ETE D'AMOUR Summer of Love (Intermediate Concert Band) - Zamfir, Gheorghe - Mortimer, John Glenesk

Duration: 4:00

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Eternal Father, Strong to Save (Concert Band - Score and Parts) - Dykes, John Bacchus - De Haan, Jacob

Eternal father Strong to Save is a arrangement from the chorale of the same name. This work is ideal for use in church services, however it also makes a useful warm-up piece or a quiet interlude in any concert.Duration: 6:00

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Eternal Friendship (Concert Band - Score and Parts) - Yagisawa, Satoshi

This work is a close-up of the encounters and relationships of trust between people, following the idea that friendship lasts forever. After the passing of Satoshi Yagisawa's close friend and work partner, Tsutomu Murata, a designer of Neo Create in August 2020, the composer began work on this piece. Murata performed music for audiences primarily as a leader and conductor of Kurume City Brass, a group which is active in Fukuoka Prefecture in Japan. Eternal Frienship depicts a five-minute chorale which explores how music can convey that a close friend is indispensable to you, more broadly, everyone to someone, much like how Murata conveyed the appeal of music to his audiences. Under the direction of the composer himself, the work had its world premiere and was recorded with the Kobe College Wind Orchestra. Duration: 5.30

Eternal Hope

A dramatic ballad with deep and rich sonorities, Eternal Hope was written simply as a prayer for peace. Weaving throughout the choirs of instruments, the flowing melodies and soaring countermelodies build into a dramatic climax. This emotional composition is David Shaffer at his very best. Perfect for any program setting.

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Eternal Light (Concert Band - Score and Parts) - Meechan, Peter

Eternal Light is a piece of music telling the oldest story of them all, that of good against evil. The saxophones take the lead role, telling their tales of peace throughout the composition, whilst the brass are the forces of evil! They battle throughout the piece, before eventually the saxophones win the day, and good defeats evil in the peaceful conclusion.

Eternal Light (Concert Band - Score Only) - Meechan, Peter

Eternal Light is a piece of music telling the oldest story of them all, that of good against evil. The saxophones take the lead role, telling their tales of peace throughout the composition, whilst the brass are the forces of evil! They battle throughout the piece, before eventually the saxophones win the day, and good defeats evil in the peaceful conclusion.

Eternal Peaks (Concert Band - Score and Parts) - Smith, Robert W.

A stunning contest or concert work for your young band. This energy-packed original is sure to make your young band sound spectacular. Inspired by Colorado, the land of mountains, in this single flowing composition the intent listener will hear the panoramic beauty of the Colorado sunrise with the Rocky Mountains as the backdrop. The power of the dinosaurs, the menacing sheer angles of jagged rocks and the thunder of ancient drums combine to form the first movement entitled In Stone and Shadow. In contrast, Twilight seeks to capture the majestic yet delicate scenery at perhaps the most beautiful time of the day. The final movement entitled "Avalanche" brings together musical and visual imagery to the most powerful of conclusions. Duration: 6.30

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Eternal Vigilance (The Long Brave Line) (Concert Band - Score and Parts) - Jager, Robert

The result of a collaborative commission by the U.S. Air Force Academy Band, the U.S. Coast Guard Band, the U.S. Military Academy Band and the U.S. Naval Academy Band, this major work for band takes its title from a quote attributed to Thomas Jefferson, "Eternal vigilance is the price of liberty," and a variation of the West Point motto, "The Long Gray Line." Opening with a tribute to those who have gone before in service to our country, a solemn, noble theme is presented that reappears near the end of the composition. The main body of the work is a series of march-like themes and idiomatic fragments culminating in a glorious full-band fanfare. Following a restatement of the "noble" theme, a stirring coda brings the music to a climactic close.Duration: 8:30

Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin

This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra

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Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin

This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra

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