Lincoln Legacy (Concert Band - Score and Parts) - Sweeney, Michael

Michael Sweeney uses When Johnny Comes Marching Home and Battle Cry of Freedom combined with original music to create a dramatic musical montage, commemorating the 75th anniversary of the Lincoln Memorial in Washington, and now the 200th birthday of Lincoln himself.Duration 4:10

Lincoln Legend (Concert Band - Score and Parts) - Harbinson, William G.

A grand Maestoso section featuring a passage for full ensemble begins this piece, where the principal motive for the composition is presented as an ascending figure in the first measure. A transition that utilizes the motive in a quieter, less dense setting is followed by a lyrical Allegretto section, revealing a theme whose opening pitches are taken from the principal motive. A transition (Andante) quickly builds tension and leads to a furious Vivace section, featuring changing meters, rapid scale work, and development of the principal motive. The development climaxes with a return to the opening material (Maestoso) followed by a dramatic tutti conclusion. Duration: 5.45

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Lincolnshire Posy (Concert Band - Score and Parts) - Grainger, Percy Aldridge - Ryan, Michael

Two of Grainger's "bunch of musical wildflowers" including "Harkstow Grange" and "The Lost Lady Found" present no technical challenges, and his signature style and unique harmonic palette are evident in both movements. Plenty of music is found while introducing this master composer and his contribution to our rich musical heritage to your beginners.Duration: 3:45

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Lincolnshire Posy, Finale from (Concert Band - Score and Parts) - Grainger, Percy Aldridge - Vinson, Johnnie

The Lost Lady Found is the final, most conservative setting of Grainger's musical wildflowers masterpiece for band, Lincolnshire Posy. Developing bands can now play an ideal adaptation of this classic band repertiore. Johnnie's careful scoring eliminates some of the extreme range demands of the original, yet is extremely accurate in retaining Grainger's magnificent compositional genius throughout. This work of merit is a must for every concert band library!

Lincolnshire Posy, Suite from (Concert Band - Score and Parts) - Grainger, Percy Aldridge - Vinson, Johnnie

Here's a classic work adapted for developing groups that makes an excellent contest or festival piece. Using three movements from the original six, Johnnie's suite is an excellent chance to play quality literature with your younger band. Includes: I.Lisbon, II.Horkstow Grange, and VI. Lost Lady Found.

Lincolnshire Posy, Two Movements from (Flexible Ensemble - Score and Parts) - Grainger, Percy Aldridge - Sweeney, Michael

Featuring two of the most popular movements from Percy Grainger's cornerstone work for band, this mini suite of Horkstow Grange and The Lost Lady Found is the perfect introduction to Grainger's music for smaller or incomplete ensembles.Duration: 4.50

LINDA MERRICK - CLARINET (Royal Northern College of Music Wind Orchestra) (CD)

Conducted by James Gourlay & Guy Woolfenden. Includes: Battles and Chants (Nigel Clarke); Rondo Variations (Guy Woolfenden); African Dances (Kit Turnbull); Clarinet Concerto (Martin Ellerby); The Pre-Goodman Rag (Malcolm Arnold/Guy Wollfenden)

Lindbergh Variations (Concert Band - Score and Parts)

This superbly crafted set of variations embodies thoughtful compositional techniques and colorful orchestration, both Robert Sheldon trademarks. A marvelous work you can use to great advantage!

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Linden Lea (Concert Band - Score and Parts) - Vaughan Williams, Ralph - Wagner, Douglas E.

The first published composition of Vaughan Williams in 1902 was a setting for voice and piano of a poem by William Barnes. The lyrical folk song quality of the tune makes it an irresistible choice for this arrangement for the beginning concert band idiom. Set in three-four time, the lush arrangement reinforces musicality and the triple meter concept. This setting will certainly make your beginners sound lush and polished.Duration: 2:15

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LINDISFARNE RHAPSODY, A (Flute Solo)(Prestige Concert Band) - Sparke, Philip

Commissioned by Kenneth Bell, principal flute of the Central Band of the Royal Air Force, this delightful work is challenging but approachable and the perfect vehicle for your star flautist! (Grade 5) Performance time 13'31". "Good flautists will find this a good piece to add to their repertoires, as it presents different challenges to the standard solo fare. The solo line is particularly well set against the band as it rarely travels to the lower register of the flute. The work opens with an extended section of lyricism followed by skittish dance. The central ''andante con moto'' is particularly delicate before the final section heads off and ends in a thoroughly unexpected conclusion!" Winds Magazine (Recorded on QPRM129D VENETIAN SPELLS, Central Band of the Royal Air Force)

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