Results
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£236.00Tartarin de Tarascon - Marcel Poot
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£91.20Concerto for French Horn and Wind Band, Op. 29 - Theo van Doren
Theo Van Doren was an Antwerp musician, violinist and composer who, despite many foreign offers, preferred to stay in his own Antwerp. He started his career as a musician in silent movies, then as a soloist, with his own string trio. Later he became solo violinist in the Flanders' Opera Orchestra and conductor. He worked with a.o. Strawinksy, Rubinstein, Stern, etc. He also taught violin for 35 years at the Borgerhout music academy, where he trained many professional musicians.
Estimated dispatch 7-14 working days
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£118.99Destino Re-Immaginare - Jay Bocook
The overture to Giuseppe Verdi's 1862 opera La Forza del Destino (The Power of Fate) has remained standard repertoire for orchestras around the world. In this imaginative work for winds, Jay Bocook pays homage to the mastery of Verdi and begins with the ominous 3-note fate theme from the overture. Throughout the piece melodies are recast and harmonies are embellished, culminating in an exhilarating conclusion where the final seven bars quote Verdi's original almost identically. A brilliant addition to the wind band repertoire.
Estimated dispatch 7-14 working days
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£149.40Polska from Four Watercolours - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
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£149.40Idyll - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
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£149.40Humoresque - Tor Aulin
Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.
Estimated dispatch 7-14 working days
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£89.99Preludio all' atto I - Giuseppe Verdi
Ernani (1844), Giuseppe Verdi's fifth opera, is based on the homonymous tragedy by Victor Hugo. Verdi's success with Ernani, as well as Nabucco and I lombardi alla prima crociata, can be ascribed to two distinct ideas: the melodic idea and the patriotic idea. The melodic idea is very important to move and touch the audience, while the patriotic idea is the source of enthusiasm and emotions. Approximately ten years elapse between two similar stories: the one of the outlaw Ernani and the one of Manrico, the troubadour. In the prelude to Act I, in only three minutes, Verdi has succeeded in skillfully concentrating the main elements of the entiredrama. One can clearly observe the themes of love, oath, and death.
Estimated dispatch 7-14 working days
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£89.99Preludio all' atto II - Giuseppe Verdi
For the first draft of the libretto of Un ballo in maschera (1859), Giuseppe Verdi drew his inspiration from the grand-opra Gustave III by Auber, an opera performed for the first time in Paris in 1833 that depicted the assassination of the King of Sweden. However, censorship, first in Naples and then in Rome, intervened and imposed heavy modifications. Perhaps because it was too demanding, Verdi showed no intransigence with the requests coming from Naples and refused to alter the libretto. On the other hand, he yielded to the requests of the Roman authorities and agreed to change the site of the action and the identity of the protagonists. Consequently, the scene movedfrom Stockholm to Boston and King Gustav became the Count of Warwick, Governor of Massachusetts.The prelude to the second act is very short and introduces the scene at the place where the scaffold stands. In only a few measures, Verdi skillfully succeeds in condensing the interior restlessness of the protagonists, alongside a prayer of hope.
Estimated dispatch 7-14 working days
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£133.50Procession Of The Nobles - Nikolai Rimsky-Korsakov
The popular "Cortge" from Rimsky-Korsakov's opera Mlada has always been a great favorite in Eric Leidzen's classic band transcription. This engraved edition updates the scoring for the contemporary band and provides it with a complete full score. This transcription belongs in every serious band library. Duration: 4'40"
Estimated dispatch 7-14 working days
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£85.50Armida Overture - Franz Joseph Haydn
This overture to the opera is characteristic of Haydn. It is an abbreviated sonata form with a waltz instead of a development section. The melodies have real vitality, and ingenious counterpoint enriches the repetition of thematic material.
Estimated dispatch 7-14 working days
