Results
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£75.00Star Carol (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Another of John Rutter's favorite carols is Star Carol. This arrangement is written and intended for combined Wind Band and Chorus. However, it is also arranged so that it is complete with Wind Band alone. The choral part is shown in the conductor's score, but is not a part of the instrumental packet. The arrangement is compatible with the published SATB choral version available seperately. The scoring is done with some cue size notations that should be played if performing without the chorus. This will make a delightful addition to any Christmas or seasonal concert.
Estimated dispatch 7-14 working days
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£58.50Homeward Bound (Concert Band - Score and Parts) - Keen, Marta - Karrick, Brant
Homeward Bound is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band. The choral arrangement is by Jay Althouse.
Estimated dispatch 7-14 working days
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£32.95Time Lines (Concert Band - Score only) - Turnbull, Kit
The time line is a western musicological device that allows us to define many of the rhythms used in sub-Saharan music. It is essentially a 12-beat pattern that can be subdivided as 6x2, 2x6, 4x3, or 3x4, which generates many of the polyrhythms that are common in African music. Time Lines is a single continuous work made up of four contrasting sections which are based on various aspects of African dance and choral music. The slow introduction introduces many of the rhythms that the piece is based on and is followed by a fast section which quotes a South African hymn. Abasundu Nabamhlope (the first line of which translates as 'Black and whites, let them give thanks together'. The chorale section which follows makes use of phrases from the hymn Nkosi Sikelel' iAfrika (Lord Bless Africa) which was written in 1897 and has since been adopted as the national anthem of several countries in southern Africa. The final allegro section sees the drawing together of the various dance and choral elements used in the piece with the percussion section playing rhythmic patterns generated by the time line.Duration: 13:30Recorded on QPRM151D TIME LINES: Great British Music for Wind Band Vol.12 (Royal Northern College of Music)
Estimated dispatch 7-14 working days
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£164.95
Time Lines (Concert Band - Score and Parts) - Turnbull, Kit
The time line is a western musicological device that allows us to define many of the rhythms used in sub-Saharan music. It is essentially a 12-beat pattern that can be subdivided as 6x2, 2x6, 4x3, or 3x4, which generates many of the polyrhythms that are common in African music. Time Lines is a single continuous work made up of four contrasting sections which are based on various aspects of African dance and choral music. The slow introduction introduces many of the rhythms that the piece is based on and is followed by a fast section which quotes a South African hymn. Abasundu Nabamhlope (the first line of which translates as 'Black and whites, let them give thanks together'. The chorale section which follows makes use of phrases from the hymn Nkosi Sikelel' iAfrika (Lord Bless Africa) which was written in 1897 and has since been adopted as the national anthem of several countries in southern Africa. The final allegro section sees the drawing together of the various dance and choral elements used in the piece with the percussion section playing rhythmic patterns generated by the time line.Duration: 13:30Recorded on QPRM151D TIME LINES: Great British Music for Wind Band Vol.12 (Royal Northern College of Music)
Estimated dispatch 7-14 working days
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£84.99Os Justi (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner is probably best known today as a symphonist however he was also a significant composer of religious works, motets and masses, and the composer of the great Te Deum. These choral works portray equally as much of Anton Bruckner's power as his symphonies. With his unique gift for unlocking the secret and beauty of choir singing he was a true master in this genre. This arrangement for concert band by Thomas Doss retains the character and homogeneity of the original choral work and is a stunning addition to the concert band repertoire.Duration: 3:45
Estimated dispatch 7-14 working days
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£54.95"C" IS FOR CHORALE (Young Band) - Erickson, Frank
The Choral Fantasy varies from the Choral Prelude in that it is much freer in form and style. This number opens with a variation of the fanfare that has been traditionally inserted as an introduction and interlude between stanzas. The chorale is then presented in a traditional harmonization by the full band. The second section is in a faster tempo, and is based on statements of the opening motive of the hymn presented in fugal style
Estimated dispatch 7-14 working days
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£69.99Music for the Youngsters Wind Band Set (Score & Parts)
An easy suite with short parts for winds and percussion. 1. Entry - festive intrada 2. Choral - question and answer in a solemn choral 3. Tune - attention to articulation 4. Canon - many possibilities 5. Penta - eastern sounds 6. Swinging Out - a swinging encore piece 06:30
Estimated dispatch 7-14 working days
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£109.99Catedrales - Bert Appermont
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Estimated dispatch 7-14 working days
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£244.99
Zenith of Maya - Satoshi Yagisawa
By 200 B.C. the Mayan civilization was expansive, from the Yucatan Peninsula well into Central America. Their highly advanced technology still amazes us today, including their discovery of an accurate calendar derived from detailed astronomical observations and the use of the "0" in sophisticated mathematics.I. Royal ceremony and sacrifice of renewalThe first movement describes Mayan civilization at its zenith. An initial theme heralds admiration for a great king. A graceful choral then captures the magnificent setting of the Mayan world. After a folk melody for the populace, the agitated scene of a sacrificial ceremony is portrayed. The regal theme appears again in the coda, concluding in brilliance. This great civilization vanished in 10 A.D., leaving only remnants of a remarkably prosperous world. Thousands of ruins large and small remain locked in a dense world of jungle, with huge crumbled cities having lain forgotten for eight centuries.II. Glorious ruins still ariseII characterizes this civilization from glory, to destruction, to the present with its buried ruins. To begin, stone cities wait silently cloaked in jungle, steadfastly eluding discovery. As time passes slowly, the music reflects back to the glory of the Maya. Though wishing to turn back the hands of time for this incredible civilization, its fate and the gravity of its loss are carried forward in the profound silence of eternal loss. Finally, in the present, we marvel at the thousands of elegant remains, with a choral of praise for those with remarkable wisdom and strength, in a spectacular conclusion.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£112.50
The King Of Love My Shepherd Is
This beautiful setting of a popular hymn has had success as a choral work as arranged by Dan Forrest. Arranger Jess Turner has transcribed Mr. Forrest's brilliant choral setting for the symphonic band, and the result is ultra-lush and incredibly beautiful, dripping with musicality.
Estimated dispatch 7-14 working days
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