Don't Cry for Me Argentina (from Evita) (Concert Band - Score and Parts) - Lloyd Webber & Rice - Sebregts, Ron

Don't Cry for me Argentina is the best-known song from the 1976 musical Evita. It was sung by Eva Peron when she was addressing the crowds amassed in the square below her balcony. More recently it was a hit for Madonna, who sang it in the 1996 film version of Evita. This arrangement for concert band retains the broad emotive melody of the original together with its intense emotion.Duration: 4:45

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DON'T CRY FOR ME ARGENTINA (Young Band) - Lloyd Webber, Andrew - Sweeney, Michael

From Andrew Lloyd Webber's powerful opera Evita, here is a marvelous setting of the well-known main song. Written in moderately slow Latin style, this arrangement contains dramatic emotional peaks and a variety of scoring techniques.

Don't Know Why (Concert Band - Score and Parts) - Harris, Jesse - Murtha, Paul

Recorded by Norah Jones, rarely does a contemporary pop song display such warmth and style in an acoustic setting. With a catchy melody and nice harmonies, this award-winning hit really works well for band.

Don't Start Now (Concert Band - Score and Parts) - Stanford, Tom

Don't Start Now, by the British singer Dua Lipa, is the first single from her second studio album, Future Nostalgia. The accompanying music video was uploaded to her YouTube channel upon the single's release. In the song, the singer tells her ex-lover that she is now over him. She gave her first live performance of it on The Graham Norton Show, after that she sang it a number of times at various award shows, TV programmes and music festivals. This arrangement by Tom Stanford will make sure that this disco pop song will also find its way into the world of wind music. Duration: 3.00

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Don't Stop Believin' (Concert Band - Score and Parts) - Brown, Michael

Don't Stop Believin' as recorded by Journey and known as the signature anthem for the popular TV series Glee, this familiar pop hit from the '80s will sound great in this arrangement for young bands.

Don't Stop Believin' (Concert Band - Score and Parts) - Murtha, Paul

From the original recording by Journey to the recent revival on the hit TV series Glee, here is one of the iconic songs of the '80s in a very playable and easy arrangement for band.

Don't Stop Me Now (Concert Band - Score and Parts) - Mercury, Freddie - Murtha, Paul

Although this tune by iconic band Queen met with a rather cool reception when it was first released in 1979, over the years it has become one of the bands most popular songs thanks in part to frequent use in advertising, television and film. Featuring trademark tight harmonies and a dramatic style shift from moderate ballad to double time rock, this arrangement will sound terrific even with young players.

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Don't You Worry 'bout a Thing (Concert Band - Score and Parts) - Wonder, Stevie - Johnsen, Richard

Don't You Worry 'Bout A Thing is one of the most popular songs by Stevie Wonder and has been performed by various other famous artists throughout the years. The version from Al Jarreau is probably the most well known, and has been arranged by the Norwegian arranger Richard Johnsen. Duration: 4.15

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Dona Nobis Pacem (Concert Band - Score and Parts)

Dona Nobis Pacem is a three-part round by an unknown composer. It can be performed for many occasions, both in and outside church, often being used at Christmas. By the time of the holy crusades, this melody was incorporated into the Mass Ordinary (the manual of the holy mass). Dona Nobis Pacem is a free fantasia on this round, which itself naturally forms a part of the piece. If desired you can add vocals (solo or choir) to the band to enhance the spiritual feel of this fantastic work. 06:30

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Dona Nobis Pacem (Concert Band - Score and Parts) - Schubert, Marty

In the rich chalumeau register, a solo (or soli) clarinet voice quietly introduces the hauntingly beautiful melody. Layering into the texture, other voices add timbre and depth. The phrasing is exquisite, and teaching opportunities for legato playing abound. A modulation from B-flat to E-flat allows even more sonorities as the work moves to its conclusion. Serious music educators should look closely at this piece. Duration: 2.45

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