Nobilitas (Concert Band - Score and Parts) - Van der Roost, Jan

The orchestration of Nobilitas is full of warmth and sonority, illustrating the dignified character of the piece. it seems to emanate the solemnity and nobility of an eminence grise such as Yoshihiro Kimura, on whom's character the composer was inspired by.Duration: 3:30

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Noble Heritage (Concert Band - Score and Parts)

"Woodland Hills" is the perfect first contest or concert piece for your youngest of bands. Ed Huckeby has a knack for accessbile scoring while getting the best out of your band, and this is another perfect example.

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Noble Portrait (Concert Band - Score and Parts) - Hodges, Steve

A memorable, plaintive melody presented in a variety of textures highlights this moving piece. Each section of the band has the opportunity to present the expressive theme, while a bold contrasting section provides an effective variation. The expressive and dynamic qualities of this piece will provide a valuable teaching opportunity for the young band.Duration: 2:45

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Noble Procession (Concert Band - Score and Parts) - Osterling, Eric

Here is an easy new march guaranteed to make any beginning band sound great. Solid writing and catchy melodies insure success with this one.

Noble Quest (Concert Band - Score and Parts) - Hodges, Steve

Introduce your students to the minor mode with Noble Quest. Strong unison melodies build confidence in young players while simple rhythms encourage stronger playing. Close your concert with the power and majesty of Noble Quest. Duration: 3.00

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Nobles of the Mystic Shrine (Concert Band - Score and Parts) - Sousa, John Philip - Brion, Keith

This classic Sousa march is now available for the first time in the performance edition actually used and recorded by John Philip Sousa! Long a favorite, this sparkling new edition by Sousa authority Keith Brion incorporates Sousa own recorded post-publication performance practices, as well as a wealth of program notes and teaching materials. One of Sousa's most interesting, mature, and complex marches, it was composed in 1923 for the A. A. O. N. M. S., better known as the Shriners, "Nobles" is one One of the truly great marches of all time! Duration: 3.30

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Nobles of the Mystic Shrine (Concert Band - Score and Parts) - Sousa, John Philip - Fennell, Frederick

Now with a full score provided, here's the original Fennell arrangement of this revered John Philip Sousa march. Although there was always a harp included in the photographs of the Sousa Band, this is the only march in his repertoire that includes a part for the harpist. The part is included and can be played on a synthesizer. This one's a real barn burner. Duration: 3:20

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NOBODY KNOWS (Easy Concert Band) - Naulais, Jerome

Nobody Knows (the Trouble I've Seen) American Grade 2 Duration: 2:51

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Nocturnal Dances (Concert Band - Score and Parts) - Smith, Robert W.

A wonderful addition to the beginning literature with varied textures for the beginning ensembles. Each section presents the melodic material. Beginning with a rhythmic motif, this super work will offer the opportunity for the teaching of listening, reinforcement of independent counting, and due to the driving nature of the composition, will be well received on any performance. Duration: 2.30

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Nocturne (Clarinet Solo with Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Van der Beek, Wil

Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but lyric scenes. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise. After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can be considered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.Duration: 3:30

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