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£150.00East Coast Pictures - Nigel Hess
These three short 'pictures' were inspired by several visits to a small part of the American East Coast, an area which provides great extremes in the geography and the people.'Shelter Island' is a small island situated almost atthe end of Long Island, a few hours drive east of New York. In the summer it becomes a crowded tourist trap but in the winter it is gloriously deserted, and bravely faces the onslaught of the turbulent Atlantic, shrouded in seamists and driving rain. In upstate New York lie 'The Catskills' Mountains, an extraordinary combination of tranquillity and power, peace and majesty. Once seen they call you back again and again.New York - or to be moreprecise,Manhattan. For anyone who is familiar with this bizarre and wonderful city, this 'picture' needs no explanation. For those not yet hooked, here is a small foretaste of things to come!
Estimated dispatch 7-14 working days
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£105.00Danceries. Wind band - Kenneth Hesketh
The term Danceries can be found in a copy of Playford's Dancing Master which is an extensive collection of folk and popular tunes of the 17th Century (and no doubt earlier). The melodies themselves are a mixture of new and old(although where the old occurs, it has been adapted in mood and composition and is often interspersed with completely new material). The harmonies and rhythms bring a breath of the new into these themes and add to the drama of theset.
Estimated dispatch 7-14 working days
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£154.99Achnaton - Jan Bosveld
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered ina revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at hisside. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyedhimself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reignAchnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was thecentre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping toforget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'.
Estimated dispatch 7-14 working days
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£79.99Phantom of the Opera, Selections From - Andrew Lloyd Webber
The subject of a new movie, Andrew Lloyd Webber's masterpiece for the stage will reach an entirely new audience in a new century. Warren Barker's magical setting is as fresh-sounding today as when it was first published in 1988. Includes: The Phantom of the Opera, The Point of No Return, All I Ask of You, Angel of Music, Think of Me and The Music of the Night.
Estimated dispatch 7-14 working days
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£59.95Qin Shi's Stone Army - Tyler Arcari
The Terracotta army that guards the tomb of China's first emperor Qin Shi Huang is nearly 8,000 warriors strong. This new piece for beginning ensembles is set to depict these magnificent stone soldiers. New composer Tyler Arcari draws on his background in music education to bring us a stunning new piece that young band students will love to play. It will sound rich and full, even with less experienced players. In addition to the wonderful music in this piece, there are great opportunities for cross-curricular learning with this contest worthy piece.
Estimated dispatch 7-14 working days
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£118.99Cityscapes (Concert Band - Score and Parts) - De Haan, Jan
For Cityscapes, the composer used the metropolis of New York, the largest city of the United States, as a source of inspiration. The first movement mirrors the skyline of the 'Big Apple'. In movement two, Central Park is introduced and in the closing movement of this triptych, the ever-sparkling Manhattan, known for its many skyscrapers, and its financial centre Wall Street, is the focal point. Not only are the busy city traffic and the chaotic hustle and bustle expressed in the music, but also the impressive buildings, including the famous Empire State Building. Let the magic of New York shine with this dramatic new item for concert band.Duration: 8:45
Estimated dispatch 7-14 working days
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£70.00A Jazz Funeral (Concert Band - Score and Parts) - Coleman, Christopher
The Funeral processions of New Orleans are famous for their accompanied, mournful, traditional jazz bands. The return journeys however are completely different, with a celebratory 'picking up' of the tempos and the use of "kicking" syncopations, all in the affirmation of life after death. Chris Coleman's wonderful New Orleans snapshot brings a whole new world to the meaning of the wind band.Duration: 08:00
Estimated dispatch 7-14 working days
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£75.99Acclamation! (A Global Greeting for Winds) (Concert Band - Score and Parts) - Reed, Alfred
Here is an exciting new work from the master of concert band scoring to help bring the band world into the new millennium. This composition is characterized by a variety of styles and tempos from the very rhythmic opening section in a moderate tempo, to the lushly orchestrated slower sections. Throughout the piece Dr. Reed uses a marvelous palette of symphonic colors and soaring melodies to create this exceptional new addition to the concert band repertoire.
Estimated dispatch 7-14 working days
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£154.99
Achnaton Wind Band Set (Score & Parts)
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered in a revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at his side. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyed himself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reign Achnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was the centre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping to forget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the 'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'. 09:00
Estimated dispatch 7-14 working days
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£105.00Danceries (Set I) (Concert Band - Score and Parts) - Hesketh, Kenneth
The term 'Danceries' can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century (and no doubt earlier). This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping! The melodies themselves are a mixture of new and old--well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set.Movement 1: Lull me beyond thee. Gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name 'Poor Robin's Maggot' - a rather disconcerting title; maggot, however, in seventeenth-century parlance meant whim or fancy. This theme can also be found in The Beggar's Opera by John Gay (first performed in 1728) under the title 'Would you have a young lady' (Air 21).Movement 2: Catching of Quails. A colourful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-bodied tuttis. The last few bars fade away to almost nothing before a final surprise!Movement 3: My Lady's Rest. A tender pavane, also on an original theme, with Moorish leanings. Solos for principal winds and brass contrast with warmer tutti passages. The movement culminates with a final presentation of the theme before evaporating in held flute and trumpet chords.Movement 4: Quodling's delight. The final movement to the set combining one of the melodies from Playford's Dancing Master ('Goddesses') with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.Duration: 12.00
Estimated dispatch 7-14 working days
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