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£37.95
In Quiet Times - James Swearingen
This beautiful ballad offers plenty of opportunities for focusing on musicality with little concern for technical demands. The humble melody in the clarinets and horn is answered first by flutes then trumpets, before the glorious key change. As beautifully as it began, the piece fades back to a quiet time. Sure to work with virtually any instrumentation, and a truly musical experience! (2:00)
Estimated dispatch 7-14 working days
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£104.50
Time's Quiet Passing - Jacob Narverud
Beautiful and poignant, here is an intriguing musical portrait of the passage of time. Relaxed and gentle, with lush, solid harmonies and an occasional glimpse of dissonance, this is a work that fully displays the musical dimensions of the ensemble. The lyrical melody, continuously passed and developed from one section to another, represents the dawning of each new day. Perfect for concerts, festivals and graduation ceremonies.
Estimated dispatch 7-14 working days
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£159.99
From Ashes to Glory - Otto M. Schwarz
Good times and bad times - we often picture them in shades of either somber black and white or vibrant color. Beautiful landscapes, tranquil villages, places brimming with peace and harmony - yet, in an instant, they can fall prey to the flames. Joy sinks into sorrow, but with every end comes a new beginning. From the ashes, something new arises, like a phoenix reborn. This has always been the way, the eternal circle of life that envelops our world.Imagine a serene landscape nestled in the mountains. Cows graze peacefully on alpine pastures, the sky stretches endlessly in a deep blue, and the warm spring sun casts its golden glow over the earth. From a hillside, we gaze down upon the village below, where quiet and peace reign. It is a place that carries the breath of time within its essence.But then, as if in a dream, the colors fade. Black and white take the stage, and we find ourselves transported 80 years into the past: it is April 20, 1943. The shadows of World War II have reached even St. Jakob am Arlberg. The swastika flag hangs heavily over the village square, while many of the village's men are away, serving on the front lines.On this day, Adolf Hitler's birthday, tragedy unfolds. A fire ignites - small at first, but fed by wind and timber, it grows into an unstoppable inferno. The flames hungrily consume house after house, and finally, they reach the village's beating heart: the church. Alarms echo through the streets, panic spreads like the fire itself, and the villagers fight desperately against the searing heat. Yet, despite their efforts, the steeple, which once rang out time for the village, collapses, and the church burns to its very foundations.The village is wounded, its people left amidst the ruins of their lives. But amid the ashes and despair, the true strength of the community emerges. Shoulder to shoulder, hand in hand, they come together to rebuild what seemed irretrievably lost.Gradually, color returns to the images. The wounds begin to heal, tears dry, and life blooms anew. The village rises again, radiant with hope and the resilience born from its darkest hours.For this is the cycle of life: from pain grows strength, and from the ashes of the past, the future is born - again and again.
Estimated dispatch 7-14 working days
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£84.99
Variations on a Theme by Elgar - Árpád Balázs
In rpd Balzs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888). As rpd Balzs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature. There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Bla Bartk's 3rd Piano Concerto. It is like a message from an old composer to the Future.'' The Elgar Variations together with the Concertino (1992, Z. 14909) and the Rhapsody (2015-2021, Z. 15167) form an ambitious, emotionally wide-range trilogy for a concert band.
Estimated dispatch 7-14 working days
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£72.99
Close - Stijn Roels
Close is a chorale that sings the praises of a universal theme: love. The people who are dear to you are the ones you'd like to keep as close to you as possible, to make sure you can hug them from time to time. This was not always a matter of course during the past COVID period - an absence which many people felt deeply. The desire for the closeness of love is expressed in a beautiful, lyrical melody supported by warm harmonies. After a quiet opening, the music builds up to a grand climax, and it features tender as well as ardent moments. Perfect to dream away, as well as to dwell on the many aspects that belong to love.
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£141.99
Goodnight Moon - Eric Whitacre
Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time those fragments began to blossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed - the first time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, originally setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. I later arranged Goodnight Moon for SATB choir and piano. More recently, my dear friend Verena Msenbichler-Bryant arranged the piece for wind ensemble and soloist. The melody of Goodnight Moon will forever make me think of those quiet nights, reading my son to sleep. -Eric Whitacre
Estimated dispatch 7-14 working days
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£72.99
Close (A Chorale about Love) (Concert Band - Score and Parts) - Roels, Stijn
Close is a chorale that sings the praises of a universal theme: love. The people who are dear to you are the ones you'd like to keep as close to you as possible, to make sure you can hug them from time to time. This was not always a matter of course during the past COVID period - an absence which many people felt deeply. The desire for the closeness of love is expressed in a beautiful, lyrical melody supported by warm harmonies. After a quiet opening, the music builds up to a grand climax, and it features tender as well as ardent moments. Perfect to dream away, as well as to dwell on the many aspects that belong to love. Duration: 4.30
Estimated dispatch 7-14 working days
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£115.60
Romjulsdrm - Thoralf Borg
The poem Romjulsdrm ("Christmas Dream") was first published in Arbeiderbladet on January 3rd 1959, and became known when Thoralf Borg set a melody to it in 1968. Up until this, Alf Prysen had used a melody quite similar to the song Lijan uti dalen, when he sang the song in the TV program Ei vise vil jeg synge in 1964. At the same time that Borg's melody was written, the last four lines of text were also added to the poem, and the song took on the form we know today.The form and structure of this arrangement originates from a version for big band and vocals commissioned by stre Toten Storband, written in 2018 for one of their traditional midnight concerts on the day before Christmas. In an attempt to give the arrangement a nice calm and the text a lot of room, as is often the case in songs like this, it ended up in a relatively narrative style where the variation in tempo and the shifts between swing and straight eighth notes are particularly central.The song is about family, friendship and the quiet days of the Christmas holidays, which hopefully is something most people can recognise. The arrangement for the aforementioned midnight concert was ordered because my sister was to be the soloist for the concert, and since my father also played lead trombone - as he has done in this big band for as long as I can remember - it was natural to add a small trombone solo as well. It's always special to write and arrange music for people I know and appreciate, but it's extra special when it's also for two of my great role models.- David Stre Hveem -
Estimated dispatch 7-14 working days
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£52.95
Journey's End - Steve Hodges
Upon completion of an activity, an event, or other meaningful experiences, there is a time for reflection for what has been accomplished and what is to follow. This lyrical piece features a memorable melody that is presented by all sections of the band. These reflective presentations lead into a slightly faster minor section indicating the anticipation of plans for the future. The final presentation of the melody indicates a positive feeling of accomplishment and features a moving countermelody by the woodwinds leading to a quiet, contemplative ending. Check out Journey's End, composed by Steve Hodges. (2:48)
Estimated dispatch 7-14 working days