Results
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£46.90One Moment in Time (Flexible Ensemble - Score and Parts) - Bettis & Hammond - Fernie, Alan
8 Part Flexible Ensemble and Percussion
Estimated dispatch 7-14 working days
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£53.60Opera Pops (Flexible Ensemble - Score and Parts) - Woodfield, Ray
8 Part Flexible Ensemble and PercussionIncludes:Brindisi from La TraviataCarnival of VeniceAnvil Chorus form Il TrovatoreToreador's Song from CarmenMio Babbino Caro from Gianni SchicciChorus of the Hebrew Slaves from NabuccoGrand March from Aida
Estimated dispatch 7-14 working days
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£176.00ORPHEE AUX ENFERS Overture (Advanced Concert Band) - Offenbach, Jacques - Naulais, Jerome
Orpheus in the Underworld Overture. Duration: 8:30
Estimated dispatch 7-14 working days
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£59.40Our Director - Bigelow, F. E. - Swearingen, James
One of the most famous marches of all time, "Our Director" is the perfect march to teach your mid-level band the 6/8 march style. James Swearingen's new edition provides a full concert band instrumentation and has wonderful attention to detail such as articulations and dynamic markings. A superb choice for any contest or concert performance! VERY HIGHLY RECOMMENDED!
Estimated dispatch 7-14 working days
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£49.50
Outback Rhapsody (Concert Band - Score and Parts)
Outback Rhapsody introduces the delightful music of Australia in a contest style piece. It is perfect to reinforce 6/8 time in 2. It combines 3 popular folk songs from Australia and would be great to use in a multicultural presentation.
Estimated dispatch 7-14 working days
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£51.48
Over The Stone
This unique work combines two ancient Celtic folk tunes, and blends them into a high-quality musical composition. Opening with the lyrical 3/4 melody "Over the Stone," the piece transitions to the rollicking 6/8 jig "Road to Lisdoonvarna." An excellent work for mid-level bands, "Over the Stone" is a solid choice for concert or contest.
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£46.90Paso Doble (Flexible Ensemble - Score and Parts) - Woodfield, Ray
8 Part Flexible Ensemble and Percussion
Estimated dispatch 7-14 working days
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£154.99
Piccola Suite Italiana (Concert Band - Score and Parts)
With this new suite for concert band Franco Cesarini draws on the rich repertoire of folk songs from the Friuli Venezia Giulia region of northern Italy. Between the 16th and 17th Century this rural region developed the 'furlana', a brilliant dance in 6/8 time. This catchy dance soon spread throughout Europe and became more cultivated. Fran?ois Couperin (1668-1733), Georg Philipp Telemann (1681-1767) and Johann Sebastian Bach (1685-1750) all composer of the 18th century composed 'furlane' and in the 20th Century Maurice Ravel used a 'furlana' dance his Tombeau de Couperin. Franco Cesarini follows this great tradition by using the 'furlana' as the basis for this major new concert work. 08:49
Estimated dispatch 7-14 working days
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