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£55.50Glorioso (A Fanfare and Procession for Band) (Concert Band - Score and Parts) - Smith, Robert W.
From the word 'glory' (to rejoice triumphantly, to exult) comes the creative force for this very talented composer's work, perfect for your opening or closing concert selection or for your contest appearances. Bold strokes and massive sounds are balanced with soaring, lyrical statements. Percussion is extremely active and contributes to the dynamically punctuated thrusts. This is Robert W. Smith at his finest! Duration: 1.45
Estimated dispatch 7-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£99.99Hidden Light (Loyalty Among Friends) (Concert Band - Score and Parts) - Houben, Kevin
Hidden Light (Loyalty Among Friends), was composed on the occasion of the 75 year membership of Mr Leo Knoben at the Royal Brass Band 'Eendracht Waubach'(NL). From pride and admiration for this exceptional jubilee , but also out of gratitude for his many years of commitment as musician and member of the board, the association chose to have a memorable work written. That assignment resulted in the wonderful choral Hidden Light, for which composer Kevin Houben based himself on the following emotions and oppositions: small vs majestic, submissive vs royal and simplicity vs glory. The work starts in a very modest, dark atmosphere, after which the composition develops into a grand and lofty sound with broad melodies, exploring the full richness and colors of the 'symphonic' wind band. The interesting variety in orchestration - the small, intimate setting at the beginning and the following broad, majestic tutti passages - makes the work very varied, grateful to perform and to listen to. With Hidden Light Kevin Houben has again created an expressive and powerful composition that is highly reflective in nature. This emotional work is a tribute to an exceptional man who has been there for 'his' orchestra all his life, with a warm heart for 'his' musicians. Each musician will recognise the connection and the passion for music in this piece. Duration: 5.30
Estimated dispatch 7-14 working days
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£54.95Christmas Medley (Concert Band - Score and Parts) - Phillips, Richard
Carol sing-a-longs are a popular inclusion in concerts at Christmas time and this Christmas Medley of 6 well-known traditional carols is designed for both that purpose or as a stand alone concert item. Joy to the world, O little town of Bethlehem, Ding dong, merrily on high, Silent Night, Angels from the realms of glory and The First Nowell are arranged in such a way that encourages either hearty singing from the audience or an attractive item for choir and Wind Band. As a stand-alone concert piece it would make either a good opener or finisher to a concert of seasonal music.
Estimated dispatch 7-14 working days
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£10.95
Christmas Medley (Concert Band - Score Only) - Phillips, Richard
Carol sing-a-longs are a popular inclusion in concerts at Christmas time and this Christmas Medley of 6 well-known traditional carols is designed for both that purpose or as a stand alone concert item. Joy to the world, O little town of Bethlehem, Ding dong, merrily on high, Silent Night, Angels from the realms of glory and The First Nowell are arranged in such a way that encourages either hearty singing from the audience or an attractive item for choir and Wind Band. As a stand-alone concert piece it would make either a good opener or finisher to a concert of seasonal music.
Estimated dispatch 7-14 working days
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£275.00Praise Jeruslem! (Concert Band - Score and Parts) - Reed, Alfred
Kovia YeroosaghemVariations on a Armenian Easter HymnA major work of lasting importance for the modern symphonic band or wind ensemble by this acknowledged master of the medium. This set of variations on a 7th Century Armenian Communion Easter hymn calls forth every possible sound, colour and tonal effect, showing off the winds, brasses and percussion of the modern band in all their glory. An overwhelming conclusion that blends an additional six-voice brass choir with the full band makes this one of the finest closing works for a concert in many years.Duration: 16.45
Estimated dispatch 7-14 working days
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£87.50Liturgical Music for Band (Concert Band - Score and Parts) - Mailman, Martin
Liturgical Music for Band, Op. 33, was completed in 1963. Since then, the piece has become a landmark work in the band repertoire with countless performances by several generations of students. The piece is based on four movements selected from the Mass "Proper" and "Ordinary." The band plays in a chime-like style to announce the opening movement, "Introit." The second movement has the same three sections as the "Kyrie" from the Mass (Kyrie eleison -- Christe eleison -- Kyrie elieison). The theme of the third movement is the same rhythm as the word "Gloria," and the style is jubilant, just like the Mass text ("Glory to God in the highest . . . "). The fourth movement, "Alleluia," features an energetic fugue and an exciting climax. Duration: 12.30
Estimated dispatch 7-14 working days
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£52.95Lion of Ireland (Concert Band - Score and Parts) - Watson, Scott
Lion of Ireland is an exciting concert piece based on Brian Boru's March, a traditional Irish tune named for the legendary 11th-century ruler. Framed by dramatic opening and closing statements, the rustic Celtic tune gives way to original material, all in a showcase for band that reflects the valour and glory of the storied last high king of Ireland.Duration: 4.15
Estimated dispatch 7-14 working days
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£104.99Jubilant Prelude Wind Band Set (Score & Parts)
Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Micha?lskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself is heard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section. 04:30
Estimated dispatch 7-14 working days
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