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£126.50Variations on a Fourth (Concert Band - Score and Parts) - Sparke, Philip
Variations on a Fourth was written for an innovative project initiated by the Siena Wind Orchestra from Tokyo. Four European and four Japanese composers created a new wind orchestra piece for a special concert held on 15 June 2019 in Bunkyo Civic Concert Hall, where all eight works - that were recorded for a CD release the previous day - were performed. Variations on a Fourth comprises four variations, all of which feature the musical interval of a fourth in much of their melodic and harmonic material. The result is a four-movement work of wide-ranging appeal that will be an absolute joy to play! Duration: 8.00
Estimated dispatch 7-14 working days
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£85.00Nimrod (from Enigma Variations) (Concert Band - Score and Parts) - Elgar, Edward - Hannevik, John Philip
Edward Elgar composed his Variations on an Original Theme, Op.36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances. Nimrod (the mighty hunter before the Lord) has become the most played of the variations, and the movement is dedicated to Elgar's close friend Augustus Jaeger (Jager being German for hunter). Duration: 4.15
Estimated dispatch 7-14 working days
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£104.99Festival Variations (Concert Band - Score and Parts) - Nijs, Johan
Festival Variations is a one-movement concert work by the Belgian composer Johan Nijs. Many lively themes are featured, appearing in a series of diverse variations. The introduction, majestic and proud leads into the initial theme, which immediately creates a festive atmosphere. In the slow, attractive middle part, the band catches its breath for a while. A swift passage finally concludes the work in a fitting manner. A truly festive set of variations.Duration: 6:45
Estimated dispatch 7-14 working days
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£59.95Variations on a Scottish Folk Song (Concert Band - Score and Parts) - Fraser, Bruce
Inspired by the wonderful "Variations on a Korean Folk Song" by John Barnes Chance, "Variations on a Scottish Folk Song" builds variations on theTraditional song "Ye Banks and Braes." It has a particularly beautiful and strong melody. The work opens creating a peaceful atmosphere before launching into the five dance-like variations.
Estimated dispatch 7-14 working days
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£11.95
Variations on a Scottish Folk Song (Concert Band - Score Only) - Fraser, Bruce
Inspired by the wonderful "Variations on a Korean Folk Song" by John Barnes Chance, "Variations on a Scottish Folk Song" builds variations on theTraditional song "Ye Banks and Braes." It has a particularly beautiful and strong melody. The work opens creating a peaceful atmosphere before launching into the five dance-like variations.
Estimated dispatch 7-14 working days
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£154.99Symphonic Variations (Concert Band - Score and Parts) - De Haan, Jacob
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to a musical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.Duration: 11:15
Estimated dispatch 7-14 working days
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£59.95Variations VIII & IX (From Enigma) (Concert Band - Score and Parts) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days
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£11.95
Variations VIII & IX (From Enigma) (Concert Band - Score Only) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days
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£75.00Keltic Variations (Concert Band - Score and Parts) - Hazo, Samuel R.
Themes in Keltic Variations are based on a style of sea chanteys sung by sailors in north western Europe. Written for students at middle and high school levels, Keltic Variations introduces the musical form of simple theme and variations in an artful balance that falls well on audiences' ears but can also serve as a music lesson in modes and rhythms.Duration: 2:45
Estimated dispatch 7-14 working days
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£73.50Arden Variations (Concert Band - Score and Parts) - Edmunds, John F.
Arden Variations is a theme and variations form in three movements, each replete with melodic, harmonic, and rhythmic variations on the simple 8-bar chorale theme of the opening Prelude. Originally intended as an analytical study for students in the composer's Advanced Harmony course at Louisiana State University, the piece seemed to demand further development as each new harmonic device was introduced. Its frequent distant-key modulations and varied rhythmic excursions keep the simple melody alive and interesting throughout its six-and-a-half minute length.Duration: 6:30
Estimated dispatch 7-14 working days
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