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£64.00
Themes Like Old Times 3
The third in a series of 'Themes Like Old Times' medleys by the master arranger Warren Barker. Includes: 'Ma (He's Making Eyes At Me)', 'My Melancholy Baby', 'Ain't We Got Fun', 'On Moonlight Bay' and 'After You'veGone'.Numbers I and II are great, but III's a charm!
Estimated dispatch 7-14 working days
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£248.99Symphony No 3 - The Great Spirit (Mvt. 1) - Ferrer Ferran
The Great Spirit is a two part symphonic work that Ferrer Ferran dedicated to the famous Spanish architect, Antoni Gaudi. Ferran depicts various stages of the life of this ingenious architect and master of round, organic forms and shapes: from his humble beginnings to working on the Sagrada Familia, which would turn into a life-long task. Mirroring Gaudi's architecture, the musical lines of Gaudi are fluid and organic, the structure expansive, rich in colour and spellbinding, just like the buildings of the great Catalan architect.
Estimated dispatch 7-14 working days
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£289.99Symphony No 3 - The Great Spirit (Mvt. 2) - Ferrer Ferran
The Great Spirit is a two part symphonic work that Ferrer Ferran dedicated to the famous Spanish architect, Antoni Gaudi. Ferran depicts various stages of the life of this ingenious architect and master of round, organic forms and shapes: fromhis humble beginnings to working on the Sagrada Familia, which would turn into a life-long task. Mirroring Gaudi's architecture, the musical lines of Gaudi are fluid and organic, the structure expansive, rich in colour and spellbinding, just like thebuildings of the great Catalan architect.
Estimated dispatch 7-14 working days
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£214.99Symphony No. 3 - Alfred Reed
We are proud to publish Alfred Reed's Third Symphony. From the intensity of the opening meovement to the exquisite counterpoint of the finale, Dr. Reed draws the most from the resources of the contemporary concert band. Written for the U.S. Air Force Band, this powerful three-movement work is certain to be a lasting contribution to the world of band literature.
Estimated dispatch 7-14 working days
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£23.00Mazurka In F Major Op.68 No.3 - Frédéric Chopin
Estimated dispatch 7-14 working days
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£87.00
3 Carols For Christmas - Clare Grundman
Can be performend alone or with any combination of the publicated versions: SATB (48003540), SAB (48003543), SSA (48003542), SA (48003541) or Orchestra (48008259). Contents: Lullaby (Rocking) Coventry Carol The Star.
Estimated dispatch 7-14 working days
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£137.00Symphony #3 Slavyanskaya - Boris Kozhevnikov
This is a remarkable find! With the opening of the Iron Curtain, an incredible wealth of previously unknown symphonic band material has been discovered, and this amazing work stands out as a masterpiece. 14 minutes long, this four-movement symphony for winds is reminiscent of Prokofiev and Ewald, and is as powerful as the orchestral symphonies of Kalinnikov! Top-level symphonic bands will want to consider this important work for their repertoire!
Estimated dispatch 7-14 working days
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£118.99Animation Songs Medley by Joe Hisaishi 3 - Joe Hisaishi
New Sounds in Concert Band Series(NSB) Third medley of the songs by Joe Hisaishi in Studio Ghibli Animation Cinema Duration: approx.7'25" Arranged by Naoyuki Honzawa
Estimated dispatch 7-14 working days
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£36.95Wherever I Look (Movement 3 from Dance Suite) (Concert Band - Score and Parts) - Wiffin, Rob
Wherever I Look, a mambo, is the first movement from Wiffin's Dance Suite.Duration: 4.00
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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