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£34.95Rosehill
Composer: Albert JakewayDuration: 3:30Series: TradeWinds SilverGrade/Difficulty: 64Arranger: Kevin HornerAlbert Jakeway was born in the Welsh town of Aberdare. Before entering the International Training College in 1914 to become a Salvation Army officer he developed as a musician through the playing of the cornet and euphonium of the Corps band. In 1926 he was transferred to the Music Editorial Department and also became a member of the International Staff Band. During a period of 9 years he was the Bandmaster of the Rosehill Band with whom he made many recordings and broadcasts. Later he directed a number of other significant Salvation Army bands and also served time abroad in Czechoslovakia.Programme NoteMarch Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Armys Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.
Estimated dispatch 7-14 working days
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£29.95Share My Yoke
Simply a wonderful melody, beautifully arranged for cornet and band by Ivor Bosanko. Already universally popular, and featured on many recordings.
Estimated dispatch 7-14 working days
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£72.00Gifted Leadership (March) - Henry Fillmore
Gifted Leadership is a most interesting march with some unique scoring that sets it apart from many more ordinary marches. The woodwind parts are especially intriguing, with much more variety and independence than is frequently found in a traditional march. Fillmore wrote this march to honor the leadership of famed band leader and cornet soloist Frank Simon. It is authentically presented here as Fillmore intended, carefully edited by Robert E. Foster.
Estimated dispatch 12-14 working days
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£140.00Morning, Noon and Night In Vienna - Franz von Suppé
All of the amazing tunefulness and energy, touched with central European warmth that is characteristic of Von Supp's original orchestral overtures is captured in this beloved Fillmore band transcription. Morning, Noon and Night in Vienna adds to the growing repertoire of the Authentic Fillmore Edition. Duration: 8'45" Keys: F Minor; F; Eb Ranges: Cornet - B; Trumpet - E; Horn - E; Trombone - Bb
Estimated dispatch 12-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£115.60Reodors Ballade fra Flklypa Grand Prix - Bent Fabricius-Bjerre
Norwegian Sunset, composed by Danish composer Bent Fabricius-Bjerre, is a famous song in Norway. In the movie Pinchcliffe Grand Prix, it's performed under a starry night by the main character Reodor Felgeny. The arrangement is based on Sigmund Groven's version, and invites the band to feature a soloist on trumpet or cornet. Wide use of cued notes will help the band to achive good balance also for bands with limited instrumentation.
Estimated dispatch 7-14 working days
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£228.70Prelude Festivo - John Brakstad
Prelude Festivo is intended to be performed in concerts and in competitions as well. The work includes solo passages for most instrument groups. Duration 7 minutes. Form: Fast slow fast. The piece is built around two themes. Theme 1 (Allegro con spirito) is the first one presented as a clarinet solo after a fanfare-like opening. Theme 2 is hinted at in the opening bars, but presented fully in the slow (Andante) section (bar 141). This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from theopening bars. The solos for cornet and euphonium may be played by saxophone soli cued in at bars 114 and 128. Parts that are marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.
Estimated dispatch 7-14 working days
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£47.50Purple Carnival - Harold Alford
The first cornet part is the conductor.
Estimated dispatch 7-14 working days
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£149.40En bitte liten funklende stjerne - Numme
This song written by Yngvar Numme and Benny Borg was made popular by Norwegian group Dizzie Tunes on one of their Christmas-albums. This arrangement is based on the Dizzie Tunes version and features the original solo for trumpet or cornet. The Drum Set part is optional so one can perform the arrangement without this part.
Estimated dispatch 7-14 working days
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£174.10Haven't Met You Yet - Michael Bublé
"Haven't Met You Yet" is the first single from Canadian singer Michael Bubl's sixth album, Crazy Love, released on August 31, 2009.[1] According to Bubl, the single and its official music video are "about everyone's dream of finding a relationship and love."[2] Bubl co-wrote "Haven't Met You Yet" with Alan Chang and Amy Foster-Gillies, and dedicated it to his then fiance and now wife, Luisana Lopilato (who appears as his love interest in the music video).In 2012, Nick Jonas covered the song in the TV series Smash, so this music can also be used in a TV/Movie theme concert.Soloist opportunities:Attached is a vocal lead that can be used with the arrangement. It is then recommended to dampen the melody in the ensemble, especially on the verses. (See list below)There are some performers or groups that can have these bars as solos:9-17Flygelhorn (Cornett/Trompet -Flyte)17-24Altsax (Flyte / Tenorsax)37-45Altsax45-52Euphonium (Trombone)61-69Horn (Alt og tenor sax)78-85Euphonium (Horn)86-95Altsax107-endFlugelhorn (Cornet/Trumpet - Flute)If you want to use an instrumental soloist throughout the piece, they can use the vocal lead and transpose it to their instrument. Then the conductor should dampen or remove the above solos in the band.
Estimated dispatch 7-14 working days
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