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  • £53.50

    On the Edge of Tomorrow - Michael Sweeney

    Written for a middle school band in Cedar Rapids, Iowa, the composer states that although commissioned prior to the catastrophic flood of 2008 that affected so many people including students and teachers, the work took on newmeaning as a way to cope with disaster and have faith in a better tomorrow. Displaying a range of emotions from anger to reflection to hope, this is a magnificently powerful overture for young players. Dur: 4:45 (Grade 2)

    Estimated dispatch 7-14 working days
  • £60.99

    The Dragon Prince - Rick Kirby

    This descriptive and engaging work follows the ancient tale of a handsome young prince forced (through evil sorcery) to live part of his life as a dragon. He marries the beautiful Griselda under the condition she never try to uncover his dark secret. Fate and curiosity intervene and she discovers his scaly and hideous identity only to be banished from his kingdom forever. With a significant portion of the fast section scored in 6/8, the music effectively spans emotions ranging from the dramatic, to tenderness, to majestic. Dur: 4:00

    Estimated dispatch 7-14 working days
  • £89.99

    Peterloo Overture - Malcolm Arnold

    For Concert Band. Transcribed by Charles Sayre. From the warmth of the opening theme to the imitation of terrors of battle, this extraordinary selection captures the full spectrum of musical emotions. Essential for yourrepertoire! Duration: ca. 9 minutes.

    Estimated dispatch 7-14 working days
  • £220.80

    The Legend of Karthago - Paco Peña Muñoz

    THE LEGEND OF CARTHAGE is a Symphonic Poem inspired by the ancient city of Carthage, located in modern-day Tunisia. Through his melodies and sound effects, the composer tries to transport musicians, Director and audience, to another time and another place, through different emotions and languages: descriptive, epic, classic or cinematic.European parts free download

    Estimated dispatch 7-14 working days

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  • £119.99

    Arizona - Franco Cesarini

    Arizona is written in a typical three-part overture form. The composition is not strictly descriptive as such, but rather conveys moods and emotions, inspired by impressions of the American desert state of Arizona: the endless, cactus-studded desert landscape, a lone Indian on horseback, the legendary Grand Canyon Railroad, the Petrified Forest and the famous Monument Valley.

    Estimated dispatch 7-14 working days

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  • £76.40

    Postcard from Beijing - Dirk Brossé

    Sir Dirk Bross, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 "Musical Postcards" for wind band, Dirk says the following: "Composing is a commitment; it is my life's mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten 'Musical Postcards' are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery..."

    Estimated dispatch 7-14 working days
  • £92.99

    Final Covenant - Fisher Tull

    As the title implies, the work expresses the deep religious emotions of the promises made by God to mankind. Two thematic elements are employed: the first, a dramatic proclamation, is introduced by horns and subsequently taken bytrumpets and woodwinds - the second plaintive theme, in the manner of a supplication, is presented by oboes followed by flutes and clarinets. The first theme returns leading to a climactic section by the full ensemble. Adevelopment section focuses on fragments from the principal theme culminating in a brief brass fanfare based on the earlier accompanying motives. The recapitulation of the principal theme brings the work to a quiet and peacefulclose. (8:00)

    Estimated dispatch 7-14 working days
  • £83.00

    Letter From Home - Aaron Copland

    Letter from Home was commissioned as a patriotic work in 1944 by Paul Whiteman and his Radio Hall of Fame Orchestra. Composed toward the end of the Second World War, this music suggests the emotions of a soldier reading a letter from home. The music has been described as Copland's 'most sentimental' and reflects his own homesickness while visiting Mexico. This sensitive transcription by Brian Belski has produced another wonderful wind band setting from America's most iconic composer." Craig Kirchoff (Windependence Series Editor)

    Estimated dispatch 7-14 working days
  • £72.95

    Boundless Hope - Mark Lortz

    Starting with a mallet percussion ostinato, this contemporary ballad for developing bands would also work well as a reflective selection for more advanced ensembles or as a contrasting selection in concert or contest. Written to represent thoughts, feelings and emotions during one's life, the composition is based on the Lydian mode, which naturally gives a sense of positivity, hopefulness, inspiration, and heavenly colors. Use this to introduce the study of modes, develop lyrical playing skills and as inspiration for all performers and listeners.

    Estimated dispatch 7-14 working days
  • £149.99

    Jericho - Bert Appermont

    Jericho is the musical translation of the well-known story from the book of Joshua about the capture of the city of Jericho by the Israelites.Part 1 depicts the cruel journey through the desert to Canaan, the promised land. An emotional lamentation for the yearning for a home, for the end of a roaming existence.The capture of Jericho is the theme of part 2. The city cannot be captured immediately and Jehovah orders an impressive army to march around the city for six days. On the seventh day, they marched around the city seven times and the priests blew their trumpets and the people cried so loud that the walls of Jericho came tumbling down. The Jews stormed the city and drove theinhabitants away. The music clearly reveals the marching army and you can hear the walls falling down with a tremendous noise. However, there is quite some artistic freedom in the actual story.A majestic and grand melody subsequently evokes the triumphant emotions that emerged as the fortified city fell (part 3).Following a personal and romantic interpretation, the scene ultimately ends in a typical Jewish feast (part 4) whereby the virtuosity of melodies played by the woodwinds and the passionate rhythms refer to traditional Jewish music. All themes are repeated in this last part in various forms, often simultaneous and in duelling counterpoint. The piece ends with fragments from the main theme of part 1 in major: peace and quiet return at last.

    Estimated dispatch 7-14 working days

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