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  • £115.60

    Mil etter mil - Kai Eide

    This song performed by Jahn Teigen represented Norway at the Eurovision final in 1978. The result was zero points, but after that, the song soon became very popular in Norway and is one of the biggest hits of his career.This arrangement may easily be a hit on your next concert and will for sure receive more than zero points from you audience. Feel free to invite the audience on a sing-along!

    Estimated dispatch 7-14 working days
  • £420.99

    Symphony of Freedom - Thomas Doss

    "All men are born free and equal in dignity and rights. They are endowed with reason and conscience and are to meet one another in a spirit of brotherhood." This article 1 of the Universal Declaration of Human Rights forms the basic idea behind this majestic Symphony of Freedom. In each of the three movements, the composer picks another angle on this universal theme of freedom. In the first 'Cry for Freedom' it's the Dalai Lama of which the composer is a great admirer. The second movement 'Dream of Freedom' takes the photograph of the deceased three-year-old refugee boy Ailan Kurdi on the beach at Bodrum as a basis. The finale 'Freedom Above All' refers, besides a Bruckner quote, to the music of Ludwig van Beethoven. This movement should be seen first and foremost as an affirmation of life, faith and hope for a better world.

    Estimated dispatch 7-14 working days

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  • £109.99

    James Bond 007

    In this selection of well-known James Bond melodies, arranger Johan de Meij has availed himself of the following themes successively: All Time High (from Octopussy, Roger Moore's last role as secret agent 007),James Bond Theme (from the film Dr. No), For your eyes only and Goldfinger (from the same movie, starring Sean Connery). The most important musical contributor to the James Bond movies has been composerJohn Barry (1933 2011). Apart from the above-mentioned themes of Goldfinger and Octopussy, he has also added to his name the themes of Thunderball, From Russia with Love, Moonraker and Diamonds areForever. He also wrote the music for other famous films such as The Deep, Midnight Cowboy, Born Free and Out of Africa.

    Estimated dispatch 7-14 working days

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  • £79.99

    Scalin' and Wailin' - Thomas C. Duffy

    Scalin' and Wailin' is a flexible, fun piece written with a differentiated instruction model. Three different difficulty levels meet students where they're at in their development and allows space for each to grow. This piece is also ideal for educators and conductors looking for side by side programming - younger ensembles can all play within the easiest group and more advanced ensembles can play within the more difficult groups, all fitting together in one energetic piece. Celebrate BandQuest's 20th anniversary with this special release, and find what works for your ensemble! BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.

    Estimated dispatch 7-14 working days
  • £435.40

    Goldberg 2012 - Svein H. Giske

    The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-

    Estimated dispatch 7-14 working days
  • £179.99

    Up in the Sky - Otto M. Schwarz

    One of man's great dreams has always been to fly high through the air like a bird, free as a bird.There are ancient Greek legends such of those of Daedalus and Icarus, and indeed as early as the 9th century attempts at flight are reputed to have taken place in Arabia. It wasn't until 1783, however, that the invention of hot air ballooning by the Montgolfier brothers in France propelled man through the air for the first time.This colourful work depicts every step of this adventurous ballooning story.

    Estimated dispatch 7-14 working days

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  • £112.50

    Blue Lake - John Barnes Chance

    Commissioned by the Blue Lake Fine Arts Camp in Michigan and premiered in 1971, this dynamic composition by John Barnes Chance has a unique history. The outer sections of the work feature a rhythmic intensity created in part by Chance's free use of eight-note groupings of 2 and 3. However, when first published, the meter was changed to 4/4 resulting in awkward notation of these figures. Through painstaking research by Carl Bjerregaard, Donald Flickinger, and Myron Welch (all connected with Blue Lake) this revised edition restores the asymmetric meters as the composer originally intended.

    Estimated dispatch 7-14 working days
  • £137.70

    Sjakkmatt! - Hans Offerdal

    How do you experience the final thrilling minutes of a chess game when your opponent has taken the upper hand? And how does it actually feel being beaten checkmate? This piece gives you the answers! There are challenges in use of dynamics, articulation, intensity and gradually increasing tempo. Dissonances are present several places, but the voice leading is diatonic and often in repeating patterns. The whole piece is based on one single scale: Bb major scale with augmented fourth and minor seventh. It is notated as a concert Bb major scale with two accidentals. Feel free to use it during warm-up!

    Estimated dispatch 7-14 working days

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  • £140.50

    The Wrangler - Carter Pann

    The Wrangler was written for the James Logan High School wind ensemble (Ramiro Barrera, director) in 2006. The work is evocative of the great old Westerns with Big Sky and grand symphonic music. "The hero is a good man, a free man - very confident and very competent with his stallion and lasso," says the composer, and The Wrangler describes our hero galloping across the breathtaking landscape, encountering a drunken dance at a saloon, avoiding a fight, and more, all packed within an eight-minute envelope. For advanced bands.

    Estimated dispatch 7-14 working days
  • £101.30

    Fiesta Latina - Haakon Esplo

    An entertaining and fun latin piece suitable both in concert and in the street. The piece is easy to play and catchy to listen to. There are many exciting tasks for the whole percussion section.Feel free to add rhythm instruments as desired.

    Estimated dispatch 7-14 working days

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