Results
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£52.90Get Ready! (Flexible Ensemble - Score and Parts) - Esplo, Haakon
Finding the perfect opening piece for the concert is important. Get Ready! has a fanfare as a start, a driving rhythmic main part and a grandiose ending that sets the tone for great concerts. With its flex 4-instrumentation, it will be easy to make the piece sound good for both large and small bands. Challenges in all parts make the musicians look forward to playing the overture. Get Ready is also well suited for competitions.Duration: 2.30
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£49.00The Joys of Christmas (Concert Band - Score and Parts) - Romeyn, Rob
A festive and fresh holiday concert opener for beginning band that is sure to be a favorite for both performers and audiences. "Good King Wenceslas" is used as the basis for the work, crafted in a powerful and effective setting. A very creative and lyrical interlude of "Jingle Bells" serves as a beautiful musical moment before the piece ends as it began, powerfully festive. Easy to play and easy to put together, this wonderful selection is also appropriate for more advanced groups with limited rehearsal time. Be sure to include "The Joys of Christmas" in your next holiday concert! Duration: 2.00
Estimated dispatch 7-14 working days
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£49.95Blaydon Races (Concert Band - Score and Parts) - Brand, Michael
Blaydon, near Newcastle upon Tyne in the north-east of England, was for many years the scene of holiday races and the basis for a good time enjoyed by all! Many of those going to the races called into the inns for refreshment as they made their happy way, singing their songs, including the famous Blaydon Races. Brand, Michaels arrangement is somewhat tongue-in-cheek as it begins with the accompaniment and leaves audiences guessing the whereabouts of the tune. The triangle part is a feature throughout, and many provide some scope for amusement during performance.
Estimated dispatch 7-14 working days
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£9.95
Blaydon Races (Concert Band - Score Only) - Brand, Michael
Blaydon, near Newcastle upon Tyne in the north-east of England, was for many years the scene of holiday races and the basis for a good time enjoyed by all! Many of those going to the races called into the inns for refreshment as they made their happy way, singing their songs, including the famous Blaydon Races. Brand, Michaels arrangement is somewhat tongue-in-cheek as it begins with the accompaniment and leaves audiences guessing the whereabouts of the tune. The triangle part is a feature throughout, and many provide some scope for amusement during performance.
Estimated dispatch 7-14 working days
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£44.95Windfall (Concert Band - Score and Parts) - Fraser, Bruce
Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00
Estimated dispatch 7-14 working days
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£45.00Knights Of Chivalry - Randy Navarre
One can easily imagine in the days of Castes and Kings, how this composition may spark the feeling of what it may have been like for Knights of the Kingdoms to not only protect the Lords of the Castle, but also be chivalrous to the Ladies of the Court. Dancing at the feasts and festivals, escorting the royalty to various events. Knights had much more to do than fight. They were allowed to have fun. Sometimes. Like all of our Grade compositions, its main purpose besides giving good and interesting music for young musicians to play, is that it is an opportunity for the band director to teach some aspect of music. This is a great composition for introducing eighth notes and following dynamics. No clarinet crosses the break, and the 1st trumpet's highest note is A (in the staff). Everyone plays rhythmically together. Only the drum part may vary. All chords of the diatonic scale are used to make the harmony more interesting with no accidentals.
Estimated dispatch 12-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£73.00S.O.S. (Concert Band - Score and Parts) - Kjaernes, Bjorn Morten
When the publisher asked me to make an arrangement of an ABBA tune, S.O.S. was the first song I thought of. Its introduction and melody are well suited to play for Wind Band. Admittedly, the key had to be shifted to make it sound good for this instrumentation. To me, this is nostalgia, while for others, the Mamma Mia movie/show will be what they associate with this wonderful song. Apart from a few medleys, few of ABBA's songs are available to Wind Band. So, it was very fun to work on this classic.The arrangement is made quite simply to fit many sizes of bands. Technically, it is also relatively simple both in range and rhythm. As you can see, there are many ways to adjust this arrangement to your own ensemble. Bring out melody lines and the bassline, and a lot is done. If needed, simplify to make it sound nice.Get creative and have fun!- Bjorn Morten KjaernesDuration: 3.30
Estimated dispatch 7-14 working days
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