Rumble on the High Plains (Concert Band - Score and Parts) - Sweeney, Michael

Unleash your percussion section and let the full ensemble do some rumbling themselves on this masterful and unusual work. The composition explores the tumultuous storms across the Kansas plains, as well as emotional and civil storms from the early days of statehood. Filled with bold statements and unparalleled rhythmic vitality (including a percussion duel), the final dramatic and uplifting segment is a tribute to the perseverance and triumph of the human spirit.Duration: 7:00

Rumbobo (Concert Band - Score and Parts) - Brien, Terence

An original composition for concert band.

Rumenye , Rumenye Wind Band Set (Score & Parts)

06:00

  View Music

Rumpelstiltskin! (Concert Band - Score and Parts) - Story, Michael

Based on the German fairy tale, this original work also features excerpts from Grieg's "Morning Mood," Wagner's "Bridal Chorus," and Brahms' "Lullaby." A delightful setting with several style and tempo changes that will capture the imagination of one and all!Duration: 2:45

  View Music

Run to the Edge (Concert Band - Score and Parts) - Dove, Jonathan - Littlemore, Philip

Jonathan Dove's thrilling and energetic showpiece was originally composed for the London Schools Symphony Orchestra (of which the composer was a member). Phillip Littlemore has expertly arranged the work for concert band, providing symphonic wind ensembles with a high velocity joy ride. Duration: 5:00

  View Music

Run Toward the Sky (Concert Band - Score and Parts) - Vargas, Jorge L.

Run Toward the Sky is a fast-paced, vibrant work that evokes images of wide-open spaces, vast wheat-covered fields, and endless stretches of prairie grasslands. With its Western-inspired themes, intricate rhythms, and driving percussion, your students will enjoy performing this piece.Duration: 2.30

  View Music

Runaway Baby (Concert Band - Score and Parts) - Murtha, Paul

Featuring a tuneful melody, a well-constructed form, and an energetic pulse, this Bruno Mars hit adapts quite well for band in this entertaining and dynamic arrangement from Paul Murtha.Duration: 2.15

Runaway Baby (Flexible Ensemble - Score and Parts) - Mars, Bruno - Hume, Rob J.

8 Part Flexible Ensemble and Percussion

  View Music

RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary

The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

  View Music

RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary

The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

  View Music