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£80.00Clair de Lune - Claude Debussy
Clair de Lune was originally written for piano, as the 3rd movement of the Suite Bergamasque by French composer Claude Debussy. This arrangement for trombone and wind orchestra was written at the request of Joe Alessi, principaltrombone of the New York Philharmonic and internationally renowned soloist. There is an alternative solo part included for alto saxophone.
Estimated delivery 7-14 working days
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£58.50
Golliwogg's Cakewalk - Claude Debussy
This excellent arrangement for young band captures all the musical intent of Debussy's original while being extremely accessible to young bands. Andrew Balent has edited the piece so that it remains largely intact, yet holds student and audience interest throughout. A great choice for a light concert piece that also happens to be a classic. (1:13)
Estimated delivery 7-14 working days
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£81.20
The Engulfed Cathedral - Claude Debussy
One of Debussy's most popular works. "The Engulfed Cathedral" has been transcribed in many different forms, and is available for the modern concert band/wind ensemble. Written in a short span of two months, the "Preludes" reveal the evolving 'impressionist' style of the composer during the mid-point of his composing career.
Estimated delivery 7-14 working days
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£87.99The Girl with the Flaxen Hair (Concert Band - Score and Parts) - Debussy, Claude - Sparke, Philip
Claude Debussy wrote his two books of piano Preludes late in life, between 1909 and 1913. The 12 short pieces in each book display a rich variety of styles, moods and emotions almost a summing up of his compositional output and each has its own evocative title. The Girl with the Flaxen Hair is the 8th Prelude in the 1st book and popular for its emotional depth, despite its technical and harmonic simplicity. Indulge your band with this delightful arrangement.Duration: 2:30
Estimated delivery 7-14 working days
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£48.95Golliwogg's Cakewalk (Concert Band - Score and Parts) - Debussy, Claude - Lewis, Brian
This delightful band transcription of a Debussy piano classic is an ideal teaching tool. The piece will help teach tempo, dynamics, and rhythms such as the sixteenth-eighth-sixteenth pattern. The perfect selection for your next concert or contest. Duration: 2:50
Estimated delivery 7-14 working days
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£48.95Golliwogg's Cakewalk - By Claude Debussy / arr. Brian Lewis
This delightful band transcription of a Debussy piano classic is an ideal teaching tool. The piece will help teach tempo, dynamics, and rhythms such as the sixteenth-eighth-sixteenth pattern. The perfect selection for your next concert or contest. (2:51)
Estimated delivery 3-5 days
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£144.99
Whispering Wind - Maxime Aulio
"Don't listen to anyone's advice, but listen to the lessons of the wind passing and telling the history of the world." Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, "mastermind" of poetry, driving force, or heaven's messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy's time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio's work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
Estimated delivery 7-14 working days
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£128.00Ratatouille Satirique - Traditional
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.
Estimated delivery 7-14 working days
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£45.00The Girl with the Flaxen Hair (Flexible Ensemble - Score and Parts)
'La fille aux cheveux de lin' is the original French title of this piano prelude by Debussy. He wrote it in 1910 as one of a set of twelve. Michael Brand's arrangement for Concert Band is firmly established in the repertoire but now he has brought his orchestration skills to the Flexible format which allows many more ensembles to enjoy the subtlety of Debussy's most well-known miniature. Duration: 2.30
Estimated delivery 7-14 working days
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£319.70
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