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£89.99Turn the Beat Around Wind Band Set (Score & Parts)
In the nineties, the Cuban-American singer Gloria Estefan recorded a sparkling version of Vicki Sue Robinson's disco classic Turn the Beat Around. She gave the song a catchy Latin beat, and with this new impulse, it was a worldwide hit. With the sentence from the song text "Love to hear percussion" in mind, Peter Kleine Schaars incorporated a compelling percussion solo in his arrangement. The result is a dynamic piece of music full of pace and passion. 0:03:27
Estimated dispatch 7-14 working days
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£76.99
African Beat (Concert Band - Score and Parts)
African music can be hard to defi ne, given the sheer variety it contains. However, certain characteristics can be described as typically African. For African Beat Andr? Waignein made use of two such features that feature throughout the work: a ubiquitous African rhythm and an 'Afro-pop' style which has emerged in the music of the continent in recent decades. Invite your audience to join you on a colourful musical safari. 04:27
Estimated dispatch 7-14 working days
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£37.62
Big Beat Boogie (Concert Band - Score and Parts)
Not only is this appealing and entertaining little boogie tune going to be your beginning students favorite piece, it's also a great exercise to help them learn to count rhythms. Playable with students who know only their first 6 notes. Tons of fun and it sounds really cool! Can't be beat!
Estimated dispatch 7-14 working days
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£60.99Pump it Up! (Concert Band - Score and Parts) - De Haan, Jacob
Energy, an irrepressible call to the dance floor and punchy 'pumping' basses are the perfect mix of ingredients for Pump It Up! Nimble melodies and zestful rhythms over a tight beat supply the rest: this top new title by Jacob de Haan is a sure-fire hit, evoking memories of top entertainment hits such as Cornfield Rock, Queen's Park Melody and Discoduction.Duration: 3.00
Estimated dispatch 7-14 working days
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£108.10
IT AIN'T NECESSARILY SO (Intermediate Concert Band) - Gershwin, George - Naulais, Jerome
from Porgy and Bess - you can't beat a bit of Gershwin.Duration: 3:58 American Grade 3
Estimated dispatch 7-14 working days
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£44.50Doctor Rhythm (Concert Band - Score and Parts) - Bernotas, Chris M.
This is a rocking, fun piece that directors can utilise to teach students to play with a steady and strong beat. It has a bluesy-rock melody, groove accompaniment, and-of course-cowbell! This piece can be a worthwhile vehicle for students to develop understanding of eighth note subdivisions, articulations, dynamics, and phrasing in a fun way.Duration: 2:10
Estimated dispatch 7-14 working days
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£94.99O Christmas Tree
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschtz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
Estimated dispatch 7-14 working days
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£65.00Firefly - Simon Dobson
Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says,"Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to." It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich,Switzerland.Duration: 5-6 minutes.INSTRUMENTATION:Pic, fl1 (2), fl.2 (2), ob, bsn, Eflat cl., cl. 1 (2), cl.2 (2), cl. 3(2), bass cl. - alto sax (2), tenor sax, bar. Sax 5 tpts in B flat (5), 4horns in F (2 optional) (4), 3tbns, euph (2), tuba)2) double bass timp and kit
Estimated dispatch 7-14 working days
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£62.95Tango for Two Left Feet - Terry White
The tango is a very graceful and precise style of Latin dance where the couple performing needs to be totally in sync with each other, as well as the music. Tango for Two Left Feet by Terry White depicts what happens when an inexperienced couple is not in sync, drops a beat or step, and are not in time with the music. In this case, the music drops the beat for them! This composition, in addition to providing rhythmic uniqueness, will allow young musicians the opportunity to learn and be familiar with the most common rhythms associated with the tango style. It also contains some unexpected harmonic twists at times, as well as contemporary harmonies that will provide additional interest to the composition. (2:40) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£126.50Beating Beats - Jan Van der Roost
Beating Beats rhythmically is a rather special piece: more conventional metres are manipulated in such a way that the listener (without score) may be confused and even misled at various points! The 'regular four beat accents in a 4/4 measure for example are often not adhered to, giving the impression of a different metre altogether. However, at the same time it may be that some instruments do follow this "normal" 4/4 metre, thus confusing everyone - performers and listeners alike! On one hand, it is a "simple" piece with very playable and melodic themes, but their mysterious rhythmic makes it not only sound more complicated, but also makes for a greater challenge for both players and the conductor! As is mostly the case with Jan Van der Roost's works, the orchestration is both colourful and contrasting, with every section of the modern wind orchestra used equally. All in all, it's a work full of surprises with some unexpected harmonies and special melodic lines but above all, with metrical and rhythmical sure to catch you unawares!
Estimated dispatch 7-14 working days
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