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£84.50
Jubilant Festival - Bill Calhoun
Jubilant Festival is a joyous piece that begins with a fanfare-like gesture and then leads to an uplifting melody in the woodwinds. This is followed by excellent counter-melodies melody in the woodwinds. This is followed by excellent counter-melodies in the middle voices and well-scored lyrical lines. A showcase piece for the young band that can be used at contest or festival performance, Jubilant Festival will impress the judges for sure!
Estimated dispatch 7-14 working days
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£69.99
An Irish Lullaby - Stephen Bulla
What can be more charming than a comely Irish folk melody? This is music that allows the band to play in the rubato style, with much room for expression. Found in an old British publication and simply called "Irish Air," this endearing arrangement is a rhapsodic treatment that takes fragments of the melody and develops them into a large symphonic work. The freedom of tempi allows you to work with your band in a sensitively conducted way that only a beautiful piece like this will allow.There is always room on a concert program for at least one lush, melodic contrast piece. Perhaps this one is for you. It's so difficult to describe a thing of real beauty. Please listen tothe demo recording and hear it for yourself.
Estimated dispatch 7-14 working days
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£79.99
Alleluja - Wolfgang Amadeus Mozart
Melodic contour and lightness of touch infuse Mozart's music with a divine character unmatched by any other composer. According to Dvorak "Mozart is sunshine." Richard Strauss proclaimed "Listen to the remarkable expansion of a Mozart melody. You think it's coming to an end, but it goes farther, ever farther." Alleluja from Exultate, Jubilate is perhaps the best-loved of all Mozart's motet melodies. Give your band the opportunity to experience Mozart's divine gift of melody with James Curnow's sensitive and accessible arrangement today! Charming!
Estimated dispatch 7-14 working days
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£154.99Symphonic Variations - Jacob de Haan
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to amusical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.
Estimated dispatch 7-14 working days
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£84.99
Bundeslied - Jacob de Haan
The melody of Bundeslied originates from Mozart's' Frimaurerkantate (KV62) from 1791. However research has shown evidence that it was probably composed by Johann Holzer, a freemason brother of his, but there is no definite evidence for this. Following the Second World War this melody was used as the basis for the new Austrian national anthem. Micheal Bilkes has adapted this beautiful, stately hymn for concert band. The result is a captivating work for both performers and audience.
Estimated dispatch 7-14 working days
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£82.95
Loudoun Praises - Brian Balmages
This riveting new celebration pulls out all the stops, including dynamic brass fanfares, woodwind flourishes, and an exciting multimetered melody with a dancelike quality. The piece explores an ever-changing palette of colors and eventually has the original melody and multimetered sections collide in a dramatic conclusion. Exactly the kind of music you've come to expect from Brian Balmages! (6:00)
Estimated dispatch 7-14 working days
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£94.99O Christmas Tree
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschtz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
Estimated dispatch 7-14 working days
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£84.99There is a land of pure delight
Isaac Watts (1674-1748) wrote the lyrics of "There is a land of pure delight" and is known as the "Father of English Hymnody". Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs, and some of them survide the ravahes of time. (Joy To The World, When I survey the wondrous cross, I sing the Mighty Power of God) "There is a Land of Pure Delight" is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night, And pleasures banish pain ..
Estimated dispatch 7-14 working days
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£60.99
Interruptions - Steven Bryant
Interruptions is a new, shorter version of one of Bryant's earliest works, Interruption Overture, and is filled with quirky humor and musical mayhem! The music begins with a lively melody using familiar, comfortable harmonies, butis soon interrupted by abrupt dissonance. The music resumes its earlier character, but these loud interruptions rudely reappear, and the music begins to take abrupt turns through different tonalities. The work finally settles intoa four-on-the-floor groove, as the opening melody and the interruptive material learn to coexist, leading to a climactic conclusion. A thoroughly enjoyable work for young bands!
Estimated dispatch 7-14 working days
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£64.99Variants on an Irish folk tune - Timothy Johnson
The Irish folk tune Slane (the melody used in the hymn Be Thou My Vision) forms the foundation for this melodically expansive and inspired work for concert band. A flowing exploration of the melody in variation inspires thelistener with its bold and thrilling progression. The piece remains within reach of a solid grade 3 band but gives the impression of a higher level of composition. A rich variety of style and orchestration make this a goodchoice for festival use as well as concert performance, as well as a great opportunity to study the rich cultural heritage of Ireland. You'll be glad you programmed Variants on an Irish Folk Tune by Timothy Johnson.
Estimated dispatch 7-14 working days
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