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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£514.99
The Venetian Collection
The Venetian Collection by Johan de Meij consists of four movements which are all a musical reflection of the four paintings of the same names from the Peggy Guggenheim Museum in Venice.Voice of Space is the first movement of The Venetian Collection. The picture on which the music is based on was painted by the Belgian surrealist artist Ren Magritte. Along with Ensor, Permeke and Delvaux he was one of the most important painters of the 20th century.The Red Tower was inspired by the painting of the same name (La Torre Rossa) by the Italian artist Giorgio de Chirico, and was awarded first prize in the International Composition Contest in Oman. One of the towers of the mediaevalwalls of the Italian town of Soncino (home to the band for whom Johan de Meij wrote the work for) shows a remarkable resemblance to the tower in the work of De Chirico. Magic Garden contrasts starkly with the other movements of the cycle. As with the painting, Johan de Meij has tried to reflect the colourful, naive dream world of Paul Klee. The transparent texture, in which the woods play an important role, makes a striking impression throughout this serene movement.Empire of Light is also based on a work by Ren Magritte. He was a versatile and productive artist producing over 1100 paintings and 700 gouaches. Johan de Meij used the painting Empire of Light as his theme for the last movement of his Venetian Collection.
Estimated dispatch 7-14 working days
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£74.99Duet From The Pearl Fishers - Georges Bizet
Les pcheurs de perles (The Pearl Fishers) is an opera in three acts by French composer Georges Bizet, who particularly made his fame with his opera Carmen. The friendship duet Au fond du temple saint, generally known as ThePearl Fishers Duet, is one of the best known in the opera literature. This arrangement for two trombones was written for and dedicated to trombone legends Joseph Alessi and Jrgen van Rijen. It serves as a possible encore piece in combinationwith Two-Bone Concerto, which was also written for them. The duet can also be performed by two euphoniums, or as the original vocal duet for tenor and baritone voice.
Estimated dispatch 7-14 working days
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£137.70Sjakkmatt! - Hans Offerdal
How do you experience the final thrilling minutes of a chess game when your opponent has taken the upper hand? And how does it actually feel being beaten checkmate? This piece gives you the answers! There are challenges in use of dynamics, articulation, intensity and gradually increasing tempo. Dissonances are present several places, but the voice leading is diatonic and often in repeating patterns. The whole piece is based on one single scale: Bb major scale with augmented fourth and minor seventh. It is notated as a concert Bb major scale with two accidentals. Feel free to use it during warm-up!
Estimated dispatch 7-14 working days
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£189.99Homecoming - Alex Shapiro
Homecoming is a distinctly American piece of music which ventures emotionally from doubt, to hope, and finally to celebration. The most simple wind instrument of all, the human voice, echoes meaningful homecomings, wherever home may be and from whatever circumstance one returns. Written for the soldiers of the U.S. Army TRADOC Band, Homecoming seamlessly flows between traditional styles that originated in the U.S., from post-minimalist concert music to jazz. As the music grows into a waltz rhythm, welcoming smiles dance with it to the end as loved ones are reunited.
Estimated dispatch 7-14 working days
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£66.00Variations on Mein junges Leben hat ein End - Jan Pieterszoon Sweelinck
Jan Pieterszoon Sweelinck - Variations on "Mein junges Leben hat ein End" for Concert Band, arranged by Ramon L. Ricker. Jan Pieterszoon Sweelinck, informally known during his lifetime as the "Orpheus of Amsterdam," might be considered one of the great masters of keyboard development pre-J.S. Bach. A deep understanding of contrapuntal writing, grown from the composition of more than 250 works for voices, underscore Sweelinck's keyboard innovations: the developed fugue, the organ pedal as a full fugal voice, the level of variation form reached, and the new levels or richly contrapuntal keyboard writing that incorporated various styles and ornamentations of the day.
Estimated dispatch 7-14 working days
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£63.50Lyric Suite - Gerald Finzi
One of the most popular 20th-century British composers, Gerald Finzi is particularly known for his marvelous works for voice. Influenced by Elgar and Vaughan Williams, his musical style is captivating and distinctive, and adapts beautifully in instrumental settings. This attractive collection includes 'When I Set out for Lyonesse', 'Come Away', 'Come Away Death' and 'Rollicum Rorum'. Marvelous music for the contemporary wind band!
Estimated dispatch 7-14 working days
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£137.70Run Away - Hans Offerdal
This piece is about running away. First there is restlessness, then the escape begins. But what are we running away from? That is for you to find out!Playing time: appx. 4:30 To the conductor:There are challenges in the use of dynamics and rhythm. It is important that energy and pace is upheld all the way up until the next to last page. Dissonances are present several places, but the voice leading is diatonic within the given scale.The whole piece is based on one single scale: F melodic minor with lowered second degree. It is notated as a concert F major scale with two accidentals. Feel free to use it during warm-ups!
Estimated dispatch 7-14 working days
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£104.50River of Fire - Gary D. Ziek
Pele is the Hawaiian goddess of fire, lightning, wind, and volcanoes. According to legend, she lives in Kilauea, one of the worlds most active volcanoes. The chant of her devotees while Kilauea spews lava and fire into the sky is the basis of this composition. The first of four connected sections is Tribute, where the chant starts as a solo voice that adds weight to the chant with each repetition. The Awakening begins with an ominous mood that builds to an explosive climax as Pele wakes and reveals herself in full glory. March to the Sea comes at a faster tempo as two themes, creator and destroyer, interweave during Peles unyielding journey to the ocean, reaching fever pitch as Fire Meets Water.
Estimated dispatch 7-14 working days
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£122.50
Joe Cocker!
Joe Cocker is considered the most successful white blues singer; he is especially well-known for his rough, striking voice. In 1968, With a Little Help from My Friends became his first number one hit in the UK. With this song he had his great breakthrough at the legendary Woodstock festival in 1969. He can now look back on 40 years of performing and he still is very successful. His records are almost selfselling and his tours easily fill stadiums. Wolfgang Wssner, a true Joe Cocker fan from early childhood, has collected the singer's most beautiful and successful songs and arranged them in a great medley for concert band.
Estimated dispatch 7-14 working days
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