Parade of the Wooden Soldiers (Concert Band - Score and Parts) - Jessel, Leon - Ford, Ralph

The parade begins with the percussion section at a distance while the flutes introduce the traditional theme. The wonderfully innovative countermelodies interwoven with the conventional theme are certain to have your listeners on the edge of their seats. With a grand flourish, the parade ends while boosting holiday spirits for all. Choose this sparkling interpretation of this classic holiday march on your winter concert. Duration: 2.00

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Parade of the Wooden Soldiers (Concert Band - Score and Parts) - Jessel, Leon - Lavender, Paul

Here's an easy march that everyone will recognise and enjoy playing. Skilfully arranged for beginning groups, Paul's arrangement features easy rhythms and interesting percussion parts.

Parade of the Wooden Soldiers (Concert Band - Score and Parts) - Jessel, Leon - Osterling, Eric

This enjoyable Christmas favorite is certain to promote the holiday spirit in audiences of all ages. Includes an optional muted trumpet solo.

Parade of the Wooden Warriors (Concert Band - Score and Parts) - Gorb, Adam

Parade of the Wooden Warriors is a three minute piece aimed at school and community wind ensembles. It describes the advance and retreat of an imaginary army in ancient times. The composer attempted to give the music the flavor of a Renaissance dance with the main melody in the Dorian mode and the harmony moving largely in consecutive fifths.

Parade of the Wooden Warriors (Concert Band - Score Only) - Gorb, Adam

Parade of the Wooden Warriors is a three minute piece aimed at school and community wind ensembles. It describes the advance and retreat of an imaginary army in ancient times. The composer attempted to give the music the flavor of a Renaissance dance with the main melody in the Dorian mode and the harmony moving largely in consecutive fifths.

Parade Procession (Concert Band - Score and Parts) - Salerno, Christopher

This piece is designed to create the impression of a marching band passing by during a parade. As the piece begins, the percussion is heard off in the distance, and as the band approaches, more instruments can be heard until the moment the marching band passes by and the entire band is playing. The piece ends as it began, with instruments heard sporadically as the percussion fades away.Duration: 2:15

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Paradiddles (Concert Band - Score and Parts) - Fagan,Gary

Percussionists must learn both the rudiments and the scales. This piece provides the wind players some exposure to the rudiments. Paradiddles creates patterns played by the winds that mimic two types of paradiddles---the single paradiddle and the double paradiddle. This may be the first piece for concert band inspired by, and based on, percussion rudiments.Duration: 5:30

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Paradigm (Concert Band - Score and Parts) - Verdi, Giuseppe

One of the true Verdi classics, arranged by one of the best! Lush score and interesting melodies will make this a 'can't miss' at your next concert.

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Paradiso (from The Divine Comedy) (Concert Band - Score and Parts) - Smith, Robert W.

In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors and audiences can now welcome Paradiso, the fourth and final movement from the symphony. Ethereal percussion is the palate with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating! Duration: 4:45

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Paradox (Concert Band - Score and Parts) - Story, Michael

Paradox derives its name primarily as a reference to the Tritone Paradox. When pairs of electronically synthesized pitches a half-octave, or tritone apart were played consecutively, some listeners hear an ascending pattern while others hear a descending one. Paradox explores the interval of the tritone, both melodically and harmonically. Created by Michael Story, this contemporary musical puzzle will be well received by performers and audiences alike. Duration: 4.00

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