Nimm Dir Zeit (Concert Band - Score and Parts) - Bruss, Hans - Klostermann, Michael

Duration: 3.45

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NIMROD (from Enigma Variations Op.36) (Easy Concert Band) - Woodfield, Ray

Easy.

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Nimrod (from Enigma Variations) (Concert Band - Score and Parts) - Elgar, Edward - Bocook, Jay

This adagio movement from the 'Enigma Variations' provides an excellent opportunity for developing bands to work on tone, blending, intonation, and dynamics. Jay Bocook's arrangement of this classic work should be in every band's library.

Nimrod (from Enigma Variations) (Concert Band - Score and Parts) - Elgar, Edward - Hannevik, John Philip

Edward Elgar composed his Variations on an Original Theme, Op.36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances. Nimrod (the mighty hunter before the Lord) has become the most played of the variations, and the movement is dedicated to Elgar's close friend Augustus Jaeger (Jager being German for hunter). Duration: 4.15

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Nimrod (from Enigma Variations) (Concert Band - Score and Parts) - Elgar, Edward - Reed, Alfred

This is among the most noble and stately music in all of the literature.Duration: 3.00

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Nimrod (from Enigma Variations) (Flexible Ensemble - Score and Parts) - Elgar, Edward - Bocook, Jay

This adagio movement from the Enigma Variations provides an excellent opportunity for developing bands to work on tone, blend, intonation, and dynamics. Jay Bocook's arrangement is designed for smaller bands and features flexible scoring options to fit most any ensemble.

NIMROD (Intermediate Concert Band) - Elgar, Edward - Oliver, Julian

Duration: 4:20

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NIMROD (Programme Concert Band) - Elgar, Edward - Hingley, Barrie

This is possibly Elgar's most famous melody. Used at so many famous ceremonial occasions including the Cenotaph Service and other Festivals of Remembrance throughout the country and, indeed, the world.

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Nine Mile Saga (Concert Band - Score and Parts) - Palange, William

Nine Mile Creek meanders through the picturesque village of Marcellus, NY in the rolling hills and valleys just west of Syracuse and has had a significant impact on the growth of commerce and recreation in the region. This piece celebrates the achievements of the hundreds of students who have been part of this town's band programme.

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Ninth Symphony (Concert Band - Score and Parts) - Barnes, James

Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, "This is my last symphony...this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band." The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that "I have always wanted to write a waltz," and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an "otherworldly" mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. Duration: 40.00

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