Results
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£1.95A Patriotic Festival (3 Part Mixed Choral Octavo) - Williams, Mark
This useful medley combines four rousing patriotic numbers (I'm A Yankee Doodle Dandy, America, and America The Beautiful, and Battle Hymn Of The Republic) into one glorious choral work. The optional band accompaniment is easy and effective. A fine choice for choir and band, combined choirs or choir alone. Duration: 3.00
Estimated dispatch 7-14 working days
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£45.951, 2, 3, 4 (Concert Band) - Higgenson, Tom
1, 2, 3, 4 is the second single from the Plain White T's certified Platinum album, Big Bad World. The song spent 26 weeks on the Hot Adult Top 40 Tracks, and has been compared to the band's earlier hit "Hey There Delilah." This smooth, acoustic rock tune is sure to be hit with your group!
Estimated dispatch 7-14 working days
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£69.993 Pops 4 You Wind Band Set (Score & Parts)
A Pop Festival in three parts: 1. Purple Pop - Great heavy rock with some modern sound here and there. Attention to the syncopation! 2. Pink Pop - A dreamy ballad with an open ending. 3. Plastic Pop - Finale with heavy percussion! 05:00
Estimated dispatch 7-14 working days
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£72.20FAVOURITE HYMN TUNES Vol.3 (Easy Concert Band) - Woodfield, Ray
Includes: Sandon (Purday); Crimond (Irvine); Gerontius (Dykes); St. Gertrude (Sullivan). These four best known and colourfully arranged hymns (introduction and three verses) are perfectly suited for warming-up, as well as Church services and concerts. Every Hymn has a playing time of 3 to 4 minutes. Grade: Easy.
Estimated dispatch 7-14 working days
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£112.95SYMPHONY No.3 JFK (Concert Band) - Boysen Jr, Andrew
Andrew Boysen's Symphony No. 3 "JFK" honors the life of the great U.S. presidents: John Fitzgerald Kennedy. In one continuous movement, the symphony's sections depicts several aspects of his life: "P.T. 109," "Ask not what your country...," "November 22, 1963," "John-John." In addition to the battery of inventive percussion, the composer calls for a Solo Violin and a Boy Soprano to tell the story.
Estimated dispatch 7-14 working days
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£99.00
The Illumination (Symphony No. 3, 'Don Quixote,' Mvt. 4)
"The Illumination" draws upon the reflection of man at the end of his life for its creative direction. Simple, yet beautiful melodic statements combined with lush harmonies will have the audience reflecting upon the entire story as Don Quixote did at the end of his journey. Quotes from the previous three movements tie the creative work together leading to the glorious ascension into the light. Emotionally powerful, this final movement of "Symphony No. 3: Don Quixote" will bring the audience to their feet celebrating that small bit of Don Quixote that lives in all of us.
Estimated dispatch 7-14 working days
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£82.90
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£82.90
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£165.60Broadway Nights (3 Trumpets & 3 Trombones Solo) - Bertrand Moren
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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