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  • £122.50

    Brilliant Beatles - Peter Kleine Schaars

    There have been many arrangements of Beatles' songs for various kinds of ensembles, so rather than just producing a further medley of Beatles' hits, Peter Kleine Schaars has added a new twist to them with this excellent new work. All You Need Is Love and With a Little Help from my Friends pass by in a swing march, Michelle sounds like a newly composed ballad and When I'm Sixty Four is played in Dixie swing style. A Hard Day's Night is transformed into a funk theme with a samba interlude, Let It Be into a slow march, and Ob-La-Di, Ob-La-Da in a rock beat. Experience The Beatles as you have never heard them before.

    Estimated dispatch 7-14 working days

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  • £60.99

    Song And Dance - Richard L. Saucedo

    Exuberant and entertaining, this dynamic work is written all in one tempo and is perfect as a concert opener or festival number. Richard combines a tongue-in-cheek style with some jazzy elements while featuring brief solos for flute, clarinet, and bassoon (or tenor sax). Definitely NOT just some song and dance. Dur: 2:45 Recorded on The Music of Richard L. Saucedo, Vol. 2 - 04002460

    Estimated dispatch 7-14 working days
  • £53.50

    VeggieTales Theme Song

    Not just for little tikes, the music from this smash TV series is attracting the attention of a wide range of ages. The frolicking main theme is full of energy and this arrangement includes some surprises as well! Sure to be a hit!

    Estimated dispatch 7-14 working days
  • £60.99

    Groovee! - Richard L. Saucedo

    Written entirely in 4/4 and using a single tempo throughout, Richard has created a marvelous work for young players that features logical pacing and variety along with a keen sense of rhythmic momentum. Using a recurring interludefor percussion and bluesy elements in the melody, this is effective as a concert piece and also just plain fun to play! Dur: 2:55

    Estimated dispatch 7-14 working days
  • £87.00

    Kentucky 1800 - Clare Grundman

    This classic work for young bands has stood the test of time and continues to appear on many state required lists. Based on three American folk songs (The Promised Land, Cindy and I'm Sad and I'm Lonely) it works just well forprogramming on lighter concerts as it does for contests and festivals. A trusted favorite. (Grade 3) (4:15) Recorded by the North Texas Wind Symphony - Eugene Corporon, conductor. Teaching Music through Performance in Band, Vol.1, Grade 2-3 Reference Recordings, CD-418. Used with permission from GIA Publications, Inc.

    Estimated dispatch 7-14 working days
  • £90.00

    Global Variations - Nigel Hess

    Around the world in just over eight minutes! Although commissioned for a Youth Band, no concessions are made here for lack of technical ability, particularly in the percussion department. The chimes of Big Ben herald the start of a whistle-stop global journey, calling in turn at France, Spain, South Africa, Egypt, Russia, India, China, Australia, South America, and the USA, with a final detour through Ireland and Scotland before hearing Big Ben once more as we arrive home!

    In stock: Estimated delivery 1-3 days
  • £72.00

    Blue and Orange (Flute Solo with Concert Band - Score and Parts) - Wiffin, Rob

    A song and dance for flute with wind band accompaniment. Blue is a gentle, tuneful solo. The accompaniment is very much in a chamber-music style and there are very few places where the whole ensemble plays at the same time. There is nothing overt or dramatic in the music and subtlety and rubato are very much the required manner. It is not a desperately sad piece but is just tinged with a little melancholy. Orange on the other hand is a fiery, driving dance which gives the soloist a chance to display technical prowess. During the outer sections Latin percussion carries the music along but the inner sections are more dissonant and are built on inner rhythm. The two pieces are as contrasting as possible, just like the colours of the title.Duration: 3.15 & 4.15

    Estimated dispatch 7-14 working days

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  • £33.95

    Song of Tranquillity (Trumpet Duet with Concert Band - Score and Parts) - Wiffin, Rob

    A reflective piece featuring two trumpets and band but also playable as a solo for trumpet, trombone or euphonium. The composer wrote Song of Tranquillity just after a close friend died suddenly. It was cathartic, just written to reflect the release from pain to peace. It fits the expressive style and power of the solo brass instruments.Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £44.95

    TRAUMEREI (Simply Classics Concert Band) - Schumann, Robert - Turnbull, Kit

    Traumerei (or Reverie) is the seventh movement from Schumann's Kinderszenen (Scenes from Childhood). The suite was written for piano in 1838 as a musical recollection of his childhood. Originally containing 30 movements the final published edition contained just 13. The movement is just right for that quiet spot in any concert programme. American Grade 2. Duration 2:26

    Estimated dispatch 7-14 working days

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  • £248.99

    Missa Brevis Wind Band Set (Score & Parts)

    Missa Brevis, written for choir and wind band, was commissioned by the Conseil D?partemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX's birth in ?guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei are very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In this option, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. In that case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, you can opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of these options (vocally/instrumentally) is also possible - not just from an artistic point of view (variation), but also from a practical starting point - for example in the case that the choir has rehearsed only two movements. With a full strength, the conductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to Bass Clarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. all brass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combined quartet (two cornets and two trombones) + brass band. Choral parts available separately. 0:20:00

    Estimated dispatch 7-14 working days

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