Results
-
£106.95
Tumbleweed - Tyler Arcari
As the title suggests, Tumbleweed evokes the sounds of the American southwest, of the glory days of the American Cowboy and all of the trials and tribulations of living in this unforgiving new frontier. Composer Tyler Arcari painted a sophisticated musical picture that utilizes the total modern concert band.
Estimated dispatch 7-14 working days
-
£50.50
Rise of the Falcon - Robert Leslie Lee
This piece is written to depict the Peregrine Falcon, one of nature's boldest predators. For thousands of years, humans have admired its speed, beauty, power, and fiery spirit. This piece captures the falcon in the glory of flight. An excellent choice for festival performance.
Estimated dispatch 7-14 working days
-
£64.99
Angel Song - Stephen Bulla
This majestic Christmas medley for young band is unusually nice! A creative arrangement you'll want to use year after year, ANGEL SONG is from the pen of one of today's finest composer/arrangers, Stephen Bulla. The inspiring carols "Angels from the Realms of Glory" and "Angels We Have Heard On High" combine in an unforgettable Christmas masterpiece. If you're looking for something fresh and exciting, look no further.
Estimated dispatch 7-14 working days
-
£91.99
Winterfest - Stephen Bulla
An endlessly effulgent offering, Stephan Bulla's WINTERFEST is the perfect choice for making spirits bright at your next winter concert! Buoyant settings of five traditional carols include Hark The Herald Angels Sing, Ding Dong Merrily On High, The First Noel, While Shepherds Watched Their Flocks, and Angels From The Realms Of Glory. This is the kind of exciting Christmas medley that audiences long to hear when they attend a winter performance.WINTERFEST is filled with dynamic effects such as sudden shifts to opposite levels of volume. Lots of upper Woodwind action helps to assure that every player has an enjoyable and memorable experience in rehearsal andperformance.You won't regret placing WINTERFEST in a key position at this year's Christmas concert. It's great fun for everyone!
Estimated dispatch 7-14 working days
-
£60.99All Aboard! - Nathan Farrell
This infectious arrangement uses the old spiritual This Train is Bound for Glory as a boogie style feature with the trombone section as soloists. The train can hardly stay on the rails because the coaches can't stop dancing! Along the way see how many other famous train references you can hear. A fantastic piece that's great fun to play.
Estimated dispatch 7-14 working days
-
£53.50Grand Angelic March
Based on the familiar hymn Angels from the Realms of Glory, the Canadian Brass version originally arranged by Eric Robertson took on a life of its own with a very unique and appealing style. Here is a faithful and effectiveversion scored for band by Robert Longfield. Dur: 2:15
Estimated dispatch 7-14 working days
-
£59.95Two Chorale Preludes - Jack Stamp
"Beach Spring" and "Grace and Glory" are given the full Jack Stamp treatment in Two Chorale Preludes. The signature sound of Stamp's scoring surprises the ear with extended harmonies and rhythmic twists and turns.
Estimated dispatch 7-14 working days
-
£138.00San Pedro de Alcntara - Valdemar Gomes
The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the "salero" of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the "grand finale", in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.
Estimated dispatch 7-14 working days
-
£35.50Triglav - Julius Fucik
Julius Fuc k (1872-1916) appreciated life in Sarajevo. First compositions were written, which soon made him become one of the leading representatives of his profession in Austria-Hungary. Among those works also figured his elaborate piece "Austria's Glory and Honor", which unfortunately remains kind of ill-fated up to now. Yet another area of activities, where Fu k was able to demonstrate his talents was to stage the symphony concerts introduced by him in Sarajevo. Late in fall of the year 1900 Fuc k's time had come, when the regiment deployed from Sarajevo to Budapest. He lived in that metropolis on the Danube for the next some ten years, and during that period most of hisworks were composed. At that time his popularity also grew from day to day. The first performances of his works met with general interest, and not only numerous officers most of them were friends of Fuc k attended these events, they rather were attractions for all ranks of the society. It should also not be overlooked that music publishers were anxious to secure almost each one of his works for their publishing company, and most of them were printed immediately after their premieres. In 1899 the "Laban March" was written as his Opus 44. It was dedicated to Major General Rudolf Laban of Vralje, commander of the 3d Mountain Brigade which was stationed in Nevesinje. The title of the march then changed to "Eiserne Brigade" ("Iron Brigade") until it finally became known as "Danubia". It was first printed as late as 1933 by Bohuslav Leopold (Edition Continental). Leopold was a musician in Fuc k's regimental band, and later a successful publisher. He succeeded in securing the best of Fuc k's works for his company. Sketches of "Triglav" date back to 1903. The title alludes to the highest mountain of the province of Slovenia, and this was probably an apt means in the eyes of the composer to demonstrate his "Slavonic patriotism".
Estimated dispatch 7-14 working days
-
£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
View Music