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£99.99
A Colonial Collage - James L. Hosay
Explore new musical frontiers with COLONIAL COLLAGE! The three most prevalent musical styles of the Revolutionary era- fife and drum music, the country dance and the sacred hymn- are woven together here as a melodic reflection of life and culture in Colonial America.A challenging and rewarding selection for any number of venues, the brilliant opening and beautiful hymnodic sections balance perfectly in this artfully composed original piece by James L. Hosay. Stake your claim to this enticing new work today !
Estimated dispatch 7-14 working days
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£57.50Piper's Rhapsody - James L. Hosay
This delightful medley of timeless Scottish tunes speaks to the piper in all of us. Richly orchestrated and profuse with creative contrast, it will be an exciting addition to your next concert appearance. Regarding preparation, the ranges, rhythms and mixture of styles are right on target for this level band, and Piper's Rhapsody is sure to become a favorite with your musicians. A study of Scotland's culture and how the bagpipe and hornpipe are important would be appropriate. A find!
Estimated dispatch 7-14 working days
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£134.99Dakota - Jacob de Haan
The Dakota (or Sioux) Indians from the American states of North and South Dakota form the central figures in this composition. The work consists of five movements in which the culture and history of these Indians have been portrayed through musical paintings by making use of an old South Dakota Indian melody.
Estimated dispatch 7-14 working days
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£72.99The Florence Fayre - Jan Hadermann
Florence, Italy, was a model of Renaissance culture because of its economy and its writers, painters, architects and philosophers. This descriptive new work paints a picture of a street fair in Florence. You can almost feel the atmosphere andvisualize the bustle of activity taking place in the grand Renaissance square. Bring the past back to life with this attractive and entertaining composition.
Estimated dispatch 7-14 working days
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£202.99Captain Marco - Hayato Hirose
Hayato Hirose composed this dramatic piece based on the great journey of Marco Polo, Italian traveller and one of the first Europeans ever to visit Asia. In the 13th century, he made a long journey from Venice to Mongolia with his father. After his arrival, he was sent to the various regions in Asia by the Mongolian government to take notes about the culture, the people, and the way of life in those areas. Celebrate the life of this great explorer with this dynamic new concert work.
Estimated dispatch 7-14 working days
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£84.99Karma Chameleon - George O'Dowd
Encourage by his role model, David Bowie, British singersongwriter George Alan O'Dowd reinvented himself as a dazzling and stylishly unique artist known as Boy George. Boy George founded the group Culture Club, which had several worldwide hits during the 1980's. One of his biggest hits was Karma Chameleon, which Peter Kleine Schaars has used to create this dazzling arrangement for concert band.
Estimated dispatch 7-14 working days
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£84.99Saltus Hungaricus - László Zempléni
The second half of the 18th century, for the people of East Central Europe, was the time of the awakening of national consciousness. The leading force in the Hungarian enlightenment, the lesser nobility, also regarded as important the national character of the country's culture. A valuable kind of national music was the Hungarian dance music that flourished in the 18th century. The greater part of the repertoire naturally perpetuates the 'Hungarian-style' pieces from the previous centuries (appearing in foreign collections too described as hungaricus, ungaresca, saltus hungaricus or Ungarischer Tanz), but beside these we can encounter contemporary European dances and entertaining instrumental pieces in almost every style. The majority of the sources are collections compiled by non-professional musicians and intendedfor private music-making. In this work the composer uses melodies from the 18th-century Linus dance collection, in trioform, with harmonies and bass appropriate to that period. The musical fabric is rich in counterparts, the sound is mademore colourful with many kinds of percussion instruments. The register and rhythmic simplicity of the parts make thepieces easily playable even by music school pupils.
Estimated dispatch 7-14 working days
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£104.99Hine e hine
E tangi ana cow, Hine e Hine ... Do not cry, girl, do not cry ... Every culture has its own melodies to comfort children to sleep. Jan Gerrit Adema made a beautiful arrangement of this lovely folk melody of the Maori, also called the national anthem of New Zealand.
Estimated dispatch 7-14 working days
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£144.99Three Bites of the Apple - Peter Martin
One of the best known nicknames for a city that is perhaps New York: "The Big Apple". Already in the thirties of the last century, this name is often used in New York jazz scene. With "The Big Apple" Manhattan was intended. It was the place to be. Around 1920 Harlem was the center of a thriving black culture. This period is known as the "Harlem Renaissance". In the famous Cotton Club were many concerts of greats like Duke Ellington. Broadway attracts millions of tourists. Many of them visit here one of the many musicals sometimes for years on the boards are placed. Broadway splashes sparkles and swings. Peter Martin shows usthree bites tests of this imaginary apple. Enjoy!
Estimated dispatch 7-14 working days
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