Results
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£87.70Introduction and Rondo Capriccioso - Camille Saint-Saëns
A brilliant transcription of this very famous violin solo, utilizing a more chamber-like wind ensemble scoring in order to maintain the delicate balance between the soloist and ensemble. Instrumentation: Solo Flute, C Flute 1, C Flute 2, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Bass Clarinet, Bassoon, Horn 1, Horn 2, Trumpet 1, Trumpet 2, Euphonium (T.C. and B.C.), Tuba, Timpani
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£84.99Twinkling Flutes - Richard Comello
Composer Richard Comello observed that there is practically no music written for two flutes accompanied by concert band, so he composed this delightful piece convinced that this it will fill this little gap in the repertoire. Following a solemn baroque style introduction, joyful characteristic flute sounds develop with subtle band accompaniment. The two flute parts can be played by more players so enabling this piece to put your complete flute section in the spotlight.
Estimated dispatch 7-14 working days
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£96.40The Elephant and the Fly - Henri Kling
This newly revised edition of perennial favorite "The Elephant and the Fly" is based on the original parts published in 1918. This updated version includes a full score, in addition to a few adaptations/transpositions to accommodate modern band instruments. Lastly, each of the solo parts is transposed into a variety of keys, such that a variety of soloist combinations are now possible. Instrumentation: Solo Piccolo (or Flute/Clarinet/Trumpet), Solo Trombone (or Bassoon/Bass Clarinet/Tuba), Flute 1, Flute 2, Oboe 1/2, E-Flat Clarinet, Clarinet 1, Clarinet 2/3, Bass Clarinet, Soprano Saxophone (or alternate Alto Saxophone), Alto Saxophone, Tenor Saxophone, BaritoneSaxophone, Bassoon, Horn 1/3, Horn 2/4, Solo Cornet, Cornet 1, Cornet 2/3, Trombone 1/2, Bass Trombone, Euphonium, Tuba, Percussion
Estimated dispatch 7-14 working days
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£125.00Mexican Hat Dance (Flexible Trio with Concert Band - Score and Parts) - Suba, Eduardo
1st Solo part available for: Flute, Clarinet, Alto Sax, Trumpet2nd Solo part available for: Flute, Clarinet, Alto Sax, Trumpet3rd Solo part available for: Flute, Clarinet, Alto Sax, Tenor Sax, TrumpetDuration: 2:00
Estimated dispatch 7-14 working days
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£75.00Two Giants and Ten Thousand Stones - Andrew Duncan
A descriptive work by Scottish composer Andrew Duncan telling the dramatic story of the legendary stone throwing fight between Finn McCool and Finn Gael which formed the spectacular basalt columns of the Giants Causway in Ireland and Fingals Cave in Scotland.The piece was commissioned by and written for the the National School Band Association for the NSBA 2005 County Antrim Youth Band Festival, and is scored for large wind orchestra with additional four Bass Drum parts to be played in the four corners of the hall (amongst the audience) to represent the huge stones crashing into the ground.Scored for:Piccolo;1st Flute;2nd Flute;Oboe;Cor Anglais (English Horn);1st Bassoon;2nd Bassoon;Contra Bassoon;Eb Clarinet;1st Bb Clarinet;2nd Bb Clarinet;3rd Bb Clarinet;Bass Clarinet;Soprano Sax;1st Alto Sax;2nd Alto Sax;Tenor Sax;Baritone Sax;1st Bb Trumpet;2nd Bb Trumpet;3rd Bb Trumpet
In stock: Estimated delivery 1-3 days
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£37.60Courte Ouverture (Wind Band) Tom Juzwiak
'Courte Ouverture' as translated from the French means 'Short Overture'. Written for a medium level ensemble, it commences with a high trill in the piccolo followed by a flourish in the flutes before the main theme is introduced. This primary melody can be heard throughout the selection. It then transitions into an almost hymn-like middle section before an accelerando takes us back to the flute flourish and main theme. This piece uses the music ensemble to its fullest. Memorable melodies and traditional harmonies are spread throughout the instrumentation. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=Qh3e4-XDDxM Sheet music available from www.wind-band-music.co.uk Difficulty Level: Medium Instrumentation: Piccolo Flute Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Trumpet in Bb 1-3 Horn in F 1-2 Trombone 1-3 Euphonium Baritone Horn Tuba Timpani Snare Drum Bass Drum Cymbals Chimes Glockenspiel Xylophone
In stock: Estimated dispatch 1-3 days
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£75.20Variations on Was Lebet - Wind Band (Andrew Wainwright)
A magnificent major work based on the German chorale 'Was Lebet' (O worship the Lord in the beauty of holiness). The piece is made up of five contrasting variations. A majestic, fanfare-like section opens the work, leading into a giocoso classical-style variation. The beautiful Variation 2 is reflective and plaintive, while the next variation is somewhat quirky and volatile in nature. There is a French romantic feel to Variation 4, with a playful waltz providing scope for various soloists around the band to display their musicianship. Variation 5 is fugal in nature, with each section of the band being handed the theme at various points. The sense of motion builds gradually to a grandiose presentation of the theme, the first time that it is heard in its full form, bringing the work to a thrilling, majestic conclusion. *Please note audio and video are of the brass band version. To view The International Staff Band performing the brass band version of the work, please visit https://www.youtube.com/watch?v=LCxs7SpulHY PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Flute/Piccolo Flute 1-2 Oboe 1 Oboe 2/English Horn Bassoon 1-2 Contrabassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-4
In stock: Estimated dispatch 1-3 days
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£50.00American Ballad Variants - Traditional
A fresh and spirited treatment of the traditional American ballad Black Is the Color of My True Love's Hair, this fine piece for a developing band starts with a slow and atmospheric introduction featuring solos by flute and trumpet that hint at the tune. The main section sets the ballad to a driving Latin beat, but the slow reflective mood returns at the end with solos for clarinet, bass clarinet and flute.
Estimated dispatch 12-14 working days
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£174.99Fiori - Thomas Doss
Fiori finds its genesis in a walk through an impressionistic garden. It expresses not only the atmosphere and mood but also tiny and grotesque scenes between the insects. The flute, as a solo instrument, plays a perfect role in this marvellous micro world. It was a challenge for the composer to integrate the sound of the flute through the "fragrance of flowers and exotic plants that fills the air".
Estimated dispatch 7-14 working days
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