Angels We Have Heard on High (Concert Band - Score and Parts)

An exciting Christmas Classic arranged for concert band and synthesizer from John Tatgenhorst's popular CBS recording, "Turned On Christmas" as recorded with the London Royal Philharmonic Orchestra.

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Angels We Have Heard on High (Concert Band - Score and Parts) - Del Borgo, Elliot

Elliot Del Borgo's compositions and arrangements will, more often than not, generate heavy rhythmic involvement with an emphasis on contrapuntal writing. This holiday favorite, with that special 'Del Borgo treatment,' is guaranteed to make your concert audience sit up and take notice. Angels with spirit!

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Angels We Have Heard on High (Concert Band - Score and Parts) - Lopez, Victor

Innovative construction permits every section of the band a one-measure solo amidst solid ensemble segments. Imagine your students' pride when they perform their first solo section in this fresh arrangement of the time-honored band classic. Duration: 1.45

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Angels We Have Heard on High (Concert Band - Score and Parts) - Pasternak, John M.

This rock and roll-inspired version of "Angels We Have Heard On High" is sure to leave audiences tapping their toes and singing along. This upbeat arrangement of the classic carol by John Pasternak provides a unique and accessible addition for any holiday concert program. A great chart! Duration: 1.45

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Angels We Have Heard on High (Concert Band - Score and Parts) - Story, Michael

This arrangement of the popular French Christmas carol, Angels We Have Heard on High by Michael Story, has been written for students halfway through their first year in band. It has been scored using just the first few notes presented in most beginning band methods, only quarter, half, and whole note rhythms in the winds, and without a written key signature. Duration: 1.45

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ANGELS WE HAVE HEARD ON HIGH (Concert Band) - Davis & Longfield

Angels We Have Remixed (Concert Band - Score and Parts) - Bankston, Brian

Leave a lasting impression on your band and audience using this familiar Christmas tune with a twist. The harmony has been updated and set to a pop beat complete with a hip-hop break-down. Your young ensemble will have fun and feel confident with the limited ranges and basic rhythmic ideas. This will be a hit at your holiday concert. Duration: 2.00

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Angels' Carol (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

The music was adapted and arranged by Lowell Mason in 1839 from an older melody which was then believed to have originated from Handel, not least because the theme of the refrain (And heaven and nature sing...) appears in the orchestra opening and accompaniment of the recitative Comfort Ye from Handel's Messiah, and the first four notes match the beginning of the choruses Lift up your heads and Glory to God from the same oratorio. However, Handel did not compose the entire tune. As of the late 20th century, Joy to the World was the most-published Christmas hymn in North America.

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Angels, from the Realms of Glory (Concert Band - Score and Parts) - Smith, Robert W.

Angels, from the Realms of Glory by James Montgomery was first published in 1816 under the title Nativity. Through the years, it has undergone transformations and revisions, but none more powerful than this stunning setting for your concert band. Using a five-note motif (the first five notes of the traditional carol), the work proceeds from gentle beginning to dramatic finale. Individual instruments and instrumental choirs are showcased, allowing for bracing timbral shifts and tonal modulations.Duration: 5:00

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Angelus ad Virginem (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks

Angelus ad Virginem (or its English title, Gabriel, From Heven King Was To The Maide Sende) was a popular medieval carol,whose text is a poetic version of the Hail Mary and the Annunciation to the Virgin Mary. Probably Franciscan in origin, it was brought to Britain by French friars in the 13th century. It is said to have originally consisted of 27 stanzas, with each following stanza beginning with the consecutive letter of the alphabet. Surviving manuscripts may be found in a c. 1361 Dublin Troper (a music book for use at Mass) and a 13th or 14th century vellum Sequentiale that may have been connected with the Church of Addle, Yorkshire. Its lyrics also appear in the works of John Audelay (perhaps a priest, he definitely spent the last years of his life at Haughmond Abbey, where he wrote for the monks), in a group of four Marian poems.

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