The Temptations, Best of (Concert Band - Score and Parts) - Vinson, Johnnie

No group did more to help establish the Detroit Motown sound of the '60s than the Temptations. Here is a medley of their biggest hits arranged for young players. Includes: Ain't Too Proud to Beg, Papa Was a Rollin' Stone, My Girl and Get Ready.

The Tennessee Dance (Concert Band - Score and Parts) - Jabovski, Tony

Duration: 3:15

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The Tenth Planet (Concert Band - Score and Parts) - Story, Michael

This original program piece was inspired by the notion that another planet exists on the furthermost edge of our solar system. It captures the imagination of performers an listeners alike. A mysterious introduction begins the musical journey that concludes with a bold flourish. Duration: 2.15

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The Theory of Everything, Music from (Intermediate Concert Band - Score and Parts) - Johannsson, Johann - Longfield, Robert

The acclaimed movie?The Theory of Everything?is a poignant look at the life of renowned scientist Stephen Hawking. The accompanying award-winning soundtrack by Johann Johannsson beautifully sets the tone and mood for the film. Exploring a variety of scoring techniques and tonal coloUrs, here is a marvelous adaptation for the concert stage.

The Thin Red Line (Military Band Marchcard Set) - Alford, Kenneth J.

The Thin Red Line is based on two bars of the Band of the 2nd Battalion of the Argyll and Sutherland Highlanders regiment's bugle call. The title and term originated in a journalist's description (a "thin red streak tipped with a line of steel") of the appearance of the red-coated Argylls (under their alternate name of the 93rd Highland Regiment) as they stood before, and repelled, a vastly superior force of Russian cavalry at the Battle of Balaclava during the Crimean War.

The Third Man Theme (Concert Band - Score and Parts) - Karas, Anton - Mashima, Toshio

Anton Karas grew up in a modest household in Vienna and became a self taught zither vituoso. He wrote the legendary Harry Lime Theme for the 1949 British film noir The Third Man. The melody became so popular, many people began calling The Third Man "The Zither Movie"! Toshio Mashima carefully turns this typically Viennese melody into a creative piece for concert band.Duration: 4:30

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The Thirteen Days of Christmas (Concert Band - Score and Parts) - Jennings, Paul

That famous family outcast, Wolfbane Armadillo Mozart is up to his musical shenanigans again, putting his trademark on each of the Twelve Days of Christmas. Guaranteed to loosen up even the dullest of audiences.

The Three Elizabeths (Military Band - Score and Parts) - Coates, Eric - Duthoit, W. J.

Army Journal 723Includes:I. Halcyon Days (Elizabeth Tudor) Duration: 7:00II. Springtime in Angus (Elizabeth of Glamis) Duration 7:20III March - Youth of Britain (The Princess Elizabeth) Duration 5:10.Total Duration: 19:30.Each set includes Conductor (Condensed Score); 2 x Solo B flat Clarinet; 2 x 1st B flat Cornet; 2 x Basses and 1 each of all other parts as originally published. We are unable to supply parts not included in the original sets.

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The Three Musketeers (Flexible Ensemble - Score and Parts) - Ceunen, Filip

The Three Musketeers is a three-movement composition for youth ensemble, in which the three musketeers are illustrated one after the other.I. Athos is brave and courageous, but can also be secretive.II. Porthos is the hooligan of the trio: he wanders merrily through life.III. Aramis is the intellectual of the group.The Three Musketeers is a Flex4 edition. It's an ideal piece for any beginners' orchestra - and is a challenge for everyone!Duration: 3.20

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The Three Musketeers, Op. 8 Wind Band Set (Score & Parts)

Les Trois Mousquetaires (The Three Musketeers) was commissioned by the Miraphone company for the Miraphone Tuba Quartett and the Musique des Gardiens de la Paix (Paris, France). It was premi?red in Guebwiller (France), on 28 June 2003 by its dedicatees.Even if you have never read a line of the mythical novel The Three Musketeers (1844) by Alexandre Dumas, father, you will at least have?heard of the "four invincibles"; four extraordinary names - D'Artagnan, Athos, Porthos, and Aramis - and one unique motto "All for one, and one for all." The musical texture of Les Trois Mousquetaires is focused on specific elements of a character's personality rather than on its influence on the book's plot. Maxime Aulio has largely turned his attention on D'Artagnan, the sensitive, romantic and perfect gentleman who is easily charmed by women such as the gentle Constance Bonacieux and the perfidious Milady de Winter whose beguiling beauty seduced him. The first movement - D'Artagnan - is true to the character of the young provincial noble of the Gascony region: heroic and enthusiastic in all circumstances. The second movement entitled Constance Bonacieux, is romantic, delicate and passionate. The third and last movement is as duplicitous as the bewitching femme fatale its reveals: Milady de Winter.