Results
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£84.60I'm Getting Sentimental Over You - Ned Washington - Ray Woodfield
Estimated dispatch 7-10 working days
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£144.00
I'm Getting Sentimental Over You - Ned Washington - Joze Privzek
Estimated dispatch 10-14 working days
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£89.00
I'm Getting Sentimental Over You - Ned Washington - Jirka Kadlec
Estimated dispatch 10-14 working days
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£124.10I'm Getting Sentimental Over you - George Bassman
Estimated dispatch 7-14 working days
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£94.00Heinzelmannchens Wachtparade (Concert Band - Score and Parts) - Noack, Kurt - Strand, Oyvind
The story of the Heinzellmannchen (Gnomes) is connected to the German city of Cologne. The gnomes were small creatures living underground but appeared during the night, when the people were asleep, doing all the work that had to be done in the city, so that the citizens of Cologne could be lazy, relaxing the whole day. At last, there was a tailor's wife getting so curious about the gnomes that she scattered dried peas onto the floor so that the gnomes slipped and fell, making a lot of noise. The gnomes got infuriated and disappeared forever and the citizens of Cologne must thereafter do all the work themselves.Kurt Noack (1893-1945) was a German composer, arranger and orchestra leader, working mainly with light music and marches. The characteristic piece Heinzellmannchens Wachtparade (Gnome's parade) from 1912 is his most famous composition, originally written for piano.This arrangement is made a little parodic, filled with joyful interjections, trying to give these little gnomes a bit of character, with pictures from Disney's Santa's workshop in mind.Duration: 7.00
Estimated dispatch 7-14 working days
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£119.99Wings to Fly (Concert Band - Score and Parts) - Doss, Thomas
This piece was composed for the youth wind band at the Marienschule in Saarbrcken, Germany. The title praises the importance of an education emphasising freedom, responsibility and getting to know and accepting one's limitations in order to become a well-educated and good-hearted citizen. During the piece, the composer refers to aspects of a typical school-age experience, such as friendship, disappointments, challenges, values and goals. The point is that education gives us all Wings to fly. This is a noble piece, full of variety, with nice sections for all instrumental groups.Duration: 7.15
Estimated dispatch 7-14 working days
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£69.95Aylesbury Dances (Concert Band - Score and Parts) - Wiffin, Rob
The suite Aylesbury Dances was commissioned by the Aylesbury Concert Band to mark the occasion of their 25th Anniversary in 2019. Its three movements depict different aspects of Aylesbury: I. Pavane: The Town - Having read something of the town's history and its architecture I decided I wanted to write something ceremonial with the feel of music from Tudor times. Aylesbury was given its charter and borough status in 1554 by Mary Tudor so I took that as my starting point but then added some harmony that moves forward in time. This fits with the town's motto: Semper Prorsum (Always forward) and also with the Band's evolution from Aylesbury Town Band to Aylesbury Community Concert Band to Aylesbury Concert Band. The music can be defined as a pavane, or a cortege. The sense of procession is slightly disturbed by a 'Blue Leanie' moment. The Blue Leanie is an iconic Aylesbury building, an oblique rhombic prism which stands at an angle of 17% inclination. I took a quaver out of the time signature (I know the maths don't work!) to reflect this and added some bluer harmony at that point. This opening movement gives a sense of the grandeur and heritage of Aylesbury town and a chance for my friends from the brass section to warm up! II. Siciliana: Waterside - To balance the outer two movements, the middle movement of the suite has a slow lilting 6/8 rhythm. It is in the style of a Siciliana, a dance form originating in the baroque era. It is a graceful, tender and melancholic dance, cast here in a minor key and featuring the dark voice of the cor anglais. The Siciliana was often linked with pastoral scenes and Aylesbury itself sits amid some beautiful countryside. It may, therefore, seem a bit of a stretch to call this movement 'Waterside', especially as Aylesbury is so far from the sea, but the town has a theatre of that name and that was the genesis for this particular music. There is a statue of Ronnie Barker in the grounds of the Waterside theatre as he started his career in repertory theatre in Aylesbury, so I included a fleeting reference to the theme music of the comedy programme 'Open all Hours'. III. Frolic: Ducks in a Row - It was impossible to write a piece connected with Aylesbury without considering the famous Aylesbury ducks. Duck rearing was a major industry in the town in the 19th century. The white Aylesbury Duck is a symbol of the town, appearing on its coat of arms and in the logo of the Aylesbury Concert Band! This movement is all about trying to get the little darlings in a row so they can sing their 'Duck Chorus' together but they keep on scattering, flying off or swimming away as quickly as they can manage. It's a bit like watching ducks disperse when my dog jumps into the stream after them. Eventually we get more of them in a row - even though they protest. Hidden amongst the ducks is a reference to Erica Miller, saxophonist and chairman of the band, and there's even a veiled reference to a shark in the hope of getting them out of the water. Ducks in a Row is a fun romp bringing this suite of Aylesbury Dances to a suitably celebratory conclusion.- Rob Wiffin.Duration: 9.15
Estimated dispatch 7-14 working days
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£72.99Flying Colors (Concert Band - Score and Parts) - Buckley, Robert
Third Movement of A Tribute to Arthur Delamont.Imagine a band far off in the distance marching toward you - soft at first, the music becomes louder and louder; the red capes of the band sway in the wind, getting closer and closer. It was this image that inspired Flying Colors. Famed bandmaster Arthur Delamont always programmed a march in his concerts, and the hallmark of his band was their red capes. The work begins very softly with a distant snare drum beat. The trumpets enter quietly with the melody, and with each new melodic entry the music grows and intensifies to a roaring finish. This is a fresh new take on a march, and is sure to please players and audiences alike! Flying Colors is the third movement of A Tribute to Arthur Delamont and was commissioned by the West Vancouver Youth Band.Duration: 3:10
Estimated dispatch 7-14 working days
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£32.95Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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£164.95
Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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