we know today.The form and structure of this arrangement originates from a version for big band and vocals commissioned by stre Toten Storband, written in 2018 for one of their traditional midnight concerts on the day before Christmas. In an attempt to give the arrangement a nice calm and the text a lot of room, as is often the case in songs like this, it ended up in a relatively narrative style where the variation in tempo and the shifts between swing and straight eighth notes are particularly central.The song is about family, friendship and the quiet days of the Christmas holidays, which hopefully is something most people can recognise. The arrangement for the aforementioned midnight concert was ordered because my sister was to be the soloist for the concert, and since my father also played lead trombone - as he has done in this big band for as long as I can remember - it was natural to add a small trombone solo as well. It's always special to write and arrange music for people I know and appreciate, but it's extra special when it's also for two of my great role models.- David Stre Hveem -
Estimated dispatch 7-14 working days
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