Results
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£66.95Morris Dance Tunes - Gustav Holst / arr. Douglas E. Wagner
Morris dancing has been part of English culture and tradition for more than five centuries and still flourishes today in all parts of the UK. Douglas Wagner has made use of Holst's charismatic style in these four spirited 'dance' tunes which now each include a brief introduction that also serves as an interlude for this through-played work. A charming cross-cultural addition to the concert band repertoire! This title is available in MakeMusic Cloud. "This attractive educational material will provide many teaching opportunities."-
Estimated dispatch 3-5 working days
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£55.50Irish Air and Dance
Combining contrasting Irish tunes, "The Minstril Boy" and "The Girl I Left Behind Me," this young band work will be warmly received on any program. Opening with a beautiful lyric, legato presentation of the "Air," the work progresses with the energetic "Dance," exploring a variety of textures and concludes with a bold tutti statement. (2:03) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£50.50Dark Forest Dance - F. Scott Kroll
Our adventurers trek through the darkest of woods. In the distance they see a light through the trees. As they get closer, they can see creatures of the forest performing a mystical dance. Beginners will enjoy this exciting concert piece using only the first six notes they have learned in your band.Original Item#: RWS-2007-00
Estimated dispatch 3-5 working days
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£96.00Reflections (Concert Band - Score and Parts) - Langenfeld, Robert
Reflections is a musical portrayal of the people and moments in our lives which shape and change us. Musical elements from various sources are woven into a rich tapestry of sounds and colors that show the full expressive range of the band. Perfect for contest and festivals! Reflections by Robert Langenfeld, was commissioned by a consortium (alumni/friends/family/UCM Bands/ CTS Pubs) for Dr. Russell Coleman in celebration of his 90th birthday and his service as director of bands at the University of Central Missouri (CMSU) for 32 years. Langenfeld was given guidelines for the composition which included a clarinet soli (Coleman is a clarinetist), excerpts from "Dance Prelude" (commissioned by Dr. Coleman and the UCM Phi Mu Alpha chapter, written by Claude T. Smith for the CMSU (UCM) Band in 1978), the UCM Alma Mater and the UCM fight song, "Go Mules." This work was premiered on June 17, 2018 by the Warrensburg Community Band, under guest conductor, Dr. Anthony Pursell, at the 2018 Missouri Bandmasters Association Summer Convention at Tan-Tar-A in Osage Beach, MO. Dr. Russell Coleman has been the conductor for the Warrensburg Community Band since 1985. Duration: 5.30
Estimated dispatch 7-14 working days
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£63.77Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£144.99Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00
Estimated dispatch 7-14 working days
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£52.95Violento (Concert Band - Score and Parts) - Lopez, Victor
Give your students the opportunity of playing a piece for beginning band that is upbeat and full of excitement! Violento is an original beginning band composition by veteran composer Victor Lopez. This exciting work is a forceful and rhythmically driven composition that sounds more difficult than written. A mixture of the danzon, Cuba's unique genre of song and dance, and basic rhythmic interplay give this piece a unique touch. The inclusive, simple, and repetitious rhythmic patterns will certainly make an energetic statement at your next concert. Duration: 2.00
Estimated dispatch 7-14 working days
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£44.95La Chica Sin Nombre (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
A vibrant, rhythmic solo for trombone and band. La Chica sin Nombre was written in March 2020 at the request of Brett Baker. He wanted something in Latin style so I chose to go for a Mambo-type dance piece. This obviously works best with band accompaniment where I would always ask for Conga drums and Mambo Bell/Timbales rather than drum kit. The piece needs to be played with an appropriate feel for Latin music. It should sound light and easy to play but has a few tricky moments! Duration: 4.15
Estimated dispatch 7-14 working days
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£45.00Danza Del Mambo (Concert Band - Score and Parts) - Smith, Robert W.
Using only the first six notes introduced in most band methods, Robert W. Smith gives us "Danza Del Mambo" for beginning band. Written in the classic Cuban dance style, this mambo features the percussion section using standard Latin percussion instruments such as claves, maracas, guiro and agogo bells. The flowing melodic line over the infectious Latin mambo groove will have your musicians moving and the audience dancing in the aisles! Duration: 1.40
Estimated dispatch 7-14 working days
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£75.00Ding Dong! Merrily on High (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Ring in the holidays with this famous Christmas carol, Ding Dong! Merrily on High. The tune first appeared as a French dance in the 1500's. The lyrics were written by George Ratcliffe Woodward and published in 1924 in The Cambridge Carol-Book. More recently, Sir David Willcocks made an arrangement for the second book of Carols for Choirs, on which this arrangement for Concert/Wind Band is based. His original arrangement was in the key of B major, which has been modified to B-flat major to better accommodate the instruments of the band. This represents one of the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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