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£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
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£129.99Canzona di Bacco - Oliver Waespi
This piece comprises a series of variations on the melody of "Ami, dans cette vie" ("Friend, in this life), an 18th century French song. Like the famous poem "Canzona di Bacco" by Lorenzo de' Medici, this song invites the listener to enjoy life, friendships, love and wine while there is still time to do so. The epicurean nature of this text contrasts with a deeply melancholic melody, a contradiction which is explored in the present work. After a somewhat turbulent first part, the original melody is revealed in a serene and pensive middle section which highlights several soloists. In the last movement, the atmosphere is transformed to become increasingly exuberant, like a Bacchus incantation. The piece concludes with a final dazzling statement of the original theme. Canzona di Bacco was commissioned by the Vesoul Municipal Wind Band, who premiered the work on 24 June 2022 at the Edwige Feuillre Theatre in Vesoul (France), under the direction of Mathieu Anguenot.
Estimated dispatch 7-14 working days
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£126.50Eastbound - Oliver Waespi
Eastbound was commissioned by the Siena Wind Orchestra of Tokyo and may be heard as a sort of urban exploration. It begins with a massive chordal progression verging into a compact, groove-driven exposition of a relatively basic motif, going on to become increasingly virtuosic and hectic, reflecting the ever-present hustle and bustle in the streets of a megalopolis. The subsequent slower section brings about an Edenic atmosphere. Some soloists are featured with expressive lines, building up towards a short climax with a blues flavour, leading back to the fast music of the beginning. The heavily scored chords of the beginning reappear only towards the ending of the piece, like pillars of the musical bridge spanning the entire piece. Another acceleration finally leads to a turbulent close.
Estimated dispatch 7-14 working days
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£159.99Traversada - Oliver Waespi
The crossing of a mountain pass is called traversada in Romansh. Such a crossing bears uncertainties and dangers, but also hope and new opportunities. Whoever sets out for a traversada is leaving behind what's familiar in the quest for new places and people. The piece Traversada, based on a Romansh song about farewell and uncertain reunion, musically depics such a journey. At the offset, off-stage soloists introduce fragments of the melody after which a dramatic narrative unfolds. An intense musical shift leads to a calm section, featuring the original melody in pulsating, muted sound colours. Towards the end, the whole structure is gradually rebuilt andleads to an exuberant ending, where the vibrant melodic motifs reemerge.
Estimated dispatch 7-14 working days
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£189.99The Spell - Oliver Waespi
The Spell is a musical interpretation of an old legend from the Alpstein, a mystical mountain area in the east of Switzerland. According to the tale, a shepherd boy, Hennes, cared for his animals on the alpine pastures, but many of the animals fell ill with a terrible plague and died. The mountain spirit appeared to Hennes out of the mists of Sntis and so the story unfolds... The music of The Spell follows the narrative of this legend, in which musical motifs are assigned to the essential elements of the story, a technique seen in late romantic repertoire by composers such as Wagner or Richard Strauss.
Estimated dispatch 7-14 working days
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£239.99Energico - Oliver Waespi
Energico is the third movement from the composition Out of Earth, a musical exploration of the creation of the myth 'Ovid's Metamorphoses'.This myth depicts humanity's path, and is taken from a golden age of the past. It describes the destruction of the Great Flood, to the re-building of life on earth. Out of Earth was created as a commission for the Aulos Concert Band and was premiered by the band in October 2015. It is a very challenging piece of music, which is perfect for contests or high-end concerts.
Estimated dispatch 7-14 working days
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£186.20Suite No.1 - Oliver Waespi
The "Suite for Wind Orchestra" has three parts. The introductory "Symphonic Movement" is based on two opposite musical ideas. The first is chromatic, whereas the second is rather diatonically harmonized. The "Nocturne" or second part is contrasting with the preceding part and is written in the minor key. The quiet atmosphere at the end of the "Nocturne" is abruptly interrupted by the "Toccata". This part, a "Vivace", leading into a "Presto" at the end, has a wild, passionate character.
Estimated dispatch 7-14 working days
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