Outward Bound (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

Matthew Curtis' music, notable for its melody and orchestral colouring, reflects his conviction, continually reinforced by experience, that the possibilities of traditional tonality and form are far from exhausted and there remains a great longing for more accessible contemporary classical music among performers and audiences alike. Outward Bound is a spirited concert march, filled with energy, melody, excitement, and a piccolo solo in the grandest tradition. It is sure to become a favorite for bands worldwide!

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Ouverture (Flexible Ensemble - Score and Parts) - Schoonenbeek, Kees

Duration: 5:30

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Ouverture Allemande (Concert Band - Score and Parts)

This festive overture by the Austrian composer Thomas Doss, whose father was German, is intended to be a symbol of the friendship between Germany and Austria, and the countries that border on these two states. In times of union and cooperation, the European thinking should be one of tolerance and openness when it comes to national identities and cultures. European culture has many faces - that is what makes it unique. The shadows of the past, however, should never be forgotten, but they must not obscure the present and the future. Many ghosts wander through this overture, and those who listen carefully will also hear a great master of classical music ghost around. A creative new opening work for any concert. 09:00

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Ouverture Festive (Concert Band - Score and Parts) - Waignein, Andre

This finely crafted jubilant overture explores many 'musical moods' through its expressive rhythmic and melodic framework. The opening section is festive in character with majestic brass fanfares introducing the main theme.The middle section has a grandiose feel and the lively finale conveys extreme passion with the development of a delicate interplay between melody and rhythm. A welcome new piece for any concert.Duration: 5:30

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Ouverture Internationale

Bold and dynamic, this outstanding overture by Ed Huckeby features pulsating rhythms in mixed meters and broad flowing themes that are enjoyable to both the band and the listener. Includes numerous percussion parts that will keep performers interested and involved. Written for and dedicated to the International Music Camp. A superior choice for concert and contest performances and excellent teaching material for developing musicianship in mid-level bands. Very highly recommended!

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Ovation (A Celebration for Band) (Concert Band - Score and Parts) - Story, Michael

Introduced with a bold beginning, Ovation transitions to a charming melodic interlude and then builds to a dynamic conclusion. Scored in A-B-A form with a constant pulse, this Michael Story composition will certainly be a musical celebration for your beginning band.Duration: 2.00

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OVATION (Progress Concert Band) - Ellerby, Martin

Described as a 'Celebratory Prelude', Ovation was commissioned for the 500th anniversary of the Worshipful Company of Musicians in London. The first performance was given at Symphony Hall Birmingham at the Quincentenary Concert on 9 September 2001. Grade 4 Performance time 2'52" (Recorded on QPRM140D DANCING & DRUMMING, Central Band of the Royal Air Force; QPRM146D THE YEAR OF THE DRAGON, Royal Northern College of Music Concert Band)

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Ovation Overture (Concert Band - Score and Parts) - Hosay, James L.

Duration: 6.15

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Over All Bridges (Concert Band - Score and Parts) - Lundkvist, Krister

Over all Bridges is an attractive composition in four distinct sections. The melodies in all sections should be prevalent at all times and presented with spirit. The first theme should be played with clarity and the woodwind triplets could be slurred if preferred by the conductor. The tempo must remain constant despite differing time signatures and the final tune should have breadth and line.

Over All Bridges (Concert Band - Score Only) - Lundkvist, Krister

Over all Bridges is an attractive composition in four distinct sections. The melodies in all sections should be prevalent at all times and presented with spirit. The first theme should be played with clarity and the woodwind triplets could be slurred if preferred by the conductor. The tempo must remain constant despite differing time signatures and the final tune should have breadth and line.